
A small portrait of the volatility of intimacy and of breaking free from abusive cycles: made in response to a year of collapsing relationships and violent accidents that left me broken, dislocated and stuck in my apartment.

A small portrait of the volatility of intimacy and of breaking free from abusive cycles: made in response to a year of collapsing relationships and violent accidents that left me broken, dislocated and stuck in my apartment.
2001-11-13
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10.0Paleo is a video clip shoot at the famous homonymous music festival in the French canton of Vaud in Switzerland, where many hippie-techno-pagans gather every summer since 1977. The editing style is a tribute to the reworking of psychedelic theories and the New Age proliferation within rave culture in the early 90s from the perspective of the late second decade of the new millennium. In the footage, the ritual ingestion of psychedelics is symbolically replaced by a liberating dance through a powerful fast montage that epitomizes the frenzy of intoxication achieved through psychedelic plants. A revival of a revival of a revival.
10.0To fly a – way from/out of death, don’t hire a taxidermist but take a ride in this taxidrome! Series of 41 Moving Images - this analogy is possible being conservation at its core rescuing what really matters in the world, like nature, habitats, science and art. It is vital. Yet in a continuously changing environment, the flipside of conservation becomes and here it is where the vital feature of conservation becomes its lifelike trait, a fictive life, a fake life. The embalming process consists of 1) imparting a balmy essence to the dead body, as in the ancient world, 2) by filling its blood vessels with formaldehyde to prevent putrification, as in the modern world, although recently with more regard towards more natural treatments, as for instance in bio-art. To embalm also means to “preserve from oblivion”, and “to cause to remain unchanged”, “to prevent the development of something”.
10.0The 360° project tells the story of a peaceful environment featuring a rare case phenomena where a swarm of butterflies is nurturing itself by eating the nectar of flowers showing the beauty but also the fragility of a complex ecosystem. The video installation is configured to work as an interactive 360° experience where the spectator can view the untouched nature by moving / grabbing / touching the nature by his/her hands (mouse) but offers also the possibility to be screened large scale as a flat video loop on a wall, building or in cinema.
5.6A non-narrative cine-essay that collaboratively explores the potentials for trans feminine representation in film.
Clouds 1969 by the British filmmaker Peter Gidal is a film comprised of ten minutes of looped footage of the sky, shot with a handheld camera using a zoom to achieve close-up images. Aside from the amorphous shapes of the clouds, the only forms to appear in the film are an aeroplane flying overhead and the side of a building, and these only as fleeting glimpses. The formless image of the sky and the repetition of the footage on a loop prevent any clear narrative development within the film. The minimal soundtrack consists of a sustained oscillating sine wave, consistently audible throughout the film without progression or climax. The work is shown as a projection and was not produced in an edition. The subject of the film can be said to be the material qualities of film itself: the grain, the light, the shadow and inconsistencies in the print.
7.5A day in the city of Berlin, which experienced an industrial boom in the 1920s, and still provides an insight into the living and working conditions at that time. Germany had just recovered a little from the worst consequences of the First World War, the great economic crisis was still a few years away and Hitler was not yet an issue at the time.
10.0As technology accelerates, our species' collective imagination of the future grows ever more kaleidoscopic. We are all haunted by temporal distortion, perhaps no more than when we attempt to remember what the future looked like to our younger selves. As the mist of time devours our memories, the future recedes; each of us burdened by the gaping mouth of entropy. Yet, emerging technology provides a glimmer of hope; transhumanism promises a future free from mortality, disease and pain. Does our salvation lie in digital simulacra? We're here to sell you the answer to that question, for the low, low price of four hundred and seventy seconds.
0.0This experimental video breaks the many silences surrounding lesbians and AIDS. Interweaving the voices of two friends, Internal Combustion reflects on the often unspoken tensions within this epidemic of survival and power and mourning and loss .
0.0Bubble is a short film performed by Zeena Parkins and the Plastic Girls, Eleanor Hullihan and Erin Cornell in a public park in Brooklyn, NY.
An ethnographic field report in which the Anthropologist describes the mythic creation of an unnamed ‘sun-scraping structure’ through the ritualized actions of the Red and the Blue Gods.
0.0This is a 1991 documentary film about the legendary artist and filmmaker, Joseph Cornell, who made those magnificent and strange collage boxes. He was also one of our great experimental filmmakers and once apparently made Salvador Dali extremely jealous at a screening of his masterpiece, Rose Hobart. In this film we get to hear people like Susan Sontag, Stan Brakhage, and Tony Curtis talk about their friendships with the artist. It turns out that Curtis was quite a collector and he seemed to have a very deep understanding of what Cornell was doing in his work.
5.6Dialogue-free short detailing the daily tasks of a man and his wife.
0.0A video reconstruction of the 1977 Wooster Group production Rumstick Road, an experimental theater performance created by Spalding Gray and Elizabeth LeCompte after the suicide of Gray's mother. Archival recordings are combined with photographs, slides, and other materials to recreate the original production.
0.0The meeting point between two comunication media: A letter written in 1929 -hidden inside the adobe walls of an old country house - and the shooting of the coutryside along the highway that connects two Chilean cities un 2018.
0.0A loose collection of scenes in Hong Kong shot over a five-year period, this film begins with the Umbrella Movement in 2014 and ends right before the summer of 2019, when large-scale social unrest and violent resistance erupted. The everyday scenes capture the ambience and the landscape of change in the city, standing as a quiet prelude to the ensuing conflicts.
Mostly dark, rejecting images which are repeated. A stone wall, the chamber of a revolver which is, at first not recognizable, a close-up of a cactus. The duration of the takes emphasises the photographic character of the pictures, simultaneously with a crackling, brutal sound. (Hans Scheugl)
5.86-18-67 is a short quasi-documentary film by George Lucas regarding the making of the Columbia film “Mackenna's Gold”. This non-story, non-character visual tone poem is made up of nature imagery, time-lapse photography, and the subtle sounds of the Arizona desert.