Orphée aux enfers

Le Villi(it)

Le Villi is an opera-ballet in two acts composed by Giacomo Puccini to an Italian libretto by Ferdinando Fontana, based on the short story Les Willis by Jean-Baptiste Alphonse Karr.

Eugene Onegin(ru)

Tchaikovsky's much-loved opera Eugene Onegin, a story of love, rejection and tragedy based on Pushkin's verse drama of the same name.

Wagner: Die Walküre(de)

All'Opera Le Barbier De Seville(en)

Probably the most famous Opera Buffa in music history, The Barber of Seville is an eternal source of joy. The director Vittorio Borelli, has set the action in its original context, during the time of Beaumarchais indicative of the change in social attitudes before, during, and after the French Revolution, but still fully adorn with powdered wigs and silk trousers. We are in Seville where the young and beautiful Rosina is kept locked up by her guardian, Don Bartolo, who intends to marry her in order to keep her dowry. However, Rosina is in love with the young Count Almaviva who, with the help of Figaro, will try everything to save her to finally be with his beloved.

Britten: Gloriana(en)

Benjamin Britten’s opera Gloriana was written in 1953 for celebrations around the Coronation of Her Majesty Queen Elizabeth II, to whom the opera is dedicated. It had its first performance at the Royal Opera House on 8 June 1953, in the presence of The Queen then just 6 days into her reign. The centenary in 2013 of Britten’s birth prompted this new Royal Opera production, in which director Richard Jones uses the setting of a celebratory pageant in 1953 to explore the work’s alternating splendour and intimacy. This theatrical, inventive and colourful staging has at its core the symbolic reflections between the Tudor Elizabethan and the New Elizabethan ages that characterize the opera. The juxtaposition of the modern and the archaic in William Plomer’s libretto is wonderfully amplified in music that artfully fuses the sounds and manners of Tudor England – from lute songs to courtly dances – with Britten’s own distinctive style.

Opera of Cruelty(en)

In this surreal drama, a Young Victim invited to an immersive operatic production led by the Famed Fiend, a collector and protector of talent, finds himself infatuated with the Tempestuous Tigress, a young woman and the favorite performer, who wants nothing but to escape.

The Death of a Composer: Rosa, a Horse Drama(en)

"Rosa", with a libretto by Peter Greenaway and score by Louis Andriessen, is the first in a projected series of 10 operas, each dealing with the death of a famous composer - some real, others fictional. "Rosa" falls into the latter category; it tells the story of Juan Manuel de Rosa, a Brazilian who went to study music in America but spent most of his time in the cinema instead, becoming particularly entranced by Westerns. Now 32 years old and residing in an abandoned Uruguayan slaughterhouse, Rosa has become one of Hollywood's foremost composers, specialising in Westerns. He also has a beautiful 19-year-old fiancee, Esmeralda, but he pays her little heed, instead lavishing his attentions on a black mare named Bola. One day, a group of men attired as cowboys arrive at the abattoir and kill both Rosa and Bola; an investigation is conducted, with particular suspicion!

Sen(cs)

Prodaná nevěsta(cs)

Libuše(cs)

Jacky in the Kingdom of Women(fr)

In a country where women are in charge, a man goes to unusual lengths to make his dream of marrying the daughter of a military leader come true.

Adam's Apples(da)

A neo-nazi sentenced to community service at a church clashes with the blindly devotional priest.

Doctor Terror(en)

A mythical being reigns terror among Abram's fragile state of mind after a bad mushrooms trip.

Donizetti - La Favorite(en)

Donizetti's French masterpiece was in the hands of Italian conductor Antonello Allemandi. This maestro, a bel canto specialist, captured the fire and intensity of the passions from the get-go, making the overture a superbly eloquent transition to a musical world based on beautiful lines and colors that elaborate distress and make it compellingly elegant. Allemandi demonstrated a full authority over the stage for the musically complex scenes, and in the arias and duets he demonstrated his confidence in the artistry of distraught singers by establishing ample tempos to support their soaring vocal lines while he concentrated on pulling every possible nuance from the pit players.

Dogma(en)

An abortion clinic worker with a special heritage is called upon to save the existence of humanity from being negated by two renegade angels trying to exploit a loophole and reenter Heaven.

Office Space(en)

A depressed white-collar worker tries hypnotherapy, only to find himself in a perpetual state of devil-may-care bliss that prompts him to start living by his own rules, and hatch a hapless attempt to embezzle money from his soul-killing employers.

Theodora(en)

The oratorio concerns the Christian martyr Theodora and her Christian-converted Roman lover, Didymus.

Ninotchka(en)

A stern Russian woman sent to Paris on official business finds herself attracted to a man who represents everything she is supposed to detest.

Siegfried (Longborough Opera Festival 2022)(en)

The hero Siegfried reforges his father’s shattered sword, embarking on a quest for the greatest prize of all – the love of the valkyrie Brünnhilde, who lies trapped in a ring of fire. Siegfried is the third opera in Richard Wagner’s four-opera cycle Der Ring des Nibelungen. Wagner broke off composition at the end of Act II of Siegfried to write Tristan und Isolde and Die Meistersinger von Nürnberg, returning to Siegfried seven years later. Longborough Festival Opera, known as the British Bayreuth, calls on renowned Wagnerian Anthony Negus to conduct and Amy Lane to stage this new production of Siegfried in the bucolic English Cotswolds.

Händel / Mozart: Der Messias(de)

Known as a creator of astonishing images, stage director and visual artist Robert Wilson delivers a magnificent production of Mozart’s adaption of Handel’s Messias. Mozart was commissioned by Gottfried van Swieten to modernise the score fifty years after Handel’s popular composition (1742), mainly by arranging the wind parts and partially re-composing them. With Marc Minkowski a conductor has been engaged who understands perfectly how to combine baroque style with the tonal possibilities of an orchestra of the classical period like the Musiciens du Louvre. The excellent soloist quartet with Elena Tsallagova, Wiebke Lehmkuhl, Richard Croft and José Coca Loza merges perfectly into Wilson’s enormous flood of images.