Comfort(2022)

A Long Way Around(ko)

Life story of sexually harassed women by Japanese army, so called "comfort women" and the reflected story of Grandma, Ok-seon Lee in that period of time

My name is KIM Bok-dong(ko)

In 1992, KIM Bok-dong, reported herself as a victim of the sexual slavery, "comfort women" during World War Ⅱ. She wanted to receive the proper apology from the Japan government but they denied its responsibility. In 2011, commemorating the 1000th Wednesday demonstration, Statue of Peace was installed in front of the Embassy of Japan. The fight over Japan confronts a new stage.

The Murmuring(ko)

Every Wednesday at noon, women who were kidnapped for sexual purpose by the Japanese army during its imperialism and their supporters demonstrate against Japanese government to request official apology and indemnity for their crimes. This documentary portrays sexually abused old women's suppressed story of overcoming of their shame and forced silence.

The Ukishima Maru Massacre(ko)

22nd of August, 1945. Japan lost the war and they loaded an 8,000 person Joseon laborer force onto a ship called the Ukisima to take them to the Busan Port. However, the ship sunk into the water due to an unknown blast. This is the story of thousands of Joseon people who dreamed of returning to their families and how they died.

Media Mafia: a Tale of Two Newspapers(ko)

The 100 years of history of the Chosun Ilbo and the Dong-A Ilbo show that wrong press can be a social weapon.

Shusenjo: The Main Battleground of the Comfort Women Issue(en)

A Japanese-American director digs deep into the controversial 'comfort women' issue to settle the debate on whether the women were paid prostitutes or sex slaves, and reveals the motivations and intentions of the main actors pushing to revise history in Japan.

My Own Breathing(ko)

"My Own Breathing" is the final documentary of the trilogy, The Murmuring about comfort women during the World War II directed by BYUN Young-joo. This is the completion of her seven years work. BYUN's first and second documentaries spoke of grandmothers' everyday life through the origin of their torment, while My Own Breathing goes back to their past from their everyday life. Deleting any device of narration or music, the camera lets grandmothers talk about themselves. Finally, the film revives their deep voices trampled by harsh history.

Born in Gunsan and After Seven Years, I Was Repatriated to Japan...(ko)

A bamboo forest becomes a city with bustling streets that then smoothly transform into photographs: never really in focus, ever more fragmentary and blurred. Born in Gunsan and after seven years, I was repatriated to Japan… begins as a formidable exercise in fūkei-ron, only to turn into a meditation on what remains of the past, with worlds, eras and personal views colliding.

Okinawan Harumoni - Testimony: Military Comfort Women(en)

Bae Ponggi, a Korean woman who became a comfort woman for the former Japanese military in 1944, testifies for the first time in Okinawa in 1975, after Okinawa was returned to the mainland. In the "red-tiled house" on Tokashiki Island, Okinawa, which was turned into a comfort station, she talks about her life and relationships, her situation after being left behind on the Korean Peninsula and unable to return to it after the war, and what happened afterwards.

Song of Arirang - Voices from Okinawa(ja)

In the final hours of the Pacific War, Okinawa was the destination for Korean men conscripted as “military laborers” and Korean women taken as “comfort women.” Little is known about the number of casualties or their experiences. In 1989, Park Soonam started to track down the survivors of the Battle of Okinawa to record their testimonies. In 1990, Park visits Korea in search of former “military laborers” who had survived Okinawa and repatriated to Korea. The survivors vividly recount their experiences of their compatriots’ murder and about the “comfort women” to the Zainichi Korean female director. The film zeroes in on the murder of Korean “military laborers” and the presence of “comfort women” in Okinawa via testimonies of former Japanese soldiers.

KOKO SunYi(ko)

The Cross of North Gando(ko)

The Christians of North Gando lose their country and leave their hometown, but gain the Gospel. The cross they hold in their hands is the symbol of daring for independence and a royal summon of the generation they have to endure. Historian Sim Yo Han retraces the footsteps of the late Father Moon Dong Hwan and finds meanings of the anti-Japanese independence movement hidden in various parts of North Gando.

Senso Daughters(ja)

Senso Daughters focuses on the legacy of the Japanese occupation of Papua New Guinea during the Second World War. It is a legacy that arises from rape, starvation and terror. Sekiguchi's documentary lets the residents of Papua New Guinea, especially the women, tell the story of their three years under Japanese Army rule.

Twenty Two(zh)

Follow the lives of the elderly survivors who were forced into sex slavery as “Comfort Women” by the Japanese during World War II. At the time of filming, only 22 of these women were still alive to tell their story. Through their own personal histories and perspectives, they tell a tale that should never be forgotten to generations unaware of the brutalization that occurred.

Land of My Father(ko)

Byeong-man, a farmer whose father was enslaved during Japan's occupation of Korea, protests the Japanese government's claim over the disputed island territory of Dokdo. Kyeong Sook, a woman who lived on Dokdo with her father, struggles to keep his legacy alive after the Korean government mysteriously erased their history. Set in the unresolved trauma of the Japanese occupation of Korea, Land of My Father (아버지의 땅) is a story about two lives that are intertwined with a remote disputed island.

TARGET(ja)

In 1991, the issue of “comfort women” was raised for the first time through the testimony of the late Kim Hak-sun. One of the first reporters in Japan to write an article about her testimony was Uemura Takashi of The Asahi Shimbun. Since the publication of his article, Uemura has been subjected to blatant attacks from the far-right, including threats on his family’s life, and the issue is still ongoing in 2021. Based on Uemura's defamation lawsuit that began in 2015, TARGET details why he had to be someone's “target.”

A Secret Buried for 50 Years: The Story of Taiwanese "Comfort Women"(zh)

This is Taiwan's first documentary about comfort women. The audience gets a glimpse of history as 13 "grandmothers" speak of their unspeakable past, unknown even to their family, in front of the camera.

Habitual Sadness(ko)

The story of the women at the "House of Sharing" continues. Old women who share a common bond lead a peaceful life in the countryside, raising vegetables, chickens and painting pictures. They are no different from the elderly women we see every day. But they are all scarred by pain and sorrow from their collective history of being comfort women during World War 2. They became subject to prejudice in their own homeland after their return to Korea. It is painful for them to watch other peoples' children and grandchildren, and they feel rage when the Japanese government tries to cover up the unspeakable crimes they committed against them. The film asks us to remember what these women sacrificed and the shame and misery they faced even as these individuals pass away often forgotten by their own people.

Calling the Ghosts(en)

Movie about tortured and humiliated women in concentration camps in Bosnia and Herzegovina.

Things That Do Us Part(ko)

Things That Do Us Part is a documentary that reframes the stories of three women fighters who dove into a tragic war in modern Korean history, using witness statements and reenactments.