The concept of machine-made knit was known as early as the 1850s, but it was only during the 1920s that the quality of the material had improved. When the plant known as "Atlas" was introduced in 1931, the shop windows drew a lot of attention, and Aho & Soldan was ordered to make a promotional film. In this well-paced film, we see the jersey production step by step.
The concept of machine-made knit was known as early as the 1850s, but it was only during the 1920s that the quality of the material had improved. When the plant known as "Atlas" was introduced in 1931, the shop windows drew a lot of attention, and Aho & Soldan was ordered to make a promotional film. In this well-paced film, we see the jersey production step by step.
1931-12-31
0
Chronicle of the 9-week strike by the kaolin workers of Plémet. The film emphasizes the particular nature of such a strike in a rural commune and in a sector of the old Breton proletariat: that of subsoil mining, almost entirely liquidated after the closure of the Hennebont forges.
Documentary about Finnish rap-duo JVG. In addition to the unprecedented video footage recorded over a ten-year period, the film features JVG and the background influencers, family members, and friends who built its story.
A documentary following a day in Urho Kekkonen's life as the president of Finland.
For a hundred years, the Association of Finnish Student Unions (SYL) has acted as the mouthpiece for Finnish university students. SYL opened its doors to the world and was a pioneer in both student health care and housing production. At the same time, there have been marches both for developing countries and against the Soviet Union.
Regina is a young feminist wrestler who fights men to become an international star. However, the true battle in wrestling takes place outside the ring – in the story team meetings.
A newspaper clip of a 30-year-old movie makes our middle-aged protagonist in the middle of his peak years to look for his best childhood friend. The journey leads him back to his teenage years in the 1990s depression, over-generational substance abuse and past encounters. This partly essayistic, autobiographical documentary tells the story of friendship and generational experiences while also pondering on the causes and effects of destinies in the judgmental atmosphere of our society.
On the Kainai (Blood) First Nations Reserve, near Cardston, Alberta, a hopeful new development in Indigenous enterprise. Once rulers of the western plains, the Bloods live on a 1 300-square-kilometer reserve. Many have lacked gainful employment and now pin their hopes on a pre-fab factory they have built. Will the production line and work and wages fit into their cultural pattern of life? The film shows how it is working and what the owners themselves say about their venture.
Take a closer look behind the processes of six different traditional Christmas items: Christmas Trees, Brussel Sprouts, Chocolate, Tinsel, Christmas Jumpers and Christmas Puddings!
When filmmaker Mari Soppela took her children and husband to live for a year on a sacred mountain in her native Finland, she was fulfilling a lifelong dream to share the arctic wilderness of her childhood with her family. But when years later her children turn the camera onto her, she is forced to confront her motivation for filming their lives in this searching and searingly honest cinematic exploration of identity, belonging and motherhood. Filmed over the course of 27 years, Mother Land challenges us all to examine the landscapes we carry within us and the narratives we create to make sense of our lives.
Known as one of Finland’s most prominent rock institutions, Tavastia club celebrated half a century of being in the business, whilst withstanding the challenges of a global pandemic. In this rockumentary, director Antti Kuivalainen takes us through the history of Tavastia, as the club which brought rock ‘n’ roll to Finland.
A photoshoot on the roofs and in the streets of Paris, under the astonished eyes of the inhabitants.
How to Fix the World? is a comprehensive and informative documentary about direct action in the 1990s and 2000s, directed by Jouko Aaltonen. In the documentary, anarchists, climate activists, and squatters openly describe their experiences and link them to mainstream phenomena in society. A wide range of archive material sheds a light on the history of direct action and activism in the Finnish society.
In the lead-up to the festive bonanza, an exclusive look inside the chocolate-maker's inventing room, and its 'chocolate imaginarium' too. Prepare for special choc drinks and cranberry treats.
The word panchão was first heard in Macao. From the Chinese pan-tcheong or pau-tcheong, dictionaries define it as a Macanese regionalism also known as China cracker. Who inhabits the ancient IEC Long firecracker factory?
A Roma beggar on his knees raises many extreme emotions: guilt, rage, sympathy and frustration. Most people just walk on by, but there is always someone willing to help. In this film, the director follows the confrontations between the Roma beggars from Romania and Finnish people, and is forced to question, over and over again, her own ideas about helping.
United by the same dream, Yves Fagniart and Olivier Larrey, watercolorist and wildlife photographer respectively, set up home in a shack just a few square meters square, in the middle of the no-man's-land between Finland and Russia. Their aim: to document the intimate life of a pack of wolves, presumed to frequent this frozen peat bog landscape.
A documentary film about Martta Koskinen, the last executed woman in Finland during the war in 1943. Martta was a Seamstress who lived in Helsinki during the Second World War. She was one of the post-civil war (in 1918) generation for whom the war had meant a disappointment in the system and failure in unity of the Finnish nation. The legacy of the civil war had left systems of persecution in place for those with socialist ideals. Martta and her fellow revolutionaries were determined to continue the resistance movement although they knew that at worst it could cost their lives. Martta was imprisoned twice before she was shot. She was an idealist, whose seemingly harmless, naive beliefs in peace and justice were the most dangerous traits a person could have at the time.