A Bunch of Questions With No Answers

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Mimaroğlu Remix Project(en)

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A collection of 8mm film reels from İlhan Mimaroğlu’s archive—once tucked away in whisky boxes—has found new life through art. Curated by director Serdar Kökçeoğlu and producer Dilek Aydın, the project brings together visual artists and musicians to reimagine these long-lost images. Over thirty artists transformed the footage into fifteen distinct audiovisual pieces, blending experimental soundscapes with contemporary video art. The project concludes with a special highlight: the first-ever screening of Mimaroğlu’s silent short film about a street jazz festival, accompanied by Erdem Helvacıoğlu’s dark jazz score.

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Cruelty, psychological and sexual violence, humiliations: reality television seems to have gone mad. His debut in the early 2000s inaugurated a new era in the history of the audio-visual. Fifty years of archives trace the evolution of entertainment: how the staging of intimacy during the 80s opened new territories, how the privatization of the biggest channels has changed the relationship with the spectator. With the contribution of specialists, including philosopher Bernard Stiegler, this documentary demonstrates how emotion has made way for the exacerbation of the most destructive impulses.

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The United States of America has been at war for almost all of its 250 years of existence. From the wars of independence to current armed conflicts, its armed forces have not only shaped American identity, but also influenced the political decisions of its leaders. The documentary delves deep into this complex history and analyzes the hot and cold wars that shaped the development of the USA, along with lessons for the future. How have generations of Americans experienced these wars and how have their lives been changed by them? How has military engagement been used to shape the image and role of the USA on the world stage? Do military decisions today shape the world of tomorrow and what are the effects on democracy and society? And as the US president begins his new term in office, the question also arises: what role does the army play in Donald Trump's understanding of the world?

War Photographer
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War Photographer(en)

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Documentary about war photographer James Nachtwey, considered by many the greatest war photographer ever.

The Devil Came on Horseback
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The Devil Came on Horseback(en)

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While serving with the African Union, former Marine Capt. Brian Steidle documents the brutal ethnic cleansing occuring in Darfur. Determined that the Western public should know about the atrocities he is witnessing, Steidle contacts New York Times reporter Nicholas Kristof, who publishes some of Steidle's photographic evidence.

Journey into Gaza
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Journey into Gaza(it)

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“In Gaza you have to get there in the evening, in spring, lock yourself in your room and from there listen to the sounds coming in through the open window.... It's 2018. I am 25 years old and a foreign traveler. I meet young Palestinians my age..”

Waltz with Bashir
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Waltz with Bashir(he)

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An Israeli film director interviews fellow veterans of the 1982 invasion of Lebanon to reconstruct his own memories of his term of service in that conflict.

BETWEEN
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Initially embarking on an unplanned personal filmmaking project, Ilias Boukhemoucha finds himself drawn to the overlooked corners and marginalized communities within Canadian cities.

Vivir de la madera (Kuxtal Ti' Che')
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Vivir de la madera (Kuxtal Ti' Che')(es)

In Mexico, the lack of jobs in villages and communities forces people to migrate to cities in search of opportunities and better income. This is the case of Justino, originally from the village of Muchucuxcáh, in the Yucatán Peninsula, who after traveling to Cancun and encountering problems and suffering there, decided to return to his village and learn to work with wood. Justino demonstrates how humans can interact with nature and their surroundings to have a dignified job.

Frammenti di una Festa Furiosa
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Frammenti di una Festa Furiosa(it)

2021-02-08

Furio’s Furious Fragments & Friends - Furio Jesi (1941 Turin -1980 Genoa), enfant prodige moving between a plethora of disciplines – egyptology, history of religions, German philology, literary criticism - passed away prematurely, not without leaving bright fragments which throw light on mechanisms beneath many socio-cultural practices, for instance regarding cultural belonging, the functions of myth in modern society. He saw kind of “mythological machines” at work underneath our cultural production of meanings, historically determined, departing from a void, something that is still in culture but as residue, a missing link to an alleged authentic experience nowadays compromised up to the point to became just rhetoric, a byword, which is in no way neutral, but a tool, a macchina, for maintaining the status quo and serving the power apparatus. As in the case of holidays, celebrations and festivals.

