An epic journey along Africa's Great Green Wall — an ambitious vision to grow a wall of trees stretching across the entire continent to fight against increasing drought, desertification and climate change.
Using unpublished and newly digitalised archive footage and film material, Bettina Böhler has brilliantly assembled this film about the life and work of the exceptional artist Christoph Schlingensief, who died in 2010.
12-year-old Jackie has made Amsterdam's Rijksmuseum, where her mom works, her second home. While wandering around after hours, Oopjen from Rembrandt's famous painting suddenly comes to life. It seems she is looking for her long lost sister. Jackie is used to solving other people's problems and decides to take Oopjen home, so they can go look for her sister. For the woman from the Golden Age, this modern world, its customs and appliances are a great adventure. And Jackie, who doesn't really have any friends at school, finally gains a true BFF.
Moses and Kitch, two young black men, chat their way through a long, aimless day on a Chicago street corner. Periodically ducking bullets and managing visits from a genial but ominous stranger and an overtly hostile police officer, Moses and Kitch rely on their poetic, funny, at times profane banter to get them through a day that is a hopeless retread of every other day, even as they continue to dream of their deliverance.
Radiation oncologist and choreographer Dr. Niraj Mehta seeks to heal cancer through movement.
On the 20th anniversary of their edgy little 90's cable show Underground Entertainment, the authors, along with many SF, horror and B celebrities in cameos, remember how they pushed the envelope, shocked, entertained, but also introduced the audience to many movies, comics and conventions.
Broadway partners Vicky Lane and Dan Christy have a tiff over Christy's womanizing. Jealous Vicky takes up with her old flame and former dance partner, Victor Price, and Dan's career takes a nosedive. In hopes of rekindling their romance and getting Vicky back on the boards with him, Dan follows her to a ritzy resort in the Canadian Rockies, where she and Victor are about to open their new act. But things get complicated when Dan wakes after a bender to find that he's hired an outlandish Latin secretary, Rosita Murphy, which makes Vicky think he's just up to his old tricks again.
Yeliz starts to see nightmares on the night of her 25th birthday. She sees bloody and dirty hidden secrets about her family. As she tries to escape from these nightmares she is approached by an old family friend who wants to help her. But the enemy is not from this world. Together they face the world of jinns beyond the understanding of regular minds. Behold the zone of the jinn.
Drawing from a passage from the Rosh Hashana Service, “Who shall live, who shall die… who by water, who by fire,” this short film deals with that which has been preordained—a future history that will in time unfold before us as the faces of passengers on a ship forces us to contemplate our own fate.
Susan and Henry are hosting a dinner party, while trying to make good on a lie concerning the recent death of their father. Unexpected guests arrive, causing the night to unravel despite Susan's best efforts.
No Time for Tears is a moving, sympathetic portrayal of the challenges faced by all those who enter this most demanding yet rewarding of professions – from routine operations to more serious conditions, from anxious, sometimes hostile parents to workplace romance. The lives of the staff and patients of Mayfield Children's Hospital are inextricably woven together with the laughter, tears and devotion that lie behind the work of restoring children to health and happiness.
Emin's video CV is an accompaniment to her work on paper, Tracey Emin CV 1995 (Tate T07632), which is a potted history of the artist's professional and emotional life from conception until 1995. This CV, read aloud by Emin, constitutes the sound-track to the video and provides contrasting background to the visual information on display. As Emin narrates her story of trauma and abuse, mixed with pleasure and success, the video takes the viewer on a journey through the artist's home. The artist is not visibly present in person until the last frames when she appears curled up naked on the floor of her sitting-room at the feet of her mother (who wears black sunglasses and looks away from both her daughter and the camera). Like Emin's handwritten CV, the video constitutes her self-portrait, in this instance adding the component of a journey around the space of her apartment to her narrating voice. -Tate
Kabul - a city struggling to recover from 25 years of warfare. Taxi driver Khaled picks up a woman and baby. Her face is hidden behind a blue burka. They settle on a price, she pays him and they drive off. The taxi arrives at its destination. The woman gets out and a new passenger climbs in... to find the baby still in the backseat. Khaled leaps out after the woman but she's vanished. He's left holding the baby - a 6-month-old boy. Who is the mother? How can he find her? He asks friends and strangers in the street. He returns to where he picked her up. Nothing. Fate has handed him a young life for which he feels more and more responsible. An eventful, chaotic, often highly comic journey through a city which is itself simply trying to survive. Poignant, rich, vibrant, Barmak Akram's debut feature is a remarkable portrait of one man's emotional awakening in a city returning to crazy life after 25 years of violent conflict.
An experiment in pure design by film artists Norman McLaren and Evelyn Lambart. Lines, ruled directly on film, move with precision and grace against a background of changing colors, in response to music specially composed for the films.
Shortfilm remake of the finale of "ALIEN": After her ship has been destroyed, the last survivor of the ship's crew tries to finally get some sleep. But the hideous creature has also survived the explosion. Only question ist: Who will be able to rest at last?
"I only say the sun goodbye." Dionisos captures the existential unease where insomnia echoes and shadows of past regrets linger. As days blend into unconsciousness, the night unveils a haunting struggle between personal demons and the unending flow of existence.
