Diana Damrau, Ildebrando D'Arcangelo, Pietro Spagnoli, Marcella Orsatti Talamanca, and Monica Bacelli star in this La Scala production of the Mozart opera conducted by Gerard Korsten and directed by Giorgio Strehler.
Il Conte di Almaviva
La Contessa di Almaviva
Cherubino
Marcellina
Basilio
Barbarina
Conductor
Diana Damrau, Ildebrando D'Arcangelo, Pietro Spagnoli, Marcella Orsatti Talamanca, and Monica Bacelli star in this La Scala production of the Mozart opera conducted by Gerard Korsten and directed by Giorgio Strehler.
2006-12-01
8.5
Recorded live from the Teatro Regio di Parma, 8 October 2011
Any new Met production of Verdi’s beloved tragedy La Traviata would be noteworthy, but Michael Mayer’s dazzling staging, which premiered during the 2018–19 season, was doubly significant as it marked Yannick Nézet-Séguin’s first performances as the Met’s Jeanette Lerman-Neubauer Music Director. On the podium for this Live in HD transmission, Nézet-Séguin leads a starry ensemble. As Violetta, the consumptive heroine fighting to find true happiness, soprano Diana Damrau delivers yet another compelling portrayal on the Met stage. Tenor Juan Diego Flórez sings his first Verdi role with the company, as Violetta’s ardent yet impetuous lover, Alfredo, and baritone Quinn Kelsey rounds out the principal cast as Giorgio Germont, Alfredo’s implacable father.
Alzheimer's is a documentary about a disease that affects more and more people. The disease can't be taken lightly. Sadly, Alzheimer's and other dementia affect nearly every family in some way. The most renowned doctors and researchers tell us what they know about the condition so far. The film is also trying to help those who have little or no knowledge of the disease and don't know where to find support. We wanted to show how vulnerable human life can be. Memories, intellect, and personality-all can be lost due to this cruel disease. We don't really understand what happens inside the person or how this disease develops. What we see is the personality disintegrating, and the person becoming 'someone else'. Positive examples are also shown in the film- well-functioning care settings in France and Hungary and loving families caring for their loved ones.
Flying Saucer Rock 'n' Roll, is a 12 minute spoof of a 1950s black and white science fiction B-movie. It was first released in 1997 and starred Ardal O'Hanlon. It was written by Mik Duffy and its director Enda Hughes. The title is taken from the 1957 Rockabilly novelty hit record "Flyin' Saucers Rock 'n' Roll" by Billy Lee Riley and His Little Green Men. O'Hanlan's "rendition" of the song, is performed by producer Michael Hughes.
As a wealthy retired surgeon nears the end of his life, he begins to distribute his wealth to those in need, stating that "all that I have belongs to God." His nephews bring him to court to determine his mental competence in the hopes of stopping him from disposing of all his money.
This special program, a tribute to actor Christopher Reeve, features inspirational stories and songs in a fundraising gala for the Christopher Reeve Foundation.
At Portland, Oregon, playboy pilot Len Kendrick lands at the end of a cross-country record flight, met by his father J.P. Kendrick who owns Amalgamated Air Lines. Len is a media darling, adored by fans for his daring flights. He is in love with Amalgamated stewardess Kay Armstrong who is dating veteran pilot "Wad" Madison. Len dates her sister Penny who learns that his hard-drinking and recklessness has caused the death of his co-pilot. Penny knows that he was drinking before the fateful flight and only escaped prosecution by bribing a bartender. She leaves Len who ends up at Amalgamated as a line pilot, being tutored by Wad.
An instructive parable that the two principles right and wrong have common roots, and their interaction gives rise to unexpected situations that may strongly influence each other. But what will prevail? Friendship, commitment to certain ideals or individual interests, the benefits and the effort to find one’s place under the sun?
Salve, a content barrio lass, is married to Alfred, an aspiring politician. Alfred meets Via finds out that they can both be very useful to each other's lives. He is set on pursuing a political career and Via is from a powerful political family that wants to continue to govern the land. Together, Albert and Via plan a scheme to get rid of Salve. But Salve survives the carnage. Salve takes revenge.
Harry, a young Chinese man, travels to America in an attempt to reunite with his first lover, Sam, in hopes to relive the love and intimacy they once shared.
Smooth-talking ladies' man runs an employment agency for call girls masquerading as language tutors.
Dave Gorman tells the story of his attempt to find 10 'Googlewhacks' (websites containing two unique words when searched on Google) and meet their owners before his 32nd birthday, in order to win a bet.
A simple depiction of the work in the kitchen of a restaurant. Eric M. Nilsson and cinematographer Åke Åstrand attempt to get as close as possible to reality, without any commentary.
