An art film about the campaign to save the Joiners Arms, the iconic queer pub in East London. Working directly with members of ‘Friends of the Joiner’s Arms’ and queer actors based in East London, Giles employed participatory workshops and verbatim theatre as structures to produce a discursive social network and the resulting film. The film mixes transcribed scripted dialogue with interjections and commentary from the group.
An art film about the campaign to save the Joiners Arms, the iconic queer pub in East London. Working directly with members of ‘Friends of the Joiner’s Arms’ and queer actors based in East London, Giles employed participatory workshops and verbatim theatre as structures to produce a discursive social network and the resulting film. The film mixes transcribed scripted dialogue with interjections and commentary from the group.
2019-06-12
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Through the spoken stories and testimonies of 4 LGBTQ+ people over 40 years old about their lives, their joys, their hopes, their struggles, and their advice, this documentary aims to contribute to an archive, to the construction of a queer history. But also to the bridging of the communication gap between generations, showing young queer people that it is possible to have a long and happy life. What are the differences and similarities between their lived experience and the one of younger LGBTQ+ people? What can we learn from them and what should we aim to overcome? What links unify this 'community' and what debates split through it? But more than anything: what does it mean to grow old whilst being gay, lesbian, bi, trans, non-binary...? What does that look like? What does the future, which is sometimes so complicated to imagine, have on hold for us?
Drawing on the collections of major Russian institutions, contributions from contemporary artists, curators and performers and personal testimony from the descendants of those involved, the film brings the artists of the Russian Avant-Garde to life. It tells the stories of artists like Chagall, Kandinsky and Malevich - pioneers who flourished in response to the challenge of building a new art for a new world, only to be broken by implacable authority after 15 short years and silenced by Stalin's Socialist Realism.
The early life of Walt Disney is explored in this family film with an art house twist. Though his reality was often dark, it was skewed by his ever growing imagination and eternal optimism.
An assessment of the 20th century's best known artist and his vast achievements through the insights and speculations of over a dozen participants. Filmed on the 100th anniversary of Picasso's birth at MoMA, Musée Picasso, Walker Art Center, Museu Picasso Barcelona. Featuring Henry Moore, Anthony Caro, David Hockney, Roy Lichtenstein, Robert Rosenblum, Clement Greenberg, Roland Penrose and others.
Elles Kiers and Sjef Meijman lived intensively with four Bunte Bentheimer pigs for seven months. During the slaughter month they had their beloved pig Bom killed and then prepared it themselves. The short documentary Blood (Dinanda Luttikhedde, 2011) follows the visual artists in the final phase of their research project into the origin of our food. A valuable ritual unfolds around the processing of this animal.
The film explores the role of photography, since its rudimentary beginnings in the 1840s, in shaping the identity, aspirations, and social emergence of African Americans from slavery to the present. The dramatic arch is developed as a visual narrative that flows through the past 160 years to reveal black photography as an instrument for social change, an African American point-of-view on American history, and a particularized aesthetic vision.
Functions without theaters, murals without walls, clothes without fabrics and students without schools says the necessary about the state abandonment and but also talent and creativity of Colombians, which it has nothing to lose. The documentary tells the story of the beginnings and resilience of several artist from Barranquilla in different disciplines in continuing to maintain and diversify the living culture, that remain to exist.
After the funeral of a parent, Surya, a gay Muslim man, has to choose between coming out and staying in the closet when his mother wants to fix their broken relationship.
For this work Alÿs purchased a gun in Mexico City then walked through the city streets with the weapon in his hand. After eleven minutes he was arrested by the police. The following day he repeated the action, this time in cooperation with the police. By presenting a record of this dramatic action alongside footage of its reenactment, Alÿs blurs the boundaries between documentation and fiction. Questioning the concept of authenticity, this work demonstrates “how media can distort and dramatize the immediate reality of a moment,” the artist has said. Gallery label from Francis Alÿs: A Story of Deception, May 8–August 1, 2011.
A lifetime of loneliness ends when Elise meets a kindred spirit, finally finding understanding and friendship in an unexpected encounter.
Marjetka is living ten years with Maks, who is a painter, and an uncompromising conceptual artist. At first, it seemed different: Max was witty, charming, talented and promising, so he hired Marjetka to reach fame and success. "Well, it is funny today, but fame and money is not coming out of nowhere". The film has a poet, Srecko, Max's mother, an opera singer, and Vilma, Marjetka's friend. In short, the artists themselves, or as Max says from his point of view: "Slovenian - Country artists". And when Marjetka a few days after her 30th birthday, full of doubts about this way of life, which is not to her liking, she realizes that Maks is not only an irreversible bohemian, but also a slacker and sarcastic, she decides to change her life. And this is very radical. Rather than leave it to him.
Mana, a Japanese-American woman who arrives in Tokyo seeking to find a break from her life as an artist, meets Haru, a Japanese woman from the countryside who dreams of becoming an artist herself one day.
Between two Thanksgivings, Hannah's husband falls in love with her sister Lee, while her hypochondriac ex-husband rekindles his relationship with her sister Holly.
Anton Spielmann (18) and his two younger friends Basti Muxfeldt and Jonas Hinnerkort are living in their family homes with their parents in an idyllic village close to Hamburg. The three of them founded the band 1000 Robota. The band has an ambitious aim: „We want to cause creation not to remind of it”, and they want to live up to their ideals. In a society affected by economic pressure 1000 Robota are questioning themselves and others and they don‘t want to meet other people‘s expectations. In a world of excessive supply they are looking for significance and want to unite with others to create a new way of youth culture. But soon they have to face some serious difficulties.
Yi-wol, living in a convent, aims to win a prize at a concours to study abroad and escape. She befriends Jung-yeon, who shares the desire to leave their village, and their bond deepens into something more. However, Yi-wol’s feelings of inadequacy lead to an argument.
Up until the end of her life, Beatrice Wood continued to influence younger artists with her definitive, free-wheeling ways. She was central to the American Dada movement and was the last surviving member of this group. In this program she recalls her friends Man Ray, Picabia and others, and her ex-husband Marcel Duchamp. She died in 1999 at 105 years of age.