This documentary interweaves celluloid and voice recordings by Maya Deren, and colleagues who knew her firsthand: Jean Rouch, Jonas Mekas, Alexander Hammid, Cecile Starr etc. Maya Deren (1917-1961) was an experimental filmmaker. In the 1940s and 1950s she made several influential avant-garde films, such as Meshes of the Afternoon (1943). Images from this and her other work are used in this documentary. You can also hear her voice, as well as accounts by contemporaries such as Jean Rouch and Jonas Mekas.
Herself
Himself
Himself
Himself
This documentary interweaves celluloid and voice recordings by Maya Deren, and colleagues who knew her firsthand: Jean Rouch, Jonas Mekas, Alexander Hammid, Cecile Starr etc. Maya Deren (1917-1961) was an experimental filmmaker. In the 1940s and 1950s she made several influential avant-garde films, such as Meshes of the Afternoon (1943). Images from this and her other work are used in this documentary. You can also hear her voice, as well as accounts by contemporaries such as Jean Rouch and Jonas Mekas.
2012-01-30
5
There are eight episodes in stories full of adventure and play in the neighborhood of Limoeiro, with a new car ride, lost treasure, art exhibition in the square, puppet theater, an unexpected escape from Cascão (again?), Characters Saltimbancos and a lot more.
Star follows the path of Tito and Jay, two brothers living in the Montreal neighborhood of Park Extension. Accompanying these young people in their daily life marked by complicity and intimidation, Star tackles themes dear to teenagers: identity and friendship.
In suburban Chicago during the late 1980s, ten-year-old Jake Doyle embarks on a herculean quest to get the latest and greatest video game system for Christmas.
Based on true story of four friends who decided to take over the city. Giedrius is released after serving a long 12 year sentence for unlawful conduct he did with his friends while being a child.
Five college alumni gathered at a pension after a long time. We are happy to share our past memories, but do you really have a different purpose?! Yoon-jae visits Eugene, whom he had a crush on in college. A set meal enjoyed by two female classmates. The affair reunion is about to begin, with different ways of having fun...
Victoria is a young mother trying to put her dark past as a Russian drug courier behind her, but retired cop Damon forces Victoria to do his bidding by holding her daughter hostage. Now, Victoria must use guns, guts and a motorcycle to take out a series of violent gangsters—or she may never see her child again.
Hakim, 35, a friendly neighborhood cop, must infiltrate the Portuguese community for the purpose of an investigation. But can one become Portuguese in three days? Especially when we know that Hakim is a walking disaster at undercover operations. His clumsiness and bad luck turn his many infiltrations into cataclysms. The case is clearly too big for him. Quickly trapped between his feelings and his mission, Hakim, who lives alone with his mother, will discover a community, but also a family.
The travails of Sara, a frustrated fashion designer who blames karma for her bad luck. Fate will put her face to face with her sister, Lucy, who enjoys very different luck, and in a series of events and reunions that will lead her to make a radical decision.
Royal Rumble (2007) was the twentieth annual Royal Rumble PPV. It took place on January 28, 2007 at the AT&T Center in San Antonio, Texas and featured talent from the Raw, SmackDown! and ECW brands. The main event was the annual 30-man Royal Rumble match, which featured wrestlers from all three brands. The primary match on the Raw brand was a Last Man Standing match for the WWE Championship between John Cena and Umaga. The predominant match on the SmackDown! brand was Batista versus Mr. Kennedy for the World Heavyweight Championship. The featured match on the ECW brand was between Bobby Lashley and Test for the ECW World Championship.
In the third and final episode of the trilogy, Fantômas imposes a head tax on the rich, threatening to kill those who do not comply.
A man, his business partner, and his wife are enlisted to transport an unknown object from a Russian military base, only to discover that the object is a giant, genetically-altered python.
The Earthrealm heroes must journey to the Outworld and fight for the survival of their homeland, invaded by the forces of evil warlord Shao Kahn, in the tournament to end all tournaments: the final Mortal Kombat.
A WWII pilot traveling with top secret documents on a B-17 Flying Fortress encounters an evil presence on board the flight.
