Interview with Júlio(2025)

Sirin(ru)

In ancient Russian mythology Sirin is a bird with the head of a woman, a Slavic image of the Greek sirens. The ensemble of ancient Russian sacred music "Sirin" was created to revive ancient Orthodox singing traditions. It is an outstanding musical project performing folk sacred songs. The film tells about the unique work of musicians collecting half-forgotten melodies in the most remote corners of Russia.

Charles Manson: The Funeral(en)

The grandson of notorious killer Charles Manson embarks on an unusual journey to arrange the late cult leader's funeral.

The New Watchdogs(fr)

In 1932, the writer Paul Nizan published "The New Watchdogs" to denounce the philosophers and writers of his time who, sheltering behind intellectual neutrality, imposed themselves as true watchdogs of the established order. Today the watchdogs are journalists, editors, and media experts who've openly become market evangelists and guardians of the social order. In a sardonic manner, "The New Watchdogs" denounces this press that, claiming to be independent, objective and pluralist, makes out it is a democratic force of opposition. With forcefulness and precision, the film puts its finger on the increasing danger of information produced by the major industrial groups of the Paris Stock Exchange and perverted into merchandise.

EXODUS(en)

EXODUS is an intimate, lyrical portrait of Trinity Copeland and Assia Serrano as they struggle to make sense of their lives post-release, exploring the overarching question of: What does life after prison look like? Grappling with the weight of what they’ve done—and what society has done to them—the film explores the burden of absence, the toll of separation, and what it takes to rebuild fractured bonds.

NFL Explained: Super Bowl LIX Apple Music Halftime Show(en)

Taking viewers behind the scenes for one of the most ambitious performances in Super Bowl history, this documentary showcases the planning and execution that brought the show to life, including a nationwide search for the iconic 1987 GNX car, the creation of a four-stage, Game Console-themed setup, and the strategic use of streetlamps. With exclusive interviews, this film reveals the incredible artistry and technical precision behind Kendrick Lamar’s unforgettable halftime show.

Capturing Memories(en)

Time passes, slips away, dissolves. But what if we could hold it for a moment? "Capturing Memories" is a dive into the essence of the inconsistent, an invitation to reflect on the importance of preserving moments before they are lost in oblivion. Through visual fragments, the documentary reveals how small scenes of everyday life carry echoes of the past and seeds of the future. In a world where everything passes, what really remains? This film is a tribute to the art of immortalizing the moment, to the beauty of seeing beyond the present and to the need to give meaning to what may one day become a memory.

Point Of View: 10 Years Of Ariana Grande(en)

Brouillards(fr)

Behave(pt)

In Rio de Janeiro, over many days, the director Maria Ramos witnesses and films the judgment of several teenagers accused of stealing, trafficking and murdering. Underage youths are protected by the Brazilian laws and their faces can not be exposed; therefore, they are replaced by teenagers from poor communities.

Propeler - subkultúry mládeže(sk)

The concept for the film was developed based on sociological research conducted as part of the Youth Subcultures conference in collaboration with the Institute of Sociology of the Slovak Academy of Sciences. The film’s core value lies in its ability to provide an inside look at selected subcultures, achieving an exceptional level of engagement with their members. The filmmakers managed to break through the participants' initial reluctance to openly discuss their experiences. The documentary directly addresses key aspects of these subcultures, including drugs, faith, and personal beliefs. It focuses on six specific groups: the techno scene, graffiti artists, antifascists, religiously oriented youth, skinheads, and young people inspired by Eastern spirituality. The film includes footage from illegal rave parties, graffiti sessions, and other underground activities. Overall, the documentary serves as an insightful map of Bratislava’s contemporary alternative scene.

An hour with Carlo Scarpa(it)

A documentary with and about the legendary Italian Architect Carlo Scarpa.

Mythos: Drachen - Die größten Rätsel der Geschichte(de)

The Humiliated(en)

A very intimate look on Lars von Trier and his cast and crew, during the production of "The Idiots".

Les filles c’est pas pareil(fr)

2024(pt)

Family album(es)

Sandra rummages in the fragments of her memory and photographs in order to reconstruct the portrait of the life and death of her brother.

Layering(en)

This short experimental diary film reveals my struggles with mental illness in my adolescence and queer adulthood while simultaneously reflecting upon my joyous childhood experiences. I investigate when and how my depression began and explain that my relationships with the people I love have supported me through my harder times. The film incorporates footage shot over May and June 2023 and archival home videos. Overall, I aim to resolve my "growing pains" through the medium of diary film and by reconnecting with my younger self.

Let Me Do No Harm(en)

A short documentary and character study about a woman's complex relationship with religion and family.

Riv Kjæft(no)

Fremmed Rase is the rap group that burst out of Trøndelag in the early 2000s, and took the country by storm with playful rhymes, tough beats and explicit vocabulary. “Riv Kjæft” is an adventure about ups and downs from 1997 to 2025, a group with a completely unique legacy, and not least: real, "trøndersk", HipHop.

Recuerdos de Extremadura(es)

Recuerdos de Extremadura is a film essay about memory and the act of filming, where reality and fiction mingle in a sea of memories. In 2018, the director attempted to shoot his first film, The Third Woman, in Cáceres, with his friend Amanda Toro as the main character. However, the project remained unfinished. Years later, this experimental medium-length film returns to those images, confronting the filmed material with the distance of the present. What emerges is a reflection on cinema and memories, on cinema as trace and absence.