2011-10-17
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An account of Adolf Hitler's rise and fall, his relationship with Eva Braun and their days of leisure at the Berghof, their Bavarian residence.
Between 1975 and 1979, at least 250,000 Cambodian women were forced into marriages by the Khmer Rouge. Sochan was one of them. At the age of 16, she was forced to marry a soldier who raped her. After 30 years of silence, Sochan decided to bring her case to the international tribunal set up to try former Khmer Rouge leaders.
Having previously investigated the architecture of Hitler and Stalin's regimes, Jonathan Meades turns his attention to another notorious 20th-century European dictator, Mussolini. His travels take him to Rome, Milan, Genoa, the new town of Sabaudia and the vast military memorials of Redipuglia and Monte Grappa. When it comes to the buildings of the fascist era, Meades discovers a dictator who couldn't dictate, with Mussolini caught between the contending forces of modernism and a revivalism that harked back to ancient Rome. The result was a variety of styles that still influence architecture today. Along the way, Meades ponders on the nature of fascism, the influence of the Futurists, and Mussolini's love of a fancy uniform.
Hotel Coolgardie is a portrait of outback Australia, as experienced by two backpackers who find themselves the latest batch of “fresh meat” to work as barmaids in a remote mining town.
From behind the closed doors of women's washrooms, The Powder Room reveals women sharing intimacies in the privacy of each other's company. Originating from the director's observation that women trade secrets with friends and strangers in public washrooms, this innovative and candid documentary takes us to high school bathrooms, seniors centres' powder roooms, Newfoundland dance halls, New York nightclubs, a sauna in Copenhagen, a Casablanca hamman and country-and-western bars in Texas. In each location, as women are filmed in verité sequences, they confess their joys, their frustrations and their pain about love, sex, relationships with men and friendships with each other.
What would your family reminiscences about dad sound like if he had been an early supporter of Hitler’s, a leader of the notorious SA and the Third Reich’s minister in charge of Slovakia, including its Final Solution? Executed as a war criminal in 1947, Hanns Ludin left behind a grieving widow and six young children, the youngest of whom became a filmmaker. It's a fascinating, maddening, sometimes even humorous look at what the director calls "a typical German story." (Film Forum)
The film was originally conceived as a portrait of Dr. Nawal El Saadawi, the well-known Egyptian doctor, writer, and women’s rights activist. But the director was disappointed by the encounter with the woman who had been her great role model. Instead, she set out to discover what life means to Egyptian women by visiting her female relatives. Her mother, aunts, and neighbors talk about life as a married woman, about the traditional clitoridectomy of girls, about love and sexuality. The result is a very impressive and extremely personal film.
On January 10th, the investigative editorial team of CORRECTIV published research into a secret meeting of right-wing extremists, which no one was supposed to know about and which led to demonstrations and protests all over Germany. AfD politicians, CDU politicians, members of the WerteUnion, neo-Nazis and financially strong entrepreneurs came together in November 2023 in a hotel near Potsdam near the Villa on Wannsee, where the “final solution to the Jewish question” was once decided. They met to debate to expel millions of people from Germany, including non-German citizens with a migration background, as well as German citizens with a migration background and German citizens without a migration background who do not want to adapt to the ideological worldviews of those present. On January 17, 2024, the research premiered in the Berliner Ensemble as a staged reading with a political satirical character.
This short film, produced at the end of WWII, warns that although Adolf Hitler is dead, his ideas live on.
Take a uniquely Latina view of life in the United States in this no-holds-barred 10th installment in the 'Habla' series. From a newspaper CEO-publisher to an Olympic boxing medalist, and many others, this special charts the joys of challenges faced by U.S. Latinas of all ages and backgrounds.
Fighters is a portrait of the current realities of both the urban and rural Mexican woman. Filmed in Mexico City and the State of Zacatecas this film documents the primary circumstances, difficulties, obstacles and preoccupations that women face daily in this country. Poverty, hunger, * machismo*, mass migration, and social inequality -- these are some of the issues that are explored through their testimonies. Women from various professions, ages and social-economic statuses share their stories and their hopes for the future, and create a portrait of a Mexico where women are taking more of a central role.
Concerning Violence is based on newly discovered, powerful archival material documenting the most daring moments in the struggle for liberation in the Third World, accompanied by classic text from The Wretched of the Earth by Frantz Fanon.
The memory of Piero Portaluppi, a Milanese architect who reached the peak of his fame during the 20 years of the Fascist regime, comes back to life, both through the rediscovery of his work today and in a previously unpublished film diary in 16 mm, shot and edited throughout his lifetime. A man of great charm and power, Portaluppi lived through a grandiose but tragic era with ironic detachment, as if dancing across things as he created beauty. History marches on implacably, radically transforming the arena in which the eclectic artist and his large family lived and worked.
The true story of the massacre of a small Czech village by the Nazis is retold as if it happened in Wales.
Not just another documentary on the French resistance movement, this film focuses on one particular group of underground fighters in France: those from Eastern Europe. Many were Jews and all had fled their native countries before the war broke out. They were among the most staunch and fearless enemies of fascism, as shown here in personal interviews and memoirs of war-time experiences. But the most famous of these immigrants were 23 who were rounded up among several hundred Parisians in 1943, tried for their activities, and executed -- all were immigrants under the leadership of the Armenian poet Manouchian. After their execution, Paris was papered with posters decrying these 23 martyrs as "foreign communists."
A groundbreaking documentary on the internationally renowned painter, designated by ARTnews Magazine one of the world's top-ten living artists. This documentary was shot over a period of four years, from 1998 through 2002, Agnes Martin's ninetieth year. Interviews with Martin are inter-cut with shots at work in her studio in Taos, New Mexico, with photographs and archival footage, and with images of her work from over five decades. It is a venue for Martin to speak about her work, her working methods, her life as an artist, and her views about the creative process. She also discusses her film, "Gabriel" and reads from her poetry and lectures. In keeping with Martin's chosen life of solitude, she alone appears in the documentary.
This documentary is one of the earliest film enquiries on women's condition in Italy, seen in its different aspects: social, economic, psychological. Starting from an analysis of the feminine role models proposed by the cultural industry, the film finds its protagonists among all kinds of women.
A journey into the hearts, minds and eyes of Georgia O’Keeffe, Emily Carr and Frida Kahlo - three of the 20th century’s most remarkable artists.
Leftist extremist groups operating in Europe have chosen violence as a political tactic: they attack the right-wing parties offices, attack the police, provoke riots in demonstrations. Although leftist violence is increasing, it receives almost no public attention. An investigation into the alleged good violence exercised in the name of a supposedly just cause.