Leftovers

We Believe in Dinosaurs(en)

Williamstown, Kentucky, is home to the Ark Encounter – a “life-size” creationist museum filled with all of the creatures that traveled in Noah's Ark, including dinosaurs. With incredible access to the park leading up to its opening, the filmmakers expose the larger system behind the creationist movement, piecing together the many factors that have led to the museum presenting its information as historical fact, and the people who are fighting to set the scientific record straight. Amid a climate of science denial and a well-funded corporate behemoth, three Kentuckians (a local geologist, an ex-creationist, and an atheist activist) try their best to challenge the movement that is taking over their home state. Meanwhile, fervent believers work diligently to create the lifelike animatronics that will be on display in the Ark.

Perfect Day(fr)

A recollection of almost 40 years of career. A giant image-jukebox, from early 70s autoportrait to films for Alain Bashung / Elli Medeiros, private karaokes to “video sculptures” applied to John Travolta or Maria Callas, and much much more…

One Second in Montreal(en)

A silent succession of black-and-white photographs of the city of Montreal.

Sylvia Kristel – Paris(en)

Sylvia Kristel – Paris is a portrait of Sylvia Kristel , best known for her role in the 1970’s erotic cult classic Emmanuelle, as well as a film about the impossibility of memory in relation to biography. Between November 2000 and June 2002 Manon de Boer recorded the stories and memories of Kristel. At each recording session she asked her to speak about a city where Kristel has lived: Paris, Los Angeles, Brussels or Amsterdam; over the two years she spoke on several occasions about the same city. At first glance the collection of stories appears to make up a sort of biography, but over time it shows the impossibility of biography: the impossibility of ‘plotting’ somebody’s life as a coherent narrative.

Mamagüela(es)

Experimental film about rhythm as corporal expression of a culture. Presents various choreographies and does not include the participation of men.

Será tu tierra(es)

I, Apostate(en)

A fantasia of post-indoctrination, immigration, and iconography. A pageant of wanderers and searchers: Mormon missionaries, a pioneer, polygamists, scouts, hunters, church-goers, and an aspiring prophet walk and walk and walk. A pilgrimage of memory, history, ancestry, and place.

Walter Potter: The Man Who Married Kittens(en)

Amateur taxidermist, Walter Potter, became an unlikely success by putting his creatures in human positions and scenarios, referred to as anthropomorphic taxidermy. Potter's Museum, filled with his creations and collection of oddities and curiosities dazzled millions for over a hundred years until the collection's unfortunate separation in 2003. While largely about the man and his creations, the film also takes a look at the obsessive nature of collecting, as well as the controversial history of stuffing dead animals.

Vertical Shapes in a Horizontal Landscape(en)

A walk through England’s south coast evokes the artists who lived and worked there.

My Memory Is Full of Ghosts(ar)

Like a visual elegy, My Memory Is Full of Ghosts explores a reality caught between past, present and future in Homs, Syria. Behind the self-portrait of an exsanguinated population in search of normality emerge memories of the city, haunted by destruction, disfigurement and loss. A deeply moving film, a painful echo of the absurdity of war and the strength of human beings.

Cracks in the Mask(en)

A century ago the Torres Strait Island were the subjects of the famous Cambridge Anthropological Expedition - the resulting depletion of their cultural artifacts left them with nothing but a history of remembered loss. The only people in the Pacific to make elaborate turtleshell masks have none left - they are all in foreign museums. In a quest to reclaim the past, Ephraim Bani, a wise and knowledgeable Torres Strait Islander, travels with his wife to the great museums of Europe where his heritage lies. The film, an SBS Independent production, shows that the thickest of masks cracks when a descendant of the original owners enters a museum.

The Red Bank. James Joyce: His Greek Notebooks(el)

This documentary aims to register this unknown side of James Joyce: His Greek Notebooks. Trieste. Bloomsday, 2013. Dance in slow motion, accompanied by text. By deconstructing the body, we turn it into a memory: of the body, of life, of texts. The biographical references to Joyce and Mando Aravantinou, combined with the diagonal slicing of the image, cancel the realism of the landscape, including that of the Narrator’s space/study. As a culmination, Joyce’s letter “A request for a loan in Greek” functions as a timely denunciation. Various routes through cities, such as Trieste, London, New York, and Athens; languages such as Greek and English. In addition to the primal myth of Ulysses, there is another issue: Greek is “the language of the subject of Ulysses”

Il museo degli orrori di Dario Argento(it)

Newly edited version of Luigi Cozzi's 1997 documentary "Il mondo di Dario Argento 3: Il museo degli orrori di Dario Argento" focusing on the museum-part of the "Profondo Rosso" shop.

Swole(fi)

In Swole I continue to document my commitment to an intensive and transformative gym and diet regimen, as well as the communities that form around such activities, sustaining themselves through texting and sharing videos and photos on social media. I learn the vocabulary of my new community.

Years of Construction(de)

Demolition of the old and building of the new Kunsthalle in Mannheim in the years 2013 to 2018.

New York Portrait, Chapter II(en)

Chapter Two represents a continuation of daily observations from the environment of Manhattan compiled over a period from 1980-1981. This is the second part of an extended life's portrait of New York.

EXPRMNTL(en)

Knokke, Belgium. A small mundane coastal town, home to the beau-monde. To compete with Venice and Cannes, the posh casino hosts the second ‘World Festival of Film and the Arts’ in 1949, organised in part by the Royal Cinematheque of Belgium. To celebrate cinema’s 50 year existence, they put together a side program showcasing the medium in all its shapes and forms: surrealist film, absolute film, dadaist films, abstract film,… The side program would soon become a festival in its own right: ‘EXPRMNTL’, dedicated to experimental cinema, and would become a mythical gathering of the avant-garde…

Just Hold Still(en)

In his New York City landscape, Cohen finds inspiration in disturbance. Looking to life for rhythm and to architecture for state of mind, he locates simple mysteries. Just Hold Still is comprised of an interconnected series of short works and collaborations that explore the gray area between documentary, narrative, and experimental genres.

Todo Todo Teros(en)

Basically an artist is also a terrorist, the protagonist thinks in an unguarded moment. And if he is a terrorist after all, then he might just as well be one. Not an instant product, but an experimental feature in which diary material is brought together to form an intriguing puzzle.

Refrains Happen Like Revolutions in a Song(tl)

Sarah is a debt collector who lives among the inhabitants of the village of Guimbal on the island of Panay. She wants to find the young man who appeared to her in a dream and goes to the island of Negros. Here, as she interacts with the inhabitants, Sarah continues her search, gathering memories of life and war, dreams, myths, legends, songs and stories that she takes part in and at times revolve around her. She is the daughter of an ancient mermaid, a revolutionary, a primordial element, a virgin who was kidnapped and hidden away from the sunlight. “The film is a retelling of fragments of the American occupation. Dialogue, shot in the Hiligaynon language, is not translated but used as a tonal guide and a tool for narration. Using unscripted scenes shot where the main character was asked to merely interact with the villagers, I discard dialogue and draw meaning from peoples’ faces, voices, and actions, weaving an entirely different story through the use of subtitles and inter-titles.”