Projections(1993)

unseen existence(en)

A collage hosted by "The Pointless", a dying overlord.

Reila(nl)

Tetralogía de las Alucinaciones(es)

Convoque(es)

Re-enactment(en)

For this work Alÿs purchased a gun in Mexico City then walked through the city streets with the weapon in his hand. After eleven minutes he was arrested by the police. The following day he repeated the action, this time in cooperation with the police. By presenting a record of this dramatic action alongside footage of its reenactment, Alÿs blurs the boundaries between documentation and fiction. Questioning the concept of authenticity, this work demonstrates “how media can distort and dramatize the immediate reality of a moment,” the artist has said. Gallery label from Francis Alÿs: A Story of Deception, May 8–August 1, 2011.

All about clandestine girl.(nl)

Hummingbird(es)

Could film gelatin, a 16mm film camera, 3 lenses and film developing chemistry experimentation act as messengers between the spirit and the physical world? a one day trip to the remote town of Panguipulli (Chile) seeks to explore possibilities and to also expand on the power of audio frequencies as a healing instrument. A manifestation of the hummingbird movement? A connection between mind, landscape, sound, latent image? A replication of Rukapillan volcano’s intermittent flows of magma through fissures on the earth’s surface? -Colibri- erupts 16mm single frame experiments & bursts smoke and sonic healing vibrations

Song of the Flies(es)

The experimental animated film Song of the Flies (El Canto de las Moscas), translates the desolation caused by the violence of the Colombian armed conflict through the poetic voice of Maria Mercedes Carranza (1945–2003) and the audiovisual dialogue between 9 Colombian women. In 24 places, as a transit over the course of a day (Morning, Day, Night) a map of terror is drawn where massacres took place in Colombia in the 1990s. Archival images, the artists’ personal memories and the use of loops and analogue materials bring to life the landscapes ravaged by violence and build a polyphony of memory and mourning, a universal song of pain.

Between Science and Garbage(en)

A whirlwind of improvisation combines the images of animator Pierre Hébert with the avant-garde sound of techno whiz Bob Ostertag in this singular multimedia experience, a hybrid of live animation and performance art.

Cormorant(en)

A 16mm experimental short film loosely following a cormorant as it attempts to dry its wings.

Godard Cinema(fr)

Jean-Luc Godard is synonymous with cinema. With the release of Breathless in 1960, he established himself overnight as a cinematic rebel and symbol for the era's progressive and anti-war youth. Sixty-two years and 140 films later, Godard is among the most renowned artists of all time, taught in every film school yet still shrouded in mystery. One of the founders of the French New Wave, political agitator, revolutionary misanthrope, film theorist and critic, the list of his descriptors goes on and on. Godard Cinema offers an opportunity for film lovers to look back at his career and the subjects and themes that obsessed him, while paying tribute to the ineffable essence of the most revered French director of all time.

Saints of the Night(en)

Living in forests untouched by man, these gracious and mysterious fairies use their magical powers to send blessings upon Earth. Do not take their kindness for granted. Especially on the night when the sky opens.

Eautopsie(en)

An enigmatic glimpse of life through precarious vignettes, propelling a narrative through a nebulous and opaque structure that sutures the filmmaker's home movie footage to archival material—from Hollywood narrative films to political selfie videos. A handmade impression of a time suspended between past and present and the ghosts and places occupying it, contemplating the nature and meaning of vision, memory and image making.

Enough of Myself(nl)

Do you ever wonder why you are the way you are? One day I decided to ask myself this question and I have been struggling to put the answer together ever since. “Enough of Myself” is my visualization of this process. When I finally had the headspace to consider my own emotions, it turned out to be a lot harder than I had thought. When you start to examine your own thoughts and patterns, the digging doesn’t stop. You keep digging deeper and finding new connections that you might have preferred stay hidden. But to ignore these things is to give in to them. Growth requires a certain level of vulnerability, not just towards others but towards yourself as well. To grow beyond those negative patterns, you need to look them in the eye first. In my film I tried to capture this emotional process in an array of animations. I hope that I haven’t just captured my own emotional process, but some deeper universal emotions as well.

Memorial(en)

A memorial mourns as time passes

Karikpo Pipeline(xx)

The Karikpo masquerade - a traditional dance of the Ogoni tribe - is transposed onto the remnants of a faded oil industry programme in the Niger delta.

Metamorfosi(it)

Metamorphosis is a real ballet dance on the rocks, interpreted by a great climber, Patrick Berhault, and set in the picturesque countryside of Cote d'Azur and the Lingurian coast. Berhault's evolutions, in the sea, in the grottoes, on the rocks and precipices, are exceedingly difficult but they are chiefly performed to give the movement an aesthetic value. Matemorphosis is the story of a cycle without words, narrated with gestures and music. The climber Monique Dalmasso also partecipates in the film.

Slipped Grasp(en)

Memories trip themselves on threading details, looped my embellishment and deterioration until their separate origins are fused together into a sense. Inaccurate by recollection, reestablished through the abstraction of their obsession- reaching a new understanding through the slipping of their grasp.

Things That Were There(en)

Experimental video art compiled from video taken on an LG Env3 flip phone circa 2009-2010

Untitled #29.95(en)

Originally produced anonymously and distributed by RTMark, Untitled #29.95 tells the story of the commercial art establishment's attempt to turn video art into a precious commodified object through the release of limited editions during the nineties.