Most opera houses ring in the New Year with Johann Strauss Jr.'s most popular operetta--the festiveness of which is appropriate for the occasion--and this December 31, 1983, Covent Garden performance follows suit. An exceptional cast--led by Hermann Prey and Kiri Te Kanawa as the couple whose marriage survives the comic indiscretions of three long acts--obviously has as much fun as the audience. Plácido Domingo leads the Orchestra of the Royal Opera House through its paces with panache. Prince Orlofsky's Act II party is always a splendid opportunity to pull out all the stops with surprise "guests," and this performance makes the most of its chance: entering the proceedings to sing one of his tailor-made chansons, "She," is French crooner Charles Aznavour, who is followed by dancers Merle Park and Wayne Eagling, their delightful pas de deux flashily choreographed by Sir Frederick Ashton.
Dr. Blind
Colonel Frank
Most opera houses ring in the New Year with Johann Strauss Jr.'s most popular operetta--the festiveness of which is appropriate for the occasion--and this December 31, 1983, Covent Garden performance follows suit. An exceptional cast--led by Hermann Prey and Kiri Te Kanawa as the couple whose marriage survives the comic indiscretions of three long acts--obviously has as much fun as the audience. Plácido Domingo leads the Orchestra of the Royal Opera House through its paces with panache. Prince Orlofsky's Act II party is always a splendid opportunity to pull out all the stops with surprise "guests," and this performance makes the most of its chance: entering the proceedings to sing one of his tailor-made chansons, "She," is French crooner Charles Aznavour, who is followed by dancers Merle Park and Wayne Eagling, their delightful pas de deux flashily choreographed by Sir Frederick Ashton.
1984-01-01
7.8
Dagmar Schellenberger, Nikolai Schukoff, Harald Serafin, and Mirjana Irosch star in this production of the Kalman operetta with Rudolf Bibl conducting the Festival Orchestra Moerbisch.
Moon Dust is a comedy about a semi-abandoned lunar resort that lost its tourists to Mars, the new trendy destination for spatial vacations. With its incredible aesthetics, an extraordinary chromatic palette, and unusual humour, the film turns the unique painterly sensibility of its author into a completely new approach to the imaginary of science-fiction.
When pregnant Mia Sakaguchi falls from a staircase at the shrine, she is transferred to 1994 and immediately admitted to a mental institution, because no one believes her that she is from the future. There she is confronted with the shocking truth that the mentally ill are forcibly sterilized. In order to protect her unborn child, she tries to escape from the institution.
NHK TV Special
The people who live in Reza's village think of him as a simple minded young man. He transports passengers through the road which has been destroyed by flood on his motor bike when he meets a young girl who's the new teacher of the village school and falls in love with her. A love so pure that ends in driving him crazy and it seems like only a miracle can save him. "God is Close" is Vazirian's first feature film and it is about love from a spiritual point of view which ends to a miraculous experience.
British rock titans Led Zeppelin served a residency at Earl's Court in London, England in May of 1975, performing on the 17th, 18th, 23rd, 24th and 25th of that month. In The Court of King James provides a front row seat to almost 4-hour performance given on May 25th, 1975.
Angelos Klapsopoulos, a former actor, has lost all of his money on charities. One day a young female director appears on his house.
Threatening letters, phone calls in the middle of the night... Who is threatening engineer Stamatiad?
The film gives insight in the living conditions of Jewish citizens since 1933 in Germany and the everyday life in the concentration camps, such as in the Main camp of Auschwitz, Mauthausen and Ebensee.
Ikuko is a mature, reserved Kyoto woman married for many years to a respectable, now-middle-aged man. The only problem in their relationship has been that her husband is dissatisfied with her lack of passion during lovemaking. All this changes after they meet the young Mr. Kimura
A 10-year-old boy is thrust into the tumultuous world of puberty when he gets a new pair of eyeglasses.
A mysterious rabbit with a set of magic keys summons a host of strange creatures to entertain a wicked king and his decadent court in this dark stop-motion animated fantasy inspired by the works of Ladislas Starevich.