Tom, famous baritone Signor Thomasino Catti-Cazzaza, enthralls a concert audience with his rendition of "Largo al factotum", from Rossini's "Il Barbiere di Siviglia", while Jerry strives for sleep under the stage.
As Gotham City's young vigilante, the Batman, struggles to pursue a brutal serial killer, district attorney Harvey Dent gets caught in a feud involving the criminal family of the Falcones.
Librarian and real crime buff Aurora “Roe” Teagarden never liked Detective Sergeant Jack Burns, but she also never wanted to see him dead. When his body is found outside of Aurora’s home, she then becomes the main suspect. Determined to find the killer and clear her name, Aurora can't help but to get involved once again.
Commissioned to make a propaganda film about the 1936 Olympic Games in Germany, director Leni Riefenstahl created a celebration of the human form. This first half of her two-part film opens with a renowned introduction that compares modern Olympians to classical Greek heroes, then goes on to provide thrilling in-the-moment coverage of some of the games' most celebrated moments, including African-American athlete Jesse Owens winning a then-unprecedented four gold medals.
Commissioned to make a propaganda film about the 1936 Olympic Games in Germany, director Leni Riefenstahl created a celebration of the human form. Where the two-part epic's first half, Festival of the Nations, focused on the international aspects of the 1936 Olympic Games held in Berlin, part two, The Festival of Beauty, concentrates on individual athletes such as equestrians, gymnasts, and swimmers, climaxing with American Glenn Morris' performance in the decathalon and the games' majestic closing ceremonies.
Guy Ben-Ner, one of Israel's foremost video artists, gained international recognition with a series of low-tech films, starring his family in absurdist settings carved out of their intimate spaces and their everyday surroundings. Many of his videos are inspired by screenplays for films, folktales and novels. Analyzing these literary and cinematographic passages allows him to exploit the conventions of film narrative: how to tell a story, captivate an audience through a tale, sustain a degree of tension and entertainment, and so on. At the same time, he corrupts the magic of fiction by openly showing us the entrails of everything he records, without worrying about revealing the tricks of the trade. A large part of his filmic oeuvre features a conglomeration of cinematic and literary references which the artist quotes, adapts or interprets. Ben-Ner self-referentially links the great themes and their literary, cinematic and artistic realization.
Filmmaker Molly Gandour, in her mid-20s, returns to her childhood home in Indiana to speak with her parents in depth for the first time about her sister's death from cancer sixteen years earlier. The filmmaker comes of age as she weaves a deeply observed portrait of a family unearthing a long ago loss. Unflinching and poignant, Peanut Gallery shows us how we can transform when we begin to fill the silences between those closest to us.
This underwater ballet is an ecological story depicting our paradoxical relationship with plastic. Bakelite launched the #SickOfPlastic campaign from On Est Prêt, along with the Surfrider Foundation, Break Free from Plastic and the Resilient Foundation. Photography was directed by Jacques Ballard, a specialist in underwater cinematography.
Michael White might just be the most famous person you’ve never heard of. A notorious London theatre and film impresario, he produced over 300 shows and movies over the last 50 years. Bringing to the stage the risqué productions of Oh! Calcutta!, The Rocky Horror Show and to the screen Monty Python’s The Holy Grail, as well as introducing Merce Cunningham, Pina Bausch and Yoko Ono to London audiences, he irrevocably shaped the cultural scene of the 1970s London. Playboy, gambler, bon vivant, friend of the rich and famous, he is now in his eighties and still enjoys partying like there’s no tomorrow. In this intimate documentary, filmmaker Gracie Otto introduces us to this larger-than-life phenomenon. Featuring interviews with 50 of his closest friends including Anna Wintour, Kate Moss, John Waters and Barry Humphries and, of course, the man himself, Otto pays a vibrant tribute to a fascinating entertainer.
‘You have no choice about being here, you’ll have no choice about when you leave’ proclaims a woman in Xiaolu Guo’s latest film, a documentary about the personal and physical journeys of the people of London’s East End. Herself an immigrant to the area, Guo’s sensitive character studies hint at an affinity with the push and pull of feelings of alienation, a theme she has previously explored as a filmmaker (She a Chinese, LFF 2009) and novelist (A Concise Chinese-English Dictionary for Lovers). This empathy is also apparent in her playful stylistic approach that layers Warhol-esque news reports, archival material and a soundtrack including Linton Kwesi Johnson and Fela Kuti, to comment on the human cost of capitalism. The resulting film is both a penetrating portrait of a frenetic place that feels deeply authentic, and a powerful piece of protest film.
