The film follows the last 4 years life of Grandma Hashima, the last existent from colonial Taiwan, who knows the secrets of "Green Jail," the notorious coal mine before World War II on Iriomote Island, Okinawa, Japan.
Yoshiko Hashima
Louis Leslie Kimura
A short documentary about my lovely aunt Lili. The film shows just a small part of her life. She is always on the lookout for luck, whether in love or with scratch-off tickets.
Coal miners are dying from the resurgence of an epidemic that could have been prevented. FRONTLINE and NPR’s joint investigation revealed the biggest disease clusters ever documented, and how the industry and the government failed to protect miners.
Battering, breading, frying – Berta has prepared thousands of schnitzels in her old cast-iron pan over the years. This 83-year-old landlady’s life on the family farm with adjoining guest house in the Upper Palatinate has been marked by constant hard work. A life that her granddaughters Monika and Hannah never wanted to lead. Now, the deeply indebted farm is on the brink of collapse. Despite having an academic background and contrary to her intentions, Monika, in her early thirties, decides to give up her modern life and save the family business. The two women join forces and give themselves a year to sort out the farm’s problems.
Herlinda Augustin is a Shipibo healer who lives with her family in Peruvian Amazonia. Will she and other healers be able to maintain their ancient tradition despite Western encroachment?
Sien (74) leaves for her hideout on the captivating island of Vlieland. Here she recollects her memories on an old tape recorder of her turbulent life as a mother, life-drawing model, squatter and activist in Amsterdam in the sixties.
Sigrid Koetse, award-winning actor and grande dame of Dutch theater, lived most of her life in the public eye and was always surrounded by a crowd of admirers. With this short documentary, filmmaker Wytse Koetse shows how his aunt spends her days nowadays, lonely in her Amsterdam home.
Alone in a small white house on the edge of national road 1, the Trans-Saharan road, which connects Algiers to Tamanrasset crossing the immensity of the desert, Malika, 74, one day opened her door to the director Hassen Ferhani, who came there to scout with his friend Chawki Amari, journalist at El Watan and author of the story Nationale 1 which relates his journey on this north-south axis of more than 2000 km. The Malika of Amari's novel, which Ferhani admits to having first perceived as a "literary fantasy", suddenly takes on an unsuspected human depth in this environment naturally hostile to man. She lends herself to the film project as she welcomes her clients, with an economy of gestures and words, an impression reinforced by the mystery that surrounds her and the rare elements of her biography which suggest that she is not from the region, that she left the fertile north of Algeria to settle in the desert where she lives with a dog and a cat.
By mid-1945, Hitler is dead and the war has ended in Europe. Halfway around the world, however, the fighting is still going strong on a small island in the Pacific. Okinawa was the site of the last battle of the last great war of the 20th century, with a casualty rate in the tens of thousands. Through it all, military cameramen risked their lives to film the conflict, from brutal land combat to fierce kamikaze attacks at sea. See the footage they captured and experience this intense battle the way the soldiers saw it -- in color.
Black lung is a debilitating, incurable, and often fatal lung disease caused by exposure to coal dust. Great Britain recognized it as an occupational disease by the turn of the 20th century, but the American medical community still denied any relationship between exposure to coal dust and disabling lung disease until the late 1960s, when a movement of Appalachian coal miners, their families, and a few maverick doctors and politicians forced the nation to confront the issue of occupational disease and disability.
Short Croatian documentary by Ante Babaja that centers around the everyday lives of elderly Yugoslav women.
About an elderly woman in a country house, spending time with her only companion, a goat.
84-year-old Maura is the guardian of a very particular tradition in danger of extinction. She is a singer of amorfinos, verses full of humor that will disappear forever with her departure.
In the final hours of the Pacific War, Okinawa was the destination for Korean men conscripted as “military laborers” and Korean women taken as “comfort women.” Little is known about the number of casualties or their experiences. In 1989, Park Soonam started to track down the survivors of the Battle of Okinawa to record their testimonies. In 1990, Park visits Korea in search of former “military laborers” who had survived Okinawa and repatriated to Korea. The survivors vividly recount their experiences of their compatriots’ murder and about the “comfort women” to the Zainichi Korean female director. The film zeroes in on the murder of Korean “military laborers” and the presence of “comfort women” in Okinawa via testimonies of former Japanese soldiers.
Back in the days, Choi Maggi an old lady accepted Kim Chunhee as her husband’s second wife to continue the family tree as she has lost her two sons in the past due to measles and typhoon. This story is more dramatic than any drama because even after the death of their husband they live together. The director does a good job in expressing the lives of these two old ladies without any exaggeration. The daily life and relationship of the two ladies eating, washing and working is described in a very detailed script. Through this film you will feel the eager echo of the proposition of life that exceeds the standard of happiness and misfortune. (KIM Youngjin)
An Okinawan photographer, Mao Ishikawa spent her early 20s working as a barmaid in establishments catered specifically to African American GIs stationed in Okinawa. “There was love,” as the tagline reads, her photography book, 『Red Flower – The Women of Okinawa』 captured the diaristic intimacy of friendships, love affairs, and wild nights shared amongst her social circle of that time.
A dash of youth, a pinch of age, and an unrecorded recipe: Mudder's Hands is a charming documentary conversation about arthritis, centered around the tradition of baking Newfoundland raisin bread.