Lolita
Brad
Kimberley
Jardinier/Doublure Lolita
Amie N°1
Amie N°2
Grand-Mère
Tracy Flick is running unopposed for this year’s high school student election. But Jim McAllister has a different plan. Partly to establish a more democratic election, and partly to satisfy some deep personal anger toward Tracy, Jim talks football player Paul Metzler to run for president as well.
While visiting her sister in Paris, a young woman finds romance and learns her brother-in-law is a philanderer.
A trigger-happy Nationalist fears retribution from the son of a man he executed. To mollify the boy's anger, he takes a drastic step: he keeps constant watch over the fig tree the boy has planted at his father's gravesite. As the years pass, the man's lonely vigil makes him a tourist attraction, much to the chagrin of his former colleagues.
On the day ZZ Baxter plans to end his life, he crosses paths with a deranged man named Dugnut Johnson on his way to work. When ZZ snatches a folder from Dugnut that has his name on it, they realize they might mean more to another than what they first thought.
Nora and Léo, 16, live in the same town, in the same suburbs, go to the same highschool, but everything opposes them: their social backgrounds, their families religions, their everyday lives. Yet, they fall in love at first sight. But from a theft accusation bringing into conflict their respective families, their love story will have to face a series of trials and dramas.
A faithless pastor is haunted by the sins of his past during a single night in the sanctuary.
Two victims of traumatized childhoods become lovers and serial murderers irresponsibly glorified by the mass media.
A man entranced by his dreams and imagination is lovestruck with a French woman and feels he can show her his world.
The story told in Hisser was inspired by a true occurrence. In 2013, a young man in Florida was literally "swallowed up by the earth" when a cesspool suddenly opened up under his bedroom. The film's main setting is a bedroom by night. From the way it was shot, the viewer has the feeling of peering into an abandoned life-size dollhouse. Other sequences show close-up views of a young man lying on a bed with a tormented look on his face or cowering in a corner. The scene is accompanied by an exaggeratedly romantic song whose refrain – "It took me so long to get my feet back off the ground" – alludes to the loss of a loved one and a sense of abysmal loneliness. The song's emotionality contrasts starkly with the artificiality of the scene. The boundary between reproduction and reality grows fluid, and the virtuality – which the artist has carried to a near- perfect extreme – begins to crumble in view of the protagonist's physical and emotional frailty.
George, host of a television show focusing on literature, receives videos shot on the sly that feature his family, along with disturbing drawings that are difficult to interpret. He has no idea who has made and sent him the videos. Progressively, the contents of the videos become more personal, indicating that the sender has known George for a long time.
Geeky teenager David and his popular twin sister, Jennifer, get sucked into the black-and-white world of a 1950s TV sitcom called "Pleasantville," and find a world where everything is peachy keen all the time. But when Jennifer's modern attitude disrupts Pleasantville's peaceful but boring routine, she literally brings color into its life.
A stern Russian woman sent to Paris on official business finds herself attracted to a man who represents everything she is supposed to detest.
A veteran high school teacher befriends a younger art teacher, who is having an affair with one of her 15-year-old students. However, her intentions with this new "friend" also go well beyond platonic friendship.
A wealthy New York investment banking executive hides his alternate psychopathic ego from his co-workers and friends as he escalates deeper into his illogical, gratuitous fantasies.
Marjetka is living ten years with Maks, who is a painter, and an uncompromising conceptual artist. At first, it seemed different: Max was witty, charming, talented and promising, so he hired Marjetka to reach fame and success. "Well, it is funny today, but fame and money is not coming out of nowhere". The film has a poet, Srecko, Max's mother, an opera singer, and Vilma, Marjetka's friend. In short, the artists themselves, or as Max says from his point of view: "Slovenian - Country artists". And when Marjetka a few days after her 30th birthday, full of doubts about this way of life, which is not to her liking, she realizes that Maks is not only an irreversible bohemian, but also a slacker and sarcastic, she decides to change her life. And this is very radical. Rather than leave it to him.
The early life of Walt Disney is explored in this family film with an art house twist. Though his reality was often dark, it was skewed by his ever growing imagination and eternal optimism.