When Marvin Hamlisch passed away in August 2012 the worlds of music, theatre and cinema lost a talent the likes of which we may never see again. Seemingly destined for greatness, Hamlisch was accepted into New York’s Juilliard School as a 6-year-old musical prodigy and rapidly developed into a phenomenon. With instantly classic hits ‘The Way We Were’ and ‘Nobody Does It Better’ and scores for Hollywood films such as The Swimmer, The Sting and Sophie’s Choice and the Broadway juggernaut A Chorus Line; Hamlisch became the go-to composer for film and Broadway producers and a prominent presence on the international Concert Hall circuit. His streak was staggering, vast, unprecedented and glorious, by the age of 31 Hamlisch had won 4 Grammys, an Emmy, 3 Oscars, a Tony and a Pulitzer prize: success that burned so bright, it proved impossible to match.
Russian avant-garde filmmaker Sergei Eisenstein and German playwright Bertolt Brecht recount the brief portions of their lives they spent in Hollywood trying to make art that was both radical and popular.
An exploration of Soviet director Sergei Eisenstein's notes and drawings for a science fiction movie that he pitched to Paramount in 1930 about the residents of a skyscraper with walls and floors of clear glass.
The saga of a movie treatment written by German playwright Bertolt Brecht during his unhappy stint in Hollywood based on a Life Magazine article about a farm family who win a week's stay in a model home at the Ohio State Fair, with the catch that they will be on display to the public.
Set deep in the traditional territory of Tahltan First Nation, Northern British Columbia’s Red Chris gold and copper mine is the backdrop to a lyrical tapestry of landscapes and diverse personal stories from the land. Language preservation initiatives and mining opposition evoke emotional tones as the story swells with ravishing images of wilderness as a rough and untamed beauty. A thoughtful shift from Wild’s traditional narrative style of radical point of view documentary, "KONELĪNE" is a meditation on nature, culture, and economy as experienced by those who live and work on the land.
A true Canadian iconoclast, acclaimed transgender country/electro-pop artist Rae Spoon revisits the stretches of rural Alberta that once constituted “home” and confronts memories of growing up queer in an abusive, evangelical household.
Over many years, the director’s father filmed his family life almost obsessively. His daughter’s birth, his son’s first steps, and always Valérie, the young mother. An impressive fund of material which their now grown-up daughter Faustine appropriates to tell quite a different story: that of a woman who sees her role as a mother and its demands take away her freedom step by step.
In this documentary by Coline Serreau, known for her feature film Why Not?, a selection of Frenchwomen in characteristically no-win situations discuss what they are experiencing and answer, if only by implication, the question: "What do women want?"
"The Apology" explores the lives of former "comfort women," the more than 200,000 girls forced into sexual slavery during World War II. Today, they fight for reconciliation and justice as they struggle to make peace with the past.
Bartolomé, a teacher in a multigrade school on the mountains of Chiapas in Mexico, knows well that pedagogy is not based on textbooks and cannot fit behind the four walls of a classroom. A true sower of knowledge unravels his philosophy and method and becomes a beacon of hope for the creation of a humanistic model of education based on curiosity and love for the outside world.
Mark Vashro travels by bicycle from Boston to San Diego through the southern regions of the United States. As he travels, he meets fascinating people and asks them how they ended up where they are. He meets Dave, an alcoholic from Virginia who is trying to reach his family in North Carolina. A woman in New Orleans who used to be an acclaimed designer in New York but realized it wasn't the right life for her. A fisherman living in a self built, single room house in the marshes of Louisiana, wondering how the oil spill will affect his life. These people along with amazing experiences and scenery tell a story of great adventure and human experience.
The remarkable, forgotten story behind David Bowie’s biggest-ever hit record – and how an unlikely journey, deep into the Australian outback, led to its unprecedented success.