

Regina is a young feminist wrestler who fights men to become an international star. However, the true battle in wrestling takes place outside the ring – in the story team meetings.

Regina Rosendahl
Shemeikka
Juhana "King Kong" Karhula
Ken Kallio
Prinssi Make
Valentine
Johnny McMetal
StarBuck

Regina is a young feminist wrestler who fights men to become an international star. However, the true battle in wrestling takes place outside the ring – in the story team meetings.
2024-01-30
0
It's literally a gender issue.
8.5In 1983 World Class Championship Wrestling and its franchise stars, the Von Erich brothers, were known around the world. A small Dallas based promotion running out of a shack of a venue, the Sportatorium, World Class was one of the most syndicated television programs in America, making the Von Erichs household names. Run by legendary wrestler Fritz Von Erich, a.k.a. Jack Adkinsson, World Class made his oldest sons, Kevin, David and Kerry, three of hte biggest stars in the world of wrestling. Little did anyone know that just as the Von Erichs and World Class were reaching worldwide stardom they would begin a downfall that would cast a full eclipse on their meteoric rise to fame. Directed by Brian Harrison who, as a ten year old in 1983, watched on television as wrestling's world of staged combat between good and evil took a sharp turn into a surreal and tragic reality.
0.0A feature length documentary on British professional wrestler Will Ospreay, from his humble beginnings to the precipice of global stardom. Covering a span of 4 years, this true underdog story follows Ospreay's rise as a struggling child barely given a chance, to being the face of the UK wrestling scene and becoming an international star.
8.0A dramatic documentary film that deals with the Nazi rise to power in Germany in the 1930s and the development of the persecution of Jews up to the Holocaust. The film tells about the attitude of the Finnish government to the request for the handover of the Finnish Jews presented by Heinrich Himmler in the summer of 1942. The main focus of the film is the life of Jewish refugees in Finland in the years 1938-1942 and the attitude of the Finnish government to their handover in the fall of 1942.
10.0A short animated documentary featuring archival recordings of the filmmaker's Volga-German Great-Great-Grandmother, Mary Frank Lind, in which she recalls key memories of childhood—her father's windmill, warm rains, wolf sightings, bone trading, and her passion for carpentry, which broke gender norms but was supported by her father.
4.3Fred Martinez was a Navajo youth slain at the age of 16 by a man who bragged to his friends that he 'bug-smashed a fag'. But Fred was part of an honored Navajo tradition - the 'nadleeh', or 'two-spirit', who possesses a balance of masculine and feminine traits.
3.0In Man Made, Sunny tries to find out what society's ideas regarding masculinity entails. Does testosteron define your masculinity? Can men be victims? And do men suffer under these ideas? In the twentieth century, feminists have fought for the freedom of women and subsequently their emancipation. Is now the time for the emancipation of men, are they next to be set free?
6.8Matt Walsh's controversial doc challenges radical gender ideology through provocative interviews and humor.
6.5The definitive documentary about wrestling legend Dynamite Kid and his impact in the world of professtional wrestling. What resulted was a very emotional journey into a career cut short by the abuses of steroids, alcohol, drugs, and a complete disregard for his own physical limitations. Dynamite Kid started as a young Englishmen trained in the infamous Snake Pit by Ted Betely and turned an opportunity given to him by the Hart Family in Calgary into a phenomenal worldwide wrestling career. Dynamite Kid was on the front lines of changing professional wrestling from a big man carnival act into an exciting action based entertainment industry where lightweight and physically gifted performers were the focal point of the show. He dazzled an international audience with matches against Tiger Mask that are still a bench mark today.
6.0“SABU” is an intimate documentary that follows the enigmatic career of professional wrestler Sabu as he seeks closure in his storied life—a final match. From his tumultuous upbringing under the influence of The Sheik to the electrifying days of ECW, Sabu reflects on his evolution as a performer and the extreme style that defined his legacy. The film captures the highs and lows of his journey, including personal challenges, injuries, and the emotional turmoil that shaped him both inside and outside the ring.
2.0A documentary from Erkki Karu, one of the earliest pioneers of Finnish cinema: This government-produced propaganda film introduces the nature, sports, military, agriculture and capital of Finland.
The concept of machine-made knit was known as early as the 1850s, but it was only during the 1920s that the quality of the material had improved. When the plant known as "Atlas" was introduced in 1931, the shop windows drew a lot of attention, and Aho & Soldan was ordered to make a promotional film. In this well-paced film, we see the jersey production step by step.
0.0Two girls in their early 20s explore topics of femininity, girlhood, and normalized violence perpetrated on women.
10.0In this modern, coming of age documentary, Naomi, Jojo and Arham grapple with economic divides, gender roles, and family dynamics while competing in the fastest growing high school sport in the country: girl’s wrestling.
0.0A PBS documentary shot in the "famous Portland Sports Arena" in the mid 70's. Although the film centers around a feud between the Iron Sheik and Dutch Savage, which culminates in a coal miner's glove match, there are also cameo appearances by other wrestlers such as Jimmy Snuka, Jesse Ventura, etc. Plus it interviews people in the crowd who come to the matches every week, including a few sweet old ladies.
7.2Lightbulbs, fire, barbed wire, mousetraps, staple guns, thumbtacks and glass are weapons of choice in The Backyard. This undercover documentary takes you deep into the controversial arena of backyard wrestling where the limits are constantly being tested...and broken. The Backyard follows several backyard wrestlers in different countries as they pursue their dream to become professional wrestlers.
Arguing that advertising not only sells things, but also ideas about the world, media scholar Sut Jhally offers a blistering analysis of commercial culture's inability to let go of reactionary gender representations. Jhally's starting point is the breakthrough work of the late sociologist Erving Goffman, whose 1959 book The Presentation of the Self in Everyday Life prefigured the growing field of performance studies. Jhally applies Goffman's analysis of the body in print advertising to hundreds of print ads today, uncovering an astonishing pattern of regressive and destructive gender codes. By looking beyond advertising as a medium that simply sells products, and beyond analyses of gender that tend to focus on either biology or objectification, The Codes of Gender offers important insights into the social construction of masculinity and femininity, the relationship between gender and power, and the everyday performance of cultural norms.
0.0Two teenagers and their adventures in the breathtaking scenery of lake Saimaa.
0.0Pidgeon Pagonis, a lead activist and educator from the intersex community, crusades for body autonomy and the freedom to choose one’s own path.
5.7Katie Couric travels across the U.S. to talk with scientists, psychologists, activists, authors and families about the complex issue of gender.
8.5Sámi artefacts from the Finnish National Museum are returning home to Sápmi, while the holy drums of the Sámi people are still imprisoned in the basements of museums across Europe. The returning objects symbolise the dignity, identity, history, connection to ancestors and a whole world view that was taken from the Sámi people. Director Suvi West takes the viewer behind the scenes of the museum world to reflect on the spirit of the objects, the inequality of cultures and the colonialist burden of museums.