Two actresses take us through a series of 'raps' and sketches about what it means to be beautiful and black.
Two actresses take us through a series of 'raps' and sketches about what it means to be beautiful and black.
1989-01-02
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Sohrab, a young Iranian soldier, finds himself face-to-face with his fellow citizens during a demonstration.
A man gets into a terrible traffic accident in the middle of nowhere, and two religious zealots try their best to "save" him.
It's Ted the Bellhop's first night on the job...and the hotel's very unusual guests are about to place him in some outrageous predicaments. It seems that this evening's room service is serving up one unbelievable happening after another.
Two estranged brothers are forced to meet at the family's beach house to settle legal matters after their father passes away. In the midst of their disagreements they discover that they have more in common than they thought.
Inés works as a seamstress in a sweatshop where pregnancy tests are periodically administered. When she becomes pregnant, she is sure that her condition will get her fired. She does everything she can to keep it a secret.
Through a series of elaborate chalk drawings, a girl who is deaf is able to hear again.
The story of the Agojie, the all-female unit of warriors who protected the African Kingdom of Dahomey in the 1800s with skills and a fierceness unlike anything the world has ever seen, and General Nanisca as she trains the next generation of recruits and readies them for battle against an enemy determined to destroy their way of life.
Dummy Ache is a 1936 American short comedy film directed by Leslie Goodwins. An assuming husband, suspicious of his wife, follows her for the day. Misunderstandings, mishaps, and hijinks ensue. It was nominated for an Academy Award at the 9th Academy Awards in 1936 for Best Short Subject (Two-Reel). Preserved by the Academy Film Archive in partnership with Library of Congress. Motion Picture, Broadcasting, and Recorded Sound Division in 2013.
Patrick Henry's rousing speech before the Virginia legislature argues for colonial independence.
Joe Cobb is a wealthy child who longs for a baby brother. His nursemaid takes him to the other side where he meets some kids his age (the rest of Our Gang) where Joe offers three dollars for a baby. Farina finds a fellow African-American neighbor woman who lets him mind her infant which he then paints white and sells to Joe. The rest of the gang has set an assembly-line system that washes, dries, rocks, and feeds male and female babies.
A Pete Smith Specialty short on saving an important dinner after the household's cook suddenly quits.
It's the Fourth of July and the mother of Our Gang member Joe Cobb is doing a brisk business at her fireworks stand. Briefly left in charge of the stand, Joe does his best not to blow up himself or his friends, but a poorly-aimed skyrocket owned by Allen "Farina" Hoskins triggers a somewhat premature but undeniably spectacular display of pyrotechnics.
Ko-Ko and Fitz emerge from an inkwell into the sultan's harem.
A simple filmed performance featuring Cantor, done up in his stage minstrel makeup, allegedly at the Ziegfeld Theatre Roof Garden, but actually filmed on a soundstage at the Paramount Astoria studio.
Nebbishy filmmaker Joanna Arnow documents her yearlong relationship with an open-mic poet provocateur. What starts out as an uncomfortably intimate portrait of a dysfunctional relationship and protracted mid-twenties adolescence, quickly turns into a complex commentary on societal repression, sexuality and self-confrontation through art.
A walk in a wheat farmland in the a village. While moving between the tall sheaves, the walker’s restless eye surveys the fields, the cattle, and settles on the faces of the residents of the small town. Brief animation exercises repeat, and the sketch the figure of a contemplative walker.