It is 1980. Sadatomo is at a secondary school in a small town. His parents barely take any notice of him. The strict teacher Kobayashi has hung up a 'humanity index' in the classroom, divided into the categories 'delinquents', 'scum' and 'people'. In each category he has hung name-cards of pupils. One day Kobayashi finds out that Sadatomo and his friends have stolen some things from a shop for fun. Their fathers are informed and as punishment, the children have to write a 'self-critical' essay of no less than thirty pages. For the first time, Sadatomo is beaten by his father. Shocked, he writes a piece entitled 'I am an onion', in which the teacher thinks he can detect a first sign of humanity. That is the start of a confusing situation in which it gets hard to distinguish lies, truth, justified self-criticism and opportunist wheeler dealing, even for the boys.
The Graham Vicks production of FALSTAFF opened the new Covent Garden Royal Opera House, and was not to everybody's taste; the garish primary colours of the costumes. The staging is effective--the complicated counterpoint of the ensembles is reflected in unobtrusive blocking that keeps the vocal lines clear and separate, especially in the final fugue. Bryn Terfel's Falstaff is a memorable creation, self-mocking and self-aggrandising at the same time--so much so, in fact, that he almost does not need the vast prosthetic body he has to wear for the part. Desiree Rancatore is an admirably sweet-toned Nanetta; Bernadette Manca di Nissa an appropriately sardonic Mistress Quickly; Roberto Frontali as Ford, in his Act 2 scena, perfectly distils and parodies every jealousy aria ever written, including Verdi's own. Haitink's conducting is exemplary in the lyrical passages, gets almost everything out of the fast and furious comic sections.
37-year-old Italian-American widow Loretta Castorini believes she is unlucky in love, and so accepts a marriage proposal from her boyfriend Johnny, even though she doesn't love him. When she meets his estranged younger brother Ronny, an emotional and passionate man, she finds herself drawn to him. She tries to resist, but Ronny, who blames his brother for the loss of his hand, has no scruples about aggressively pursuing her while Johnny is out of the country. As Loretta falls for Ronny, she learns that she's not the only one in her family with a secret romance.
Audiences went wild for Bartlett Sher’s dynamic production, which found fresh and surprising ways to bring Rossini’s effervescent comedy closer to them than ever before. The stellar cast leapt to the challenge with irresistible energy and bravura vocalism. Juan Diego Flórez is Count Almaviva, who fires off showstopping coloratura as he woos Joyce DiDonato’s spirited Rosina—with assistance from Peter Mattei as the one and only Figaro, Seville’s beloved barber and man-about-town.
This John Dexter production, designed by Desmond Heeley, was a parting gift to the great American soprano Beverly Sills, who bid farewell to the Met as Norina, the smart young widow at the center of Donizetti’s comedy. The sensational Alfredo Kraus sings her beloved Ernesto. Håkan Hagegård, in his Met debut role and season, is Dr. Malatesta, the man who helps the young couple trick the crusty old bachelor of the title (Gabriel Bacquier at his comical best) into a fake marriage. This being a Donizetti comedy, it all turns out perfectly well at the end—and getting there is pure operatic fun.
During World War II, two French civilians and a downed British Bomber Crew set out from Paris to cross the demarcation line between Nazi-occupied Northern France and the South. From there they will be able to escape to England. First, they must avoid German troops – and the consequences of their own blunders.
Between two Thanksgivings, Hannah's husband falls in love with her sister Lee, while her hypochondriac ex-husband rekindles his relationship with her sister Holly.
A womanizing opera star is smitten by a young music student.
Xerxes is one of Handel’s latest and most frequently performed operas, famous for its marvelous opening aria ‘Ombra mai fu’. At the centre of the confusing tragicomedy, very loosely based upon the life of Xerxes I of Persia, is a powerful and lovesick royal eccentric, King Xerxes. Rising opera star Gaëlle Arquez in the title role of Xerxes ‘scintillates with her nimble, luminous mezzo-soprano’, singing ‘irresistibly beautiful, impassioned, furious – but never mean’ (Frankfurter Rundschau). Frankfurt’s excellent Opera and Museum Orchester contributes ‘all sorts of refinements’ to this ‘musical smash hit’ (Deutschlandfunk) and ‘In Frankfurt Tilman Köhler ensures a three-hour short abundant and furious banquett … a great evening of opera’ (Deutschlandfunk).
Adapted from the opera written by the composer Semen Hulak-Artemovsky.
When it comes to crime, Belgrade is same as any other modern metropolis, except for having its own serial killers. That blank is filled when a flower salesman begins strangling women. A popular, but very disturbed rock star soon becomes telepathically connected with the killer.
This is funny or rather crazy adaptation of classical opera Carmen inspired by famous czech theatre Ypsilon play of the same name shot at various bizarre locations such as airport, botanical garden and winter forest.
Clay animation film by Guionne Leroy, based on the music of Henry Purcell's opera "King Arthur"
A man who accused a catholic bishop of abusing him when he was a child dies in the Austrian city Salzburg. Everyone except his widow and the eccentrical detective Simon Brenner keeps silent and believes that the man killed himself.