"Jiyan" takes place in Halabja about five years after Saddam's infamous chemical attack in 1988. Diyari (Kurdo Galali) has come from his new homeland, America, to put up a badly needed new orphanage. As construction proceeds, he gradually becomes acquainted with the tragic individual stories of the survivors. Prime among these is orphan girl Jiyan (Pirsheng Berzinji), and her lively young cousin Sherko (Choman Hawrami). Although he seems to fit right into life in this impoverished town, Diyari can hardly absorb the catastrophe that hit there, nor can he accept the level of injury that he encounters. When the orphanage is ready, Diyari says his goodbyes, plunging Jiyan back into quiet despair.
Michael Jackson's "Dangerous Tour" still sets the bar high for every touring artist today. Outdoing himself with the "Bad Tour", which was already considered the ultimate, the gigantic stage setting consisting of 20 trucks and a lavish arsenal of personnel took almost three days to set up - that alone is a logistical superlative for a worldwide tour with 69 concert stops and 3.5 million fans. The highlights of the show included pyrotechnic effects, several stage illusions and a stuntman. True to his aim of spreading love around the world, Jackson donated the proceeds from the tour (over $100 million) to charity. On October 1, 1992, the image and sound recordings that are hotly sought after by Jackson fans around the world were also made. The concert recording, which was broadcast on the HBO channel, picked up in 60 countries and also transmitted by countless radio stations, still inspires people around the globe.
On tour promoting his 2006 studio album 'Continuum', American pop rock singer-songwriter and guitarist John Mayer performs, consecutively, an intimate acoustic set, a John Mayer Trio blues show, and a full-band concert at the Nokia Theatre in Los Angeles, California on December 8, 2007.
The electrifying FutureSex/LoveShow finds Justin Timberlake stunning a sold-out crowd at New York's Madison Square Garden. Fans seeking pulse-pounding versions of "My Love," "Rock Your Body," "Cry Me a River" and "SexyBack" will not be disappointed.
This is an effective staging, though the set looks medieval and the costumes are modern. It’s well paced, well played, well sung. Jonas Kaufmann is an ideal Tito. His voice is not only beautiful and flexible, it’s also ample, retaining warmth and sweetness when he sings out. The character of Tito is too good to be true, but Kaufmann makes him intense, noble, and beliveable. Vesselina Kasarova is riviting as Sesto. Her voice is gorgeous and multi-colored, her technique exquisite, her immersion in the role complete.
For those with any interest in Vivaldi's operas Orlando Furioso is essential viewing, being a 1989 San Francisco Opera revival by Pier Luigi Pizzi of his own 1979 production which was largely responsible for beginning modern interest in Vivaldi's stage work. The composer first premiered Orlando finto pazzo in 1714, but the Orlando Furioso finalised in 1727 was so heavily reworked as to be virtually an entirely new opera, and so successful Handel set the same epic poem by Aristo under the title Alcina in 1735.
Disciplined Italian composer Antonio Salieri becomes consumed by jealousy and resentment towards the hedonistic and remarkably talented young Viennese composer Wolfgang Amadeus Mozart.
"Live At Lyon" Recorded at the Vienne Ampitheatre, Lyon, France on July 17, 2006 This bonus DVD was available from The Who's Endless Wire limited edition album
Teatro Regio’s 2013 revival of their highly successful 2006 production of Verdi’s Don Carlo celebrates the 40th anniversary of the theatre’s reopening in 1973. With traditional staging and lavish costume design, the production garnered high acclaim in the national and international press, with GB Opera commending the ‘sumptuous’ setting and French online music magazine ResMusica praising director Hugo de Ana’s decision to revive the show ‘in all its splendour’. Shown here in the four-act version, Don Carlo is the fascinating tale of father-son power struggles, adultery and love that borders on incest. The cast – under the powerful baton of Gianandrea Noseda – is headed by renowned Mexican tenor Ramón Vargas, and also features Ludovic Tézier, who has been hailed as ‘one of the best Verdian singers of our time’
From the moment her debut single Just Dance hit the top of the UK charts, Lady Gaga has captivated music fans across the world. This collection of her appearances on a selection of BBC programmes from over the years underlines exactly why she's considered one of the most creative and innovative stars of the 21st century. With Gaga you never know what to expect, whether she’s on her own performing Poker Face, dressed like no-one before her or since, or guesting on Strictly Come Dancing in a duet with Tony Bennett, singing the Cole Porter classic Anything Goes.
