
The new Longueuil police chief, Fady Dagher, is aware of the challenges he faces. Well positioned for the next five years, he intends to make great changes within this institution. This documentary is an intimate portrait of a man, a vision and an environment into which cameras do not often have access.
Himself
Herself
Himself
Herself
Herself
Herself

The new Longueuil police chief, Fady Dagher, is aware of the challenges he faces. Well positioned for the next five years, he intends to make great changes within this institution. This documentary is an intimate portrait of a man, a vision and an environment into which cameras do not often have access.
2020-02-27
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0.0Take a breathtaking train a ride through Nothern Quebec and Labrador on Canada’s first First Nations-owned railway. Come for the celebration of the power of independence, the crucial importance of aboriginal owned businesses and stay for the beauty of the northern landscape.
0.0For over 50 years, British undercover police officers have infiltrated activist groups, specifically targeting and manipulating women, forming romantic relationships and even having children with them. Now, three women don animal masks and revisit scenes from their past as animal-rights activists who were taken advantage of by spycops in order to reclaim their power, agency and narrative.
0.0Through the eyes of a Quebec Jewish activist, Lea Roback, feminist, unionist, pacifist and communist, A VISION IN THE DARKNESS proposes a modernist vision of Quebec history, from the beginning of the twentieth century to the period knows as « La Grande Noirceur », the Great Darkness.
0.0For the first time, cloistered sisters agree to be filmed for one year in all aspects of their lives. The nuns of Berthierville, the only Francophone community of Dominican nuns in North America for nearly a century, engage in a rare and unique documentary in which exceptional testimonies and archives intermingle.
0.0“Beneath the Concrete, The Forest” is a short experimental documentary that takes us inside an ongoing struggle inside the city of Atlanta, GA between two sides to determine the future of Weelaunee, the biggest contiguous urban forest in the country.
0.0Two well-known Quebec artists (filmmaker Jacques Godbout and playwright René-Daniel Dubois) look at the Battle of the Plains of Abraham. Whose version of this historic event should prevail? Is history best served by documentary or fiction? We also meet Baron Georges Savarin de Marestan and Andrew Wolfe-Burroughs, direct descendants of Montcalm and Wolfe, both of whom died in the battle that would give birth to Canada and to the province of Quebec.
0.0The story of the Quebec Mosque Shooting—the first ever mass shooting in a mosque in the West—is known around the world, but the story of the community that survived the attack is all but unknown. The Mosque: A Community's Struggle is an intimate portrait of the resilient Muslim community of Ste-Foy, Québec, as they struggle to survive and shift the narrative of what it means to be a Muslim, one year after the devastating attack that took the lives of six of their members. As the world moves on, this small mosque and its community fights Islamophobia, harassment and hate speech. How will the community heal and how will they stop the rhetoric that threatens to precipitate further violence?
0.0Summer unveils a new blueberry season in northern Canada. The fields are covered in blue and workers from all over scramble before the frost puts an end to the harvest. And yet this time of year is much more than just picking: it's a time of music and connection.
0.0The world watched in horror as the NYPD was put on trial for the shooting of Sean Bell and Amadou Diallo. The chants of "no justice," "no peace" were heard around the world, but in the end was justice served? In this sequel to IF I DIE TONIGHT, the story continues and follows the next seven years of this case of police brutality. It presents both sides in an effort to find the truth after the culminating trials. This riveting documentary continues to ask the question, "how far has our country actually come?" Features Al Sharpen, Rudy Giuliani, and Eliot Spitzer.
0.0Film about the town of Penge featuring local personalities, housing, shopping, traffic and the Penge formation dancers.
0.0Canadian director Catherine Annau's debut work is a documentary about the legacy of Pierre Trudeau, the long-running Prime Minister of Canada, who governed during the 1970s. The film focuses particularly on Trudeau's goal of creating a thoroughly bilingual nation. Annau interviews eight people in their mid-30s on both sides of the linguistic divide. One tells of her life growing up in a community of hard-core Quebec separatists, while another, a yuppie from Toronto, recalls believing as a child that people in Montreal got drunk and had sex all day long. Annau has all of the interviewees discuss how Trudeau's policies affected their lives and their perceptions of the other side, in this issue that strikes to the heart of Canada's national identity.
0.0Everything about the Quebec visual artist Lyne Lapointe reflects the grip of art on her life. Lesbian and feminist, she tirelessly highlights in her work the challenging position of women in society and in the art world. This concern is the common thread in the story of her life and projects. Despite a serious accident that ended her first series, revolutionary urban creations that earned her international reputation, she reinvents her approach with the tenacity that characterizes her, ultimately becoming the subject of significant exhibitions in Quebec, Canada, and abroad.
This early work from Pierre Perrault, made in collaboration with René Bonnière, chronicles summer activities in the Innu communities of Unamenshipu (La Romaine) and Pakuashipi. Shot by noted cinematographer Michel Thomas-d’Hoste, it documents the construction of a traditional canoe, fishing along the Coucouchou River, a procession marking the Christian feast of the Assumption, and the departure of children for residential schools—an event presented here in an uncritical light. Perrault’s narration, delivered by an anonymous male voice, underscores the film’s outsider gaze on its Indigenous subjects. The film is from Au Pays de Neufve-France (1960), a series produced by Crawley Films, an important early Canadian producer of documentary films.
0.0In this feature-length documentary, six teenage girls, aged 14 to 16, agree to open up and have their private worlds invaded by the camera. They have to face problems that they intend to take on "to the end": early experience of sexuality, belonging to a gang, relationships with parents, social tolerance, friendship... They live tender and pure lives in their own way.
8.0Part documentary, part drama, this film presents the life and work of Jack Kerouac, an American writer with Québec roots who became one of the most important spokesmen for his generation. Intercut with archival footage, photographs and interviews, this film takes apart the heroic myth and even returns to the childhood of the author whose life and work contributed greatly to the cultural, sexual and social revolution of the 1960s.
7.1This pioneering documentary film depicts the lives of the indigenous Inuit people of Canada's northern Quebec region. Although the production contains some fictional elements, it vividly shows how its resourceful subjects survive in such a harsh climate, revealing how they construct their igloo homes and find food by hunting and fishing. The film also captures the beautiful, if unforgiving, frozen landscape of the Great White North, far removed from conventional civilization.
Yagorihwanirats, a Mohawk child from Kahnawake Mohawk Territory in Quebec, attends a unique and special school: Karihwanoron. It is a Mohawk immersion program that teaches Mohawk language, culture and philosophy. Yagorihwanirats is so excited to go to school that she never wants to miss a day – even if she is sick.