Zagreb in a Metropolitan Light(1934)

Samuel in the Clouds(en)

In Bolivia, the glaciers are melting. Samuel, an old ski lift operator, is looking out of a window on the rooftop of the world. Through generations his family lived and worked in the snowy mountains, but now snow fails. While scientists are discussing and measuring ominous changes Samuel honors the ancient mountain spirits. Clouds continue to drift by.

Será tu tierra(es)

New York Portrait, Chapter II(en)

Chapter Two represents a continuation of daily observations from the environment of Manhattan compiled over a period from 1980-1981. This is the second part of an extended life's portrait of New York.

City of Outlanders(ko)

"Gunsan is a city of outlanders that has experienced waves of deterioration and revivals. Gunsan, a sparse area prior to 1910, opened doors for workers from all over Korea after it was exploited for rice harvesting during the Japanese colonial period. After liberation, the American military moved in along with large conglomerates that came to build factories, but they are now all shutting down. What remained from this history made the topography and landscape of the town. In the film, cameras float around the lonely landscape of Gunsan. A dancer from Switzerland named Anna mourns the scenes of Gunsan with sorrowful gestures, new musicians in town write a piece of music called City of Outlanders in lament

New York Portrait, Chapter III(en)

"[Hutton’s] latest urban film, New York Portrait, Chapter III, takes on a unique tone in relation to Hutton’s ongoing exploration of rural landscape. The very fact that Hutton is dealing with older footage, with archives of memory more than immediacy, gives it a different texture than his earlier New York films. Hutton always found the presence of nature in the city, not only in his many shots of sky and vegetation, but also in the geometry and texture of the city itself, which seemed to project an independence from the human." (Tom Gunning)

Sylvia Kristel – Paris(en)

Sylvia Kristel – Paris is a portrait of Sylvia Kristel , best known for her role in the 1970’s erotic cult classic Emmanuelle, as well as a film about the impossibility of memory in relation to biography. Between November 2000 and June 2002 Manon de Boer recorded the stories and memories of Kristel. At each recording session she asked her to speak about a city where Kristel has lived: Paris, Los Angeles, Brussels or Amsterdam; over the two years she spoke on several occasions about the same city. At first glance the collection of stories appears to make up a sort of biography, but over time it shows the impossibility of biography: the impossibility of ‘plotting’ somebody’s life as a coherent narrative.

Marginal(pt)

Wakers(en)

A documentary about Night Mayors. What drives them? From sunset to sunrise, the film shows how important these 'mayors' are for the nightlife of the city.

Nighthouse(es)

Shot in Havana and processed at Phil Hoffman's Film Farm, Marcel Beltrán Fernández's Casa de la noche explores those same histories from the point of view of an insider, as a lived experience that is evocatively mirrored through ripped and torn celluloid.

Room(en)

A Texan begins a cross-country journey in hope of finding the empty loft she keeps seeing in visions.

Moving City(ja)

A city person discovers twelve paths with a different sense of time. What makes us come alive? Will we go on the same way?

On Three Rivers(sh)

A historical overview of Sisak, the city on three rivers, from the Roman era to the post-WWII industrialization.

The Story of Zagreb Comics: New Square(hr)

New Square 1978 (Mirko Ilić Radovan Devlic, Josko Marusic Kresimir Zimonić, Igor Kordej, Ivana Radašević Nikola Konstantinović Kresimir Skozret Ninoslav Kunc ...) New Square, Zagreb behalf of young cartoonists gathered mainly around the weekly Sloga in the second half of the 1970s. The authors Radovana Devlić (1950-2000), Krešimira Skozret (R. 1951) Joško Marušić, (R. 1952), Mirko Ilic (R. 1956), Krešimir Zimonić (R. 1956) and Igor Kordej (R. 1957) have been introduced in the area of ​​graphic comic series of themed I iconographic innovations that have contributed to raising the general interest in the serbian strip. Group, can be the end of the 1970s broke.

Cidades Fantasmas(pt)

In Humberstone (Chile), little was left of the saltpeter's prosperity. Near the old Fordlandia (PA), squatter houses are the last signs of the city built by Henry Ford. Armero (Colombia), had its population wiped out by the eruption of the Nevado del Ruiz volcano in 1985. Twenty-five years after a flood, ruins of Villa Epecuén (Argentina) expose the remains of the old water station.

Bergen - A City West of Reason(no)

A poetic and beautiful tribute to the city of Bergen, Norway. Based on archive footage from the last century and packed with Bergen music from Grieg to Vaular.

Velocity Into Execution(en)

In continuous motion with no end or barrier in its way.

Leftovers(en)

A manufactured memory.

Rotterdam 2040(en)

Rotterdam 2040 is a film about the city’s future, departing from the principle of Gyz La Rivière that you can’t look ahead without considering your past (something that hasn’t always been Rotterdam’s strongest feature). At high speed, La Rivière reconstructs the history of Rotterdam from the time before the bombings until now, and expands the developments to the year 2040 (100 years after the bombing and the 700th anniversary of the city). La Rivière made a specific choice to expose his personal vision, which is sometimes radical or a little absurd. So no experts and no talking heads, but an assault of old and new imagery, held together by La Rivière as the narrator of the film. Although Rotterdam 2040 deals with architecture and urban renewal, it is actually a film about people. The subjective experience of the city by its (future) occupants mainly determines the parade of architectural blunders and suggestions for the future. All tongue-in-cheek of course.

A New Environment Heinrich Klotz on Architecture and New Media(de)

The old world is gone. Our landscape bears scars. Entire cities have been levelled. Is it possible to regenerate the city without covering over the warnings of war’s aggressions? Or can these ruins provide a unique chance to reinvent the city thoroughly? The art historian Heinrich Klotz took precisely these questions, concerning the reconstruction of Germany’s historical districts after World War II, as the departure point of his practice.

Bikes vs Cars(en)

Bikes vs Cars depicts a global crisis that we all deep down know we need to talk about: Climate, earth's resources, cities where the entire surface is consumed by the car. An ever-growing, dirty, noisy traffic chaos. The bike is a great tool for change, but the powerful interests who gain from the private car invest billions each year on lobbying and advertising to protect their business. In the film we meet activists and thinkers who are fighting for better cities, who refuse to stop riding despite the increasing number killed in traffic.