An exploration of the Cultural Revolution that depicts both its chaotic later years – through the story of a squad of Red Army guards running amok in the countryside – and its continuing legacy in today’s China.
An exploration of the Cultural Revolution that depicts both its chaotic later years – through the story of a squad of Red Army guards running amok in the countryside – and its continuing legacy in today’s China.
2009-01-01
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Originally edited in two versions. Version I, 70 minutes; version II, 90 minutes. (The only known existing version is not Markopoulos’s edit and contains additional titles, music and voice-over added later than 1961. 65 minutes.) Filmed in Mytilene and Annavysos, Greece, 1958. Existing copy on video, J. and M. Paris Films, Athens.
The film depicts the lives of veterans of the 1848 Hungarian Revolution in the American Civil War, based in part on an Ambrose Bierce story. The whole film was re-edited using his own method called "light editing" in order to make it resemble a damaged silent film from the late 1800s.
Benjamina Miyar Díaz (1888-1961) led an unusual life in her house on calle del Agua in Corao, Asturias, at the foot of the Picos de Europa mountain range in northern Spain: she was a photographer and watchmaker for more than forty years, but she also fought in her own humble and heroic way against General Franco's dictatorship.
Follow the lives of the elderly survivors who were forced into sex slavery as “Comfort Women” by the Japanese during World War II. At the time of filming, only 22 of these women were still alive to tell their story. Through their own personal histories and perspectives, they tell a tale that should never be forgotten to generations unaware of the brutalization that occurred.
Balkan Erotic Epic explores the sexual aspects of Serbian folklore. Ancient myths that have trickled into everyday household remedies or explanations are juxtaposed with the joys of the female and male sexual forms from which all human life originates. Functioning as both sexual liberation and reinvented modern myth, Balkan Erotic Epic is a display of the need for a cultural change in viewpoint around sex.
A microcosm of China past and present flows through Xu Tong’s intimate docu “Shattered,” in which the maverick indie filmmaker continues to refine his techniques and concerns shown in his previous “Wheat Harvest” and “Fortune Teller.”
Mockumentary experimental film, which shows one day in the life of a young man. The action takes place on the Day of Soviet Cosmonautics, April 12, one of the last years of the USSR. Outside the window, it is gradually getting warmer, the onset of spring is felt, promising hope for the possibility of changes in the country. The hero of the film is fond of space. The young man, who idolizes Gagarin, is engaged in reconstruction, making the uniform in which the cosmonaut walked in the prime of his glory. Our hero is also a film enthusiast. He makes films with stories of space flights and shows them to his friends. The film is stylized as amateur films of the 1980s and was shot on a 16-mm color film made by the company" Svema", made in the Soviet Union. The quality of this film allows the viewer to fully immerse themselves in the atmosphere of the time of the film, which is dedicated to Soviet cosmonautics and Edward D. Wood Jr.
Between the arrival and departure of the train.
Drawing inspiration from a poem penned by Castro Alves, this film vividly captures the political, cultural, and intellectual climate of Brazil during the late 1970s. At its core, the story revolves around four distinctive embodiments of Christ's image: a black man, a soldier, an Indian, and a guerrilla fighter. These courageous individuals, hailed as the harbingers of doom in the tupiniquim lands, valiantly combat the insatiable avarice and oppressive "civilizing" brutality propagated by the formidable John Brahms—a foreign exploiter devoid of morals.
Jankovics's adaptation of the eponymous play is divided into multiple parts, and depicts the creation and fall of Man throughout history.
Part documentary, part personal essay, this experimental film combines archive imagery with the striking wintry landscapes of Alaska to tell the story of immigrant experience coming into the UK from 1960 onwards.
Andy Warhol's experimental reconstruction of the assassination of the President of the United States, John F. Kennedy, which serves as his critical commentary on the way the media presented the tragic event.
This documentary interweaves celluloid and voice recordings by Maya Deren, and colleagues who knew her firsthand: Jean Rouch, Jonas Mekas, Alexander Hammid, Cecile Starr etc. Maya Deren (1917-1961) was an experimental filmmaker. In the 1940s and 1950s she made several influential avant-garde films, such as Meshes of the Afternoon (1943). Images from this and her other work are used in this documentary. You can also hear her voice, as well as accounts by contemporaries such as Jean Rouch and Jonas Mekas.
The film was made in the days of the August 1991 coup in Leningrad, USSR . Respecting the manner of a proprietary parallel cinema with the use of hand-held camera . Subsequently, Lars von Trier in his " Dogma " went on the same way , using a handheld camera without a tripod or placing special light. The soundtrack of the film is the soundtrack Emergency Committee appeal for the All-Union Radio August 19, 1991 . The film captured the moment of change red tricolor flag on the roof of the Mariinsky Palace on August 20, 1991.
The film "Nights full moon" shows the tendency of moral decay in society. The main character is torn apart by internal contradictions, leading him to the path of Evil. Bans on self-identification - philosophical, existential, sexual, and then permissiveness spawn a monster that is not aware of its true nature and genuine desires. Throughout the film-trilogy, the protagonist goes through a series of temptations that ruin his soul and lead, after all, to a madhouse. In a general sense, the film allegorically shows the tragic path of the Russian lumpen intellectual, lost between the past and the present, not finding the strength to accept and comprehend the unexpected changes that happened in our country twenty years ago. In the global sense - the tragic circle of Russian history.
Experimental short uses Ray Charles' “What'd I Say” as accompaniment to constantly shifting collage of female nude, cartoons, and newsreels of atomic bomb explosions.
During WWII, the Japanese army developed experimental balloons able to cross the Pacific Ocean and reach the West Coast of North America in 3-6 days. Armed with explosives, they were given the code name fu-go, or fusen bakudan (“fire balloons,” or balloon bombs) in an attempt to instill a culture of fear like that caused by the far more deadly American firebombing of Japanese cities. The U.S. responded by enacting a censorship campaign, requesting newspapers avoid reports of fu-go landings or sightings. Living near the remains of a fu-go launch site in Fukushima Prefecture, Takeuchi mimics their flight take-off using a drone camera, and, traveling to North America, follows their arrival across the shoreline and rural landscapes, using a bat’s echolocation as narrative device to place fu-go and Fukushima as echos across history.
A Trip Down Memory Lane is a 1965 experimental collage film by Arthur Lipsett, created by editing together images and sound clips from over fifty years of newsreel footage. The film combines footage from a beauty contest, religious procession, failed airflight, automotive and science experiments, animal experimentation, skyscraper construction, military paraphernalia, John D. Rockefeller and scenes of leisure, Richard Nixon and scenes of war, blimps and hot air balloons, and a sword swallower. Lipsett envisioned his film as a kind of cinematic time capsule for future generations.