The Electronic Super Highway: Nam June Paik in the Nineties(1994)

Carlos(pt)

Nejstarší umění(cs)

A picture about the fine art of prehistoric times, the remains of which have been found in various places on the European continent.

Aleš I.(cs)

The first part of the documentary about the work of the Czech painter Mikoláš Alš called "The Song of Life", which focuses on the part of his work that draws its themes from life in the village.

Aleš II.(cs)

The second part of the documentary about the work of the Czech painter Mikoláš Alš called "Glorious Homeland", which focuses on the part of his work drawing on Czech history.

Miss Interpreted(nl)

A film about the artist Marlene Dumas: - There's no right way to portray or to understand someone. It's just an acknowledgment , not a denial of reality. Here are my paintings.

Semi Colin(en)

Challenging all notions of genre, Semi Colin is a living, breathing art installation. Part performance, part art, part social comment, Colin philosophizes on his life's obsessive work as an erotic artist.

A Day on the Grand Canal with the Emperor of China or: Surface Is Illusion But So Is Depth(en)

Director Philip Haas and artist David Hockney invite you to join them on a magical journey through China via a marvelous 72-foot long 17th-century Chinese scroll entitled The Kangxi Emperor's Southern Inspection Tour (1691-1698), scroll seven . As Hockney unrolls the beautiful and minutely detailed work of art, he traces the Emperor Kangxi’s second tour of his southern empire in 1689.

Le Mural(en)

A documentary short by Barbara Bingley-Verseman about the creation of a monumental outdoor mural by her twin sister, LA-based Kat Bing, and Parisian artist Kekli in the lead up to the Paris 2024 Olympics

Food Design(de)

A look at how form, color, smell, consistency, the sounds made during eating, manufacturing technique, history and stories influence food design.

FUCK TV(en)

After concluding the now-legendary public access TV series, The Pain Factory, Michael Nine embarked on a new and more subversive public access endeavor: a collaboration with Scott Arford called Fuck TV. Whereas The Pain Factory predominantly revolved around experimental music performances, Fuck TV was a comprehensive and experiential audio-visual presentation. Aired to a passive and unsuspecting audience on San Francisco’s public access channel from 1997 to 1998, each episode of Fuck TV was dedicated to a specific topic, combining video collage and cut-up techniques set to a harsh electronic soundtrack. The resultant overload of processed imagery and visceral sound was unlike anything presented on television before or since. EPISODES: Yule Bible, Cults, Riots, Animals, Executions, Static, Media, Haterella (edited version), Self Annihilation Live, Electricity.

The Sun and Richard Lippold(en)

Documentary examining the work of sculptor Richard Lippold, particular his sculpture of the sun at the Metropolitan Museum of Art.

Mi Vida Me Pasa(es)

Arturo Urbiola, independent singer/songwriter, talks about the influence music has had on his life, it's impact, and what's in store for his artistic career after becoming a father.

All this Roughness(es)

An unnamed passer-by is forced to trace a circular route inside an abandoned tram station, facing loss and time. The broken walls act as a channel, transmitting fragmentary, blurred and analogical memories. 

Bomb It(en)

Through interviews and guerilla footage of graffiti writers in action on five continents, the documentary tells the story of graffiti from its origins in prehistoric cave paintings thru its notorious explosion in New York City during the 70’s and 80’s, then follows the flames as they paint the globe.

Mimaroğlu Remix Project(en)

A collection of 8mm film reels from İlhan Mimaroğlu’s archive—once tucked away in whisky boxes—has found new life through art. Curated by director Serdar Kökçeoğlu and producer Dilek Aydın, the project brings together visual artists and musicians to reimagine these long-lost images. Over thirty artists transformed the footage into fifteen distinct audiovisual pieces, blending experimental soundscapes with contemporary video art. The project concludes with a special highlight: the first-ever screening of Mimaroğlu’s silent short film about a street jazz festival, accompanied by Erdem Helvacıoğlu’s dark jazz score.

Still Life(en)

This film explores the transformation of an image from color negative to color positive on one film stock. “The Still Life“ was painted its color negative during the filming and then the exposed film was processed and printed on color negative printstock.

Fluisteraars(nl)

Destroying your own artwork. For many artists it is unmentionable, but Loes Heebink from Kolderveen irreparably destroyed her artwork "Fluisteraars" herself and came up with the idea for a documentary of the same name, directed by Saskia Jeulink.

Hello My Dear(tr)

The documentary is titled after Arkadaş Z. Özger’s poem “Hello My Dear” which had caused much controversy in the period it was first published. Considered to be in defiance of heteronormativity, the said poem includes references to the poet’s personality, his family, his relationship to the society, and his “unexpected” death, which came three years after its publication. Today, 50 years after it was written, the documentary follows these same lines in the poem utilising cinematic elements. The documentary also rediscovers the poetics; reaches out to the family, the comrades, the friendships, departing from the official historical accounts, cognizant of his experience of otherness, in pursuit of the “lost” portrait of Arkadaş Z. Özger.

Les vendredis d'Apostrophes(fr)

Hours and historical meetings, Pierre Assouline has composed an anthology of the best extracts presented in the form of a primer, which he had commented on by a surprised Bernard Pivot.

Interwoven(fr)

Five female artisans from the Innu, Franco-Quebecois, and Zapotec peoples discuss their work. Their techniques, objects, and textile traditions give rise to stories that overlap. Their clothing reflects on identity and otherness.