Arjun falls in love with Aadhya, his junior in college. Though both of them like each other, they never express themselves. Madhumathi, Arjun’s mother, in a way, plays cupid. In another parallel track, Shiva, married to Maya, longs for her love and affection, rooting for her to recover from a traumatic past with Rishi. These parallel stories are intertwined with one Incident! Did that incident cleared their problems or created more difficulties?
In the same vein as Meri's other documentations, this one takes advantage of the glasnost policy to discuss the social and ecologic impact of the Russian oil industry on the natives and the lands they inhabit.
Filmed across three continents, this documentary shares the story of the founders of the Pan-African comic book company, Kugali, who made their dream a reality creating an original animation series with Walt Disney Animation Studios.
This documentary explores an unknown civilization of the Brazilian Amazon, who risk their lives to protect their forest. In order to save the exploitation of the environment by big corporations, they have to create legal institutions.
The film focuses on the positive side of Africa rarely seen. The film presents the cultural richness of Africa and explains ancient customs and traditions while celebrating the music, dance and welcoming nature of the majority of Africans.
RESIST; The Unist'oten's Call to the Land is a short documentary that was filmed in the summer of 2013 on unceded Wet'suwet'en territory, 1000 km north of Vancouver in northern BC (western Canada) over the duration of the fourth annual Environmental Action Camp, hosted by the Unist’ot’en (C'ihlts'ehkhyu/Big Frog) Clan. The focus of the film is on the Camp as a year-round resistance to exploitative industry, and what it represents in relation to indigenous sovereignty and the environmental, legal, and social issues surrounding pipeline projects in British Columbia. The film documents one of the most important resistance camps in North America at the time.
Armed with a camcorder, farmer-filmmaker-activist Severine von Tscharner Fleming spent two years crisscrossing America, meeting and mobilizing a network of revolutionary young farmers resettling the land. 'The Greenhorns' is an ode to their grit and entrepreneurial spirit, an exploration of sustainable agriculture, and an enticement to reclaim our national soil. The ninety minute feature is the culmination of well over 200 hours of original footage from all regions of the United States, as well as original animation by young urban farmer and artist Brooke Budner, and rare agricultural archival footage from the Prelinger Archives. Ultimately, The Greenhorns shows us how farmers can move out of the margins recent history has consigned them to, and back to the heart of the American food landscape.
It starts with a live radio broadcast from the Bikini Atoll a few days before it is annihilated by a nuclear test. Shows great footage from these times and tells the story of the US Navy Sailors who were exposed to radioactive fallout. One interviewed sailor suffered grotesquely swollen limbs and he is shown being interviewed with enormous left arm and hand.
This 1991 Academy Award®-winning documentary uncovers the disastrous health and environmental side effects caused by the production of nuclear materials by the General Electric Corporation.
Are we becoming Plastic People? Our ground-breaking feature documentary investigates our addiction to plastic and the growing threat of microplastics on human health. Almost every bit of plastic ever made ends up ground down into "microplastics". These microscopic particles drift in the air, float in the water and sit in the soil. And now, leading scientists are finding them in our bodies: organs, blood, brain tissue and even the placentas of new mothers. What is the impact of these invisible invaders on our health? Ziya Tong, author and science journalist, makes it personal by visiting leading scientists and undergoing experiments in her home, on her food, and on her body.
A documentary on Al Gore's campaign to make the issue of global warming a recognized problem worldwide.
In less than 150 years, 97.3% of British Columbia's old growth forests have been logged. These ancient trees and their ecosystems have been lost forever. Fairy Creek (Ada'itsx), one of BC's last untouched old growth watersheds, lies on Southern Vancouver Island on the unceded territories of the Pacheedaht, Ditidaht and the Huu-ay-aht Nations. Despite Premier John Horgan's 2020 election promise to protect the remaining 2.7% of old growth forest, logging of Fairy Creek continues unabated. In August 2020, forest and land defenders began setting up blockades to prevent the destruction of this beautiful and fragile ecosystem. One year later, after mass civil action, over 500 arrests and intense public pressure, the conflict continues. This comprehensive and compelling documentary film sheds light on the issues around the logging and blockades, through conversations with Indigenous Elders, politicians, police, lawyers, front line activists, and many others.
For more than 100 years, thousands of Indigenous children died while in Canada’s residential school system. Pacheedaht Elder Bill Jones survived, but he, like many others, experienced years of beatings and sexual abuse. The scandal has finally brought the Indigenous rights struggle into focus, none more so than at Fairy Creek, an area of forest on First Nations land that protesters are desperately trying to prevent from falling into the hands of logging companies.
A film initially was released alongside an injunction granted from the BC court to Teal Jones, enabling them to forcibly remove forest protectors who have been sacrificing their worlds at home to stand and defend some of the last of the 2.7% remaining old-growth on Vancouver Island. In collaboration with filmmaker, Ian MacKenzie, the short-film depicts how much we truly depend on these Ancient Forests for our survival as well.
Thabo, Thabiso and Moalosi are young, attractive and deal openly with their HIV status. Nearly a third of the population in Lesotho is HIV positive.
A conversation between an older, HIV positive woman and her niece. The women talk about what it means to be a woman, mother, elderly and HIV positive in Lesotho. They speak about love, marriage, motherhood, inter-generational sex and health systems in the context of HIV in Lesotho.
The environmental measures taken by the oil industry at the Sullom Voe terminal in the Shetlands.