Song of Arirang - Voices from Okinawa(1991)

My Own Breathing(ko)

"My Own Breathing" is the final documentary of the trilogy, The Murmuring about comfort women during the World War II directed by BYUN Young-joo. This is the completion of her seven years work. BYUN's first and second documentaries spoke of grandmothers' everyday life through the origin of their torment, while My Own Breathing goes back to their past from their everyday life. Deleting any device of narration or music, the camera lets grandmothers talk about themselves. Finally, the film revives their deep voices trampled by harsh history.

The Silence(ja)

The Silence narrates the struggle of fifteen "comfort women"—former sex slaves by the Imperial Japanese Army during WWII—for recognition and reparation. The "comfort women" issue has previously been treated almost exclusively within the framework of Korean nationalism. The Silence will provide insight into the ways in which nationalism and the emergence of post-war Asian nation-states have hindered the understanding of "comfort women" narratives through Zainichi Korean documentary filmmaker Soo-nam Park's point of view.

My name is KIM Bok-dong(ko)

In 1992, KIM Bok-dong, reported herself as a victim of the sexual slavery, "comfort women" during World War Ⅱ. She wanted to receive the proper apology from the Japan government but they denied its responsibility. In 2011, commemorating the 1000th Wednesday demonstration, Statue of Peace was installed in front of the Embassy of Japan. The fight over Japan confronts a new stage.

BABYMETAL LEGEND - 43 The Movie(ja)

In April 2023, SU-METAL (vocal, dance), MOAMETAL (scream, dance), and MOMOMETAL (scream, dance) entered a new stage as the new BABYMETAL, and since then, they have embarked on their largest-ever world tour, "BABYMETAL WORLD TOUR 2023-2024," visiting 25 countries including Japan. The 98 performances, excluding festivals and guest act appearances, recorded a total audience of over 280,000 people.

The Murmuring(ko)

Every Wednesday at noon, women who were kidnapped for sexual purpose by the Japanese army during its imperialism and their supporters demonstrate against Japanese government to request official apology and indemnity for their crimes. This documentary portrays sexually abused old women's suppressed story of overcoming of their shame and forced silence.

Battle of Okinawa in Color(en)

By mid-1945, Hitler is dead and the war has ended in Europe. Halfway around the world, however, the fighting is still going strong on a small island in the Pacific. Okinawa was the site of the last battle of the last great war of the 20th century, with a casualty rate in the tens of thousands. Through it all, military cameramen risked their lives to film the conflict, from brutal land combat to fierce kamikaze attacks at sea. See the footage they captured and experience this intense battle the way the soldiers saw it -- in color.

Shusenjo: The Main Battleground of the Comfort Women Issue(en)

A Japanese-American director digs deep into the controversial 'comfort women' issue to settle the debate on whether the women were paid prostitutes or sex slaves, and reveals the motivations and intentions of the main actors pushing to revise history in Japan.

Twenty Two(zh)

Follow the lives of the elderly survivors who were forced into sex slavery as “Comfort Women” by the Japanese during World War II. At the time of filming, only 22 of these women were still alive to tell their story. Through their own personal histories and perspectives, they tell a tale that should never be forgotten to generations unaware of the brutalization that occurred.

KOKO SunYi(ko)

Le Baron et l'Empereur : Japon, la voie de la guerre(fr)

Comfort(ko)

KIM Soonak is a survivor of sex slavery by the Japanese military. The war may have ended, but her life was still at a war. She lived in the prostitute quarters to survive, did sex business in the US military camp town, and peddled goods from the US military. She raised two kids on her own as she worked as a maid. We’ll listen to her story in her absence. The film reconstructs the life story of the deceased KIM Soonak with interviews with activists, archive videos, animation, and read-aloud testimony.

Habitual Sadness(ko)

The story of the women at the "House of Sharing" continues. Old women who share a common bond lead a peaceful life in the countryside, raising vegetables, chickens and painting pictures. They are no different from the elderly women we see every day. But they are all scarred by pain and sorrow from their collective history of being comfort women during World War 2. They became subject to prejudice in their own homeland after their return to Korea. It is painful for them to watch other peoples' children and grandchildren, and they feel rage when the Japanese government tries to cover up the unspeakable crimes they committed against them. The film asks us to remember what these women sacrificed and the shame and misery they faced even as these individuals pass away often forgotten by their own people.

Green Jail(ja)

The film follows the last 4 years life of Grandma Hashima, the last existent from colonial Taiwan, who knows the secrets of "Green Jail," the notorious coal mine before World War II on Iriomote Island, Okinawa, Japan.

The Women Outside(en)

They're called bar women, hostesses, or sex workers and "western princesses." They come from poor families, struggling to earn a decent wage, only to be forced into the world's oldest profession. They're the women who work in the camptowns that surround U.S. military bases in South Korea. In 40 years, over a million women have worked in Korea's military sex industry, but their existence has never been officially acknowledged by either government. In The Women Outside, a film by J.T. Orinne Takagi and Hye Jung Park, some of these women bravely speak out about their lives for the first time. The film raises provocative questions about military policy, economic survival, and the role of women in global geopolitics

Standing Army(en)

Standing Army, directed by Enrico Parenti and Thomas Fazi, is an award-winning documentary film about the global network of U.S. military bases, the impact that these have on local populations, and the military-industrial complex that lies behind it.

The Big Picture(ko)

Okinawa: The Afterburn(ja)

On April 1, 1945, the United States military launched its invasion of the main island of Okinawa, the start of a battle that was to last 12 weeks and claim the lives of some 240,000 people. This film depicts the Battle through the eyes of Japanese and American soldiers who fought each other on the same battlefield, along with Okinawa civilians who were swept up in the fighting. The film also depicts the history of discrimination and oppression forced upon Okinawa by the American and Japanese governments. Carrying up to the current controversy over the construction of a new base at Henoko, the film explores the root causes of the widespread disillusionment and anger expressed by many Okinawans. This ambitious documentary was directed by the American John Junkerman, long-term resident of Japan and Oscar-nominated documentary filmmaker. Okinawa: The Afterburn is a heartfelt plea for peace and an expression of deep respect for the unyielding spirit of the Okinawa people.

Ichariba Chode - versão estendida(pt)

The Apology(en)

"The Apology" explores the lives of former "comfort women," the more than 200,000 girls forced into sexual slavery during World War II. Today, they fight for reconciliation and justice as they struggle to make peace with the past.

TARGET(ja)

In 1991, the issue of “comfort women” was raised for the first time through the testimony of the late Kim Hak-sun. One of the first reporters in Japan to write an article about her testimony was Uemura Takashi of The Asahi Shimbun. Since the publication of his article, Uemura has been subjected to blatant attacks from the far-right, including threats on his family’s life, and the issue is still ongoing in 2021. Based on Uemura's defamation lawsuit that began in 2015, TARGET details why he had to be someone's “target.”