Self
Self
Self
The interviews show these extraordinary women sharing their diverse journeys, personal stories, and perspectives, and the effect is both inspiring and empowering. The Female Lead is an initiative founded by data pioneer and entrepreneur Edwina Dunn to make women’s stories more visible, offering alternative role models with the goal of fostering ambition and self-belief in young women.
2017-03-05
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Six people, one room, one night, one game, a lot of sensuality and much to discover. A Film that shows how bodies and minds might meet when allowed to. Get involved within a stimulating experiment, somewhere between aesthetic statement and real venture, between pornographic art and the attempt to reposition sexuality within dialogue and actions.
Take a uniquely Latina view of life in the United States in this no-holds-barred 10th installment in the 'Habla' series. From a newspaper CEO-publisher to an Olympic boxing medalist, and many others, this special charts the joys of challenges faced by U.S. Latinas of all ages and backgrounds.
Carla Haddad Mardini was born with bombs blasting at the worst period of the Lebanese Civil War. She embarked on a career in the humanitarian field where she experienced a meteoric rise, quickly holding leadership positions, first at the ICRC and now at UNICEF in New York. One of her greatest successes is to have overcome the challenges of combining harmonious family life with an intense professional career.
When Harvard PhD student Jennifer Brea is struck down at 28 by a fever that leaves her bedridden, doctors tell her it’s "all in her head." Determined to live, she sets out on a virtual journey to document her story—and four other families' stories—fighting a disease medicine forgot.
The film follows the story of Jamie, a struggling butch lesbian actress who gets cast as a man in a film. The main plot is a romantic comedy between Jamie's male alter-ego, "Male Jamie," and Jill, a heterosexual woman on set. The film's subplots include Jamie's bisexual roommate Lola and her cat actor Howard, Lola's abrasive butch German girlfriend Andi, and Jamie's gay Asian friend David.
We Are Not Princesses is a documentary film about the incredible strength and spirit of four Syrian women living as refugees in Beirut as they come together to tell their stories of love, loss, pain and hope through the ancient Greek play, Antigone.
The personal and professional story of Ilona Staller, known as Cicciolina, is probably unique: she left communist Hungary and moved to Italy, where she found a fertile environment for a life dedicated to scandal.
Gender activist Diane Torr’s worldwide appearances and workshops are now legendary. For the past thirty years, the main focus of this performance artist’s work has been an exploration of the theoretical, artistic as well as the practical aspects of gender identity. Katarina Peters’ documentary observes a Diane Torr workshop in Berlin in which a group of open-minded women come together to discover the secrets of masculinity. What makes a man a man and a woman a woman? Precisely when and where is gender identity formatted? How much is nature and how much nurture? Each of Torr’s workshops represents an open-ended laboratory experiment in social behaviour in which the question is posed: is it possible to deliberately play out different roles and create a space in which to transgress both masculine and feminine characteristics?
The story of an American hero and the Cherokee Nation's first woman Principal Chief who humbly defied all odds to give a voice to the voiceless.
She Makes Comics traces the fascinating history of women in the comics industry. Despite popular assumptions about the comics world, women have been writing, drawing, and reading comics since the medium’s beginnings in the late 19th century. And today, there are scores of women involved in comics and its vibrant fan culture. Featuring dozens of interviews with such vital figures as Ramona Fradon, Trina Robbins, Joyce Farmer, Karen Berger, Kelly Sue DeConnick, and Becky Cloonan, She Makes Comics is the first film to bring together the most influential women of the comics world.
At an altitude of nearly 4,000 meters, Sking is one of the most isolated villages in the Himalayan region of Zanskar. In just three months, from August to October, the Zanskaris have to harvest and store all their food for the coming year. All the women-young and old alike-work nonstop, from dawn to dusk, and worry about the arrival of winter. Filmed from the point of view of a subjective camera by a young female ethnologist, Land of Women offers a sensitive and poetic immersion in the life of four generations of women during harvesting season. We share their rare intimacy and gradually grow attached to them.
What does beauty look like? In this award-winning short, Kenyan filmmaker Ng’endo Mukii combines animation, performance, and experimental techniques to create a visually arresting and psychologically penetrating exploration of the insidious impact of Western beauty standards and media-created ideals on African women’s perceptions of themselves. From hair-straightening to skin-lightening, YELLOW FEVER unpacks the cultural and historical forces that have long made Black women uncomfortable, literally, in their own skin.
Documentary about the world of the Japanese geisha. Unattainable by all but the wealthy and powerful, geisha are the ultimate massagers of the male ego. Behind the delicate fan and enigmatic smile can also be found a darker side to the geisha story, including treachery and suicide.
Tibetan writer Tsering Woeser's efforts to document and present the reality of Tibet were considered a "political problem" by the Chinese Party-state and she was fired from her job. Since then, she has persevered as an independent writer and has continued to speak out for the sufferings of Tibetan people. Zhu Rikun, the director, came into possession of Tsering's official dossier which then became the main thread of this film. The first half of the movie is centred around her reading of the dossier; be patient as the theme grows and her interviews document the changed direction her career took including footage from Tibet.
At a time in the United States when the tech sector outpaces the overall growth of the employment market, CODE asks the important question: Where are all the women?
A quartet of refined elderly ladies gets together for coffee. Neatly dressed in houndstooth and pearls, they sip from elegant china and nibble on sweet cakes while discussing Viagra, cock rings, orgasms and quickies. Nothing's off the table as they reminisce about the past and revel in the sexual revolution that's come up around them, empowering their pleasure well into their twilight years.
Jeju-do is the largest of Korean islands and lies between Korea and Japan. There, for hundreds of years, women dive without breathing apparatus, to the ocean floor and collect shellfish, octopus, and urchins that they sell. The divers are in their sixties and seventies and their daughters do not want to inherit their work, lifestyle, and health problems that go with diving. As a filmmaker I was privileged to meet many of these women and dive with them. Their stories of hardship and pride confirmed my desire to record this unique and ancient tradition.
'I Used to be Normal - A Boyband Fangirl Story' is the surprising coming of age story of four diverse women who have had their lives dramatically changed by their love of a boyband - Backstreet Boys, One Direction, Take That and The Beatles.