Another Day in Missouri
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Another Day in Missouri(en)

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An inside look at Jessica Piper, a Democratic Candidate running for a House seat in District 1 of Missouri. This is a snapshot of her mind and what it feels like to run a campaign in an overlooked place.

La Historia Enterrada
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La Historia Enterrada(es)

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Ditadura Reservada
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Ditadura Reservada(pt)

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Gaza Is Our Home
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Gaza Is Our Home(en)

2024-01-12

"Gaza Is Our Home" is a profoundly personal documentary that peels back the layers of devastation within the Gaza Strip, as witnessed through the lens of filmmaker Monear Shaer. His debut documentary was created out of agony as a timely, impactful, and tragic response to the collective anguish of all who call Gaza home... What began as an auto-generated slideshow on Monear’s iPhone of his own trip to see his family in 2021, has since transformed into a feature-length documentary. Through a tapestry of intimate interviews, unfiltered personal footage, and raw storytelling, "Gaza Is Our Home" transcends the political rhetoric and confronts audiences with the agonizing reality and ongoing cruelty thrust upon the film-makers own family. It is more than just a documentary... Rather, "Gaza Is Our Home" stands as a testament to the humanity behind the over 33,362 innocent lives massacred since Oct 2023...

Mahdi Amel in Gaza: On the Colonial Mode of Production
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Mahdi Amel in Gaza: On the Colonial Mode of Production(en)

2024-02-01

Assassinated Lebanese intellectual Mahdi Amel — often dubbed “the Arab Gramsci” — famously said: “He who resists is never defeated.” What use is his thought to us today, and what is our responsibility as image makers to Gaza?

The Diary of Immaculée
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The Diary of Immaculée(en)

2006-06-01

Peter LeDonne and Steve Kalafer chronicle the extraordinary life of Immaculée Ilibagiza, a young African woman who escaped genocide in Rwanda and ultimately found refuge in the United States. Seeking shelter with an Episcopalian minister, Immaculée hid from her attackers inside a bathroom for three long months but stayed centered through prayer and faith.

Aisheen (Still Alive in Gaza)
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Aisheen (Still Alive in Gaza)(en)

2010-02-20

Going behind the usual images of war-torn Gaza, Swiss documentarian Nicolas Wadimoff offers this look at how people survive despite constant threat of danger. Children still play, rappers still create music and families still love one another. In addition to visiting the United Nations Food Distribution Center, Wadimoff films at a derelict amusement park and profiles the DARG TeaM rappers, whose politically charged music proclaims their defiance.

Kill Your TV: Jim Moir’s Weird World of Video Art
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Kill Your TV: Jim Moir’s Weird World of Video Art(en)

2019-11-24

Jim Moir (aka Vic Reeves) explores Video Art, revealing how different generations ‘hacked’ the tools of television to pioneer new ways of creating art that can be beautiful, bewildering and wildly experimental.

The Society of the Spectacle
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The Society of the Spectacle(fr)

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Guy Debord's analysis of a consumer society.

Plaasmoorde: The Killing Fields
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Plaasmoorde: The Killing Fields(en)

2018-09-25

Included in this groundbreaking work are interviews with active farm attackers and serving police officers who confirm corrupt police are complicit in the mass‐slaughter of South Africa’s whites. Their truths are horrifying—a man and woman branded with hot irons and left to die. A husband killed in front of his wife and children. An elderly woman raped, another with half her face blown off from a shotgun. And they all share a common thread: revenge. This is a disturbing documentary—it wrought both an emotional and physical toll on all involved. What’s more, Katie was detained at the airport in South Africa on the orders of the African National Congress (ANC) for her work on this project because Plaasmoorde is the story—the truth—they don’t want you to see. We owe it to the victims—to our fellow man—to listen and to open our eyes to the truth.

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