Between 1975 and 1979, at least 250,000 Cambodian women were forced into marriages by the Khmer Rouge. Sochan was one of them. At the age of 16, she was forced to marry a soldier who raped her. After 30 years of silence, Sochan decided to bring her case to the international tribunal set up to try former Khmer Rouge leaders.
We Are Not Princesses is a documentary film about the incredible strength and spirit of four Syrian women living as refugees in Beirut as they come together to tell their stories of love, loss, pain and hope through the ancient Greek play, Antigone.
Eight women on the margins of Israeli society are thrown together during the course of a school year at Tel Aviv's oldest beauty school. Amidst the combs and colorings, these women present a microcosm of modern-day Tel Aviv -- native Israelis and new immigrants, Asians and Africans, among them women struggling with cancer and personal loss. As they learn to create beauty without, each woman undergoes a powerful transformation within.
Set in the military outpost of San Antonio, Texas, AFTER FIRE highlights the challenges faced by the fastest-growing group of American veterans: women, who now account for one in five new recruits to the U.S. Armed Forces. Demonstrating courage during their military service and resilience in its aftermath, three women military veterans candidly confront the fallout of their experiences on their personal lives as they adjust to the civilian world. The film throws a spotlight on the human toll of military service - including military sexual trauma, combat injuries and bureaucratic dysfunction - telling a universal story about strength in the aftermath of trauma.
Six people, one room, one night, one game, a lot of sensuality and much to discover. A Film that shows how bodies and minds might meet when allowed to. Get involved within a stimulating experiment, somewhere between aesthetic statement and real venture, between pornographic art and the attempt to reposition sexuality within dialogue and actions.
Carla Haddad Mardini was born with bombs blasting at the worst period of the Lebanese Civil War. She embarked on a career in the humanitarian field where she experienced a meteoric rise, quickly holding leadership positions, first at the ICRC and now at UNICEF in New York. One of her greatest successes is to have overcome the challenges of combining harmonious family life with an intense professional career.
This is the story of the courageous all-female Apache 8 firefighting unit which has protected their reservation and responded to wildfires around the nation for 30 years. This group, which recently became co-ed, earned the reputation of being fierce, loyal and dependable--and tougher than their male colleagues. Despite facing gender stereotypes and the problems that come with life on the impoverished reservation, the women became known as some of the country's most elite firefighters. The film focuses on four women from different generations of Apache 8 crewmembers who speak tenderly and often humorously of hardship, loss, family, community and pride in being a firefighter.
They are four of the most successful businesswomen in China: Belonging to a generation who experienced the austerity of China's cultural revolution, followed by the subsequent economic boom, they have worked their way to the very top in a patriarchal society. Today, Yang Lan is the owner of one of the leading private media companies. Dong Mingzhu is a tenacious female CEO, heading up the world's largest manufacturer of air conditioning systems. Zhang Lan is a tycoon in the luxury restaurant business. Zhou Yi is a top manager working for a big american IT company. How were these careers built? What are the social and economic contexts in which they operate? And what do these women think about the political, social and cultural state of their country?
In the West, we are often bombarded with dramatic and horrifying images of a violent and war-torn Iraq. This makes it easy to forget that people there do "regular" things... like play basketball. Salaam Dunk follows the American University of Iraq women's basketball team as they discover what it means to be students, athletes and friends. This is a story of triumph in the face of chaos and a testament to the perseverance of a handful of young Iraqi women. It shows us how sports can help build bridges of shared values, and potentially lead us toward a future of understanding within Iraq as well as abroad. Above all, Salaam Dunk is a film about basketball, friendship and the pain of losing those we love. From the joy of the team's first win to the pain of losing their coach forever, the film gives us an intimate glimpse into an Iraq we don't see on the news.
Sure, Elvis was the King, but who was the Queen? The Women Of Rockabilly – Welcome To The Club is a documentary search for the "Female Elvis", as we meet the women of rockabilly music and explore the "what-if’s?" and "what-now’s" of their careers. Brenda Lee, Wanda Jackson, Janis Martin and a sassy cast of lesser but no less colorful pretenders to the throne describe their trailblazing days when they were the embodiment of exuberance, sexuality and defiance in a world that wasn’t quite ready for them. A rockin’ feature documentary by Beth Harrington.
Ju/'hoan women often share an intimate sociability and spend many hours together discussing their lives, enjoying each other's company and children. In this short film, Ju/'hoan women rest, talk and nurse their babies while lying in the shade of a baobab tree. This film is a good illustration of "collective mothering" in which several women support each other and share the nurturing role.
Take a uniquely Latina view of life in the United States in this no-holds-barred 10th installment in the 'Habla' series. From a newspaper CEO-publisher to an Olympic boxing medalist, and many others, this special charts the joys of challenges faced by U.S. Latinas of all ages and backgrounds.
A journey into the hearts, minds and eyes of Georgia O’Keeffe, Emily Carr and Frida Kahlo - three of the 20th century’s most remarkable artists.
When terrorists shattered their lives, two women set off on an extraordinary journey to rebuild themselves and the lives of women half a world away.
Houda al-Habash, a conservative Muslim preacher, founded a Qur'an school for girls in Damascus, Syria when she was just 17 years old. Every summer, her female students immerse themselves in a rigorous study of Islam, in addition to their secular schooling. A surprising cultural shift is underway-women are claiming space within the mosque, a place historically dominated by men. Challenging tradition, Houda insists education for women is a form of worship. Using Qur'anic teachings, she encourages her students to pursue higher education, jobs, and public lives, while remaining committed to an interpretation of Islam prioritizing women's role as wives and mothers. In a world rarely seen, The Light In Her Eyes tells the story of a leader who challenges the women of her community to live according to Islam, without giving up their dreams. Shot right before the uprising in Syria erupted, the film is an exclusive look at a social movement thriving in a country controlled by a repressive regime
How to combine modernity and fundamentalist Islam. "Saudi Solutions" is a unique and revealing documentary about the lifestyles and attitudes of ambitious career womenin conservative Saudi Arabia - the only country in the Arabworld where women are obliged to cover themselves inabayas and aren't allowed to drive cars. Because of the strong influence of fundamentalist Islam on society, filmingis severely restricted in Saudi Arabia. With unique access to the Kingdom, Backlight had the opportunity to film the daily routines of Saudi working women. This documentaryfeatures a top gyneacologist, a TV news anchor woman, a photographer, and a university professor. It also introducesthe wealthy Prince Al-Waleed, who passionately promotes the acceptance of women into the workforce. He kindly invitesBacklight to his luxury desert camp, but there are no women to be found - only thousands of men.
When Harvard PhD student Jennifer Brea is struck down at 28 by a fever that leaves her bedridden, doctors tell her it’s "all in her head." Determined to live, she sets out on a virtual journey to document her story—and four other families' stories—fighting a disease medicine forgot.
The film follows the story of Jamie, a struggling butch lesbian actress who gets cast as a man in a film. The main plot is a romantic comedy between Jamie's male alter-ego, "Male Jamie," and Jill, a heterosexual woman on set. The film's subplots include Jamie's bisexual roommate Lola and her cat actor Howard, Lola's abrasive butch German girlfriend Andi, and Jamie's gay Asian friend David.