"Manon Lescaut is a heroine I believe in," wrote Giacomo Puccini to his publisher Giulio Ricordi. Experience Puccini's third opera and first big success in Götz Friedrich's landmark 1983 production at the Royal Opera House. The extraordinary Plácido Domingo and Kiri Te Kanawa take on the roles of the Chevalier Des Grieux and Manon Lescaut, accompanied by the Royal Opera House Choir and Orchestra under the direction of Giuseppe Sinopoli.
La Rondine (The Swallow) is possibly the least performed of Giacomo Puccinis later operas, but is still just as much a masterwork as its more performed counterparts. Originally conceived as the composers first operetta, the work is an artful blend of opera and operetta, with a lighter mood than Puccinis other works. This live production filmed at the Deutsche Oper Berlin stars Dinara Alieva and Charles Castronovo in the lead roles. Renowned stage director Rolando Villazon sets this rendition, and the Orchestra and Chorus of the Deutsche Oper Berlin is conducted here by acclaimed Maestro Roberto Rizzi Brignoli.
“Let us assume that Switzerland is truly a paradise. The music hereto was written long ago. We have merely forgotten it.” (Daniel Schmid) This is the material from which the most Swiss of all operas is made: the legendary Wilhelm Tell – a Swiss hero: straightforward, a primus inter pares of the indomitable freedom fighters, a good shot, surefire. A myth that becomes a poetic playground: nature in turmoil, the struggle for freedom and forbidden love. A legendary overture at a gallop with an iconic post horn motif – all this and much more in the thirty-seventh and last opera by Rossini.
A man who accused a catholic bishop of abusing him when he was a child dies in the Austrian city Salzburg. Everyone except his widow and the eccentrical detective Simon Brenner keeps silent and believes that the man killed himself.
The Pogues playing on St. Patrick's Day in London's Town and Country serves to remind fans why we loved the band and possibly why their breakup was inevitable. A thoroughly sloshed Shane MacGowan mumbles and screams his way through most of their hits to that point in time. Of course, real fans like the mumbling and the screaming. Lots of energy, great guests - The Specials, the late Kirstie MacColl and especially the late great Joe Strummer - who not only gets up on stage for a stirring rendition of London Calling, but serves as a kind of host for the evening as he discusses what made the Pogues so great. The video times in at a paltry 60 minutes which leaves you begging for more, but between the singalong Wild Rover and the silly string silliness of Fiesta, it is a jam-packed entertaining piece of music history.
During World War II, two French civilians and a downed British Bomber Crew set out from Paris to cross the demarcation line between Nazi-occupied Northern France and the South. From there they will be able to escape to England. First, they must avoid German troops – and the consequences of their own blunders.
“Kaufmann is performing the title role for the first time, and it’s hard to imagine him bettered. His striking looks make him very much the Romantic and romanticised outsider of Giordano’s vision. His voice, with its dark, liquid tone, soars through the music with refined ease and intensity: all those grand declarations of passion, whether political or erotic, hit home with terrific immediacy.” – The Guardian Presented in its Covent Garden premiere in January 2015, this staging – directed by David McVicar and conducted by the Royal Opera’s Music Director, Sir Antonio Pappano – shows a bloody tricolour daubed with the words “Even Plato banned poets from his Republic” – written by Robespierre on the death warrant of the historical Chénier, a poet and journalist sent to the guillotine in 1794 for criticising France’s post-revolutionary government.
This all-star cast is framed by Peter Hall’s gritty, realistic production and conducted by James Levine, who brings out all the surging emotion and gripping drama in Bizet’s score. At the center of the story is Agnes Baltsa, whose smoky mezzo is tailor-made for the gypsy Carmen, an independent woman who glories in obeying only her own rules, but who is haunted by fate. Superstar tenor José Carreras is Don José, the solider from a small town who catches Carmen’s eye and is destroyed by his growing obsession with her. Samuel Ramey is the charismatic matador Escamillo, who lures Carmen away from Don José with tragic result. Leona Mitchell is Micaëla, the simple girl from Don José’s hometown who cannot save him. March 21, 1987 Matinee Broadcast.
Live performance from the Festival d'Aix-en-Provence, 23 July 2005.
Live from the Metropolitan Opera, 14 February 1980. This version takes place in Boston rather than Sweden.