Víctimas de Tangalanga 4(2020)

Victimas de Tangalanga 3(es)

Victimas de Tangalanga(es)

The Tangalanga Method(es)

Shy corporate employee Jorge Rizzi's life takes an uproarious turn when he participates in a hypnosis session that rips off his inhibitions and releases a hilarious alter ego.

Victimas de Tangalanga 2(es)

LiebesLuder(de)

Pretty student Ina arrives in the small town of Meschede. After setting up a date with the bus driver Speedy, she flirts with other locals at the local private airfield. She soon begins affairs with the banker Peter Nase, the sawmill owner Wagner and the married manager of the airfield, Dirk Karuso. Master butcher Wusch, on the other hand, remains faithful to his wife.

Loser(en)

On a university scholarship, a good natured student from the midwest gets a crash course in city life while dealing with three evil roommates. He befriends a virtually homeless college student whom he falls for, but she's dating a nasty professor.

The Slurb(de)

One Saturday, the Slurb, a strange little creature with a proboscis nose, enters Mr. Taschenbier's life. Slurb, who immediately adopts the shy Mr. Taschenbier as his "daddy," is, however, his sheer opposite: he is cheeky and chaotic and throws his well-ordered life into sheer chaos. But when Taschenbier discovers that he can fulfill all his wishes with the help of Slurb's blue freckles, his life suddenly changes. He appeases his bad-tempered landlady, Mrs. Rotkohl, and he can finally get one over on his nasty neighbor, Mr. Lürcher. Everything could be so nice if Mr. Taschenbier didn't fall in love with his pretty colleague Mrs. März and if the Slurb didn't almost burst with jealousy...

Tomcats(en)

College buddies chip in and promise that the group's last unmarried man will collect a cash pot. Seven years later, the kitty is worth $500,000 -- money Michael needs to pay a gambling debt. Problem is, the only other single guy is a hopeless womanizer!

The Seven Year Itch(en)

When his family goes away for summer vacation, a hitherto faithful publishing executive with an overactive imagination is tempted by an attractive new neighbor.

Hair(en)

Upon receiving his draft notice and leaving his family ranch in Oklahoma, Claude heads to New York and befriends a tribe of long-haired hippies on his way to boot camp.

Howard the Duck(en)

A scientific experiment unknowingly brings extraterrestrial life forms to the Earth through a laser beam. First is the cigar-smoking drake, Howard, from the duck's planet. A few kids try to keep him from the greedy scientists and help him back to his planet, but then a much less friendly being arrives through the beam...

Siegfried(de)

The tale of Siegfried, a fearless dragon slayer who wins the heart of Celtic beauty Kriemhild.

It Could Happen to You(en)

Charlie Lang is a simple, kindhearted New York City cop. When he realizes he has no money to tip waitress Yvonne Biasi, Lang offers her half the winnings of his lottery ticket. Amazingly, the ticket happens to be a winner, in the sum of $4 million. True to his word, Lang proceeds to share the prize money with Biasi, which infuriates his greedy wife, Muriel. Not content with the arrangement, Muriel begins scheming to take all the money.

You Don't Mess with the Zohan(en)

An Israeli counterterrorism soldier with a secretly fabulous ambition to become a Manhattan hairstylist. Zohan's desire runs so deep that he'll do anything -- including faking his own death and going head-to-head with an Arab cab driver -- to make his dreams come true.

The Waterboy(en)

Bobby Boucher is a water boy for a struggling college football team. The coach discovers Boucher's hidden rage makes him a tackling machine whose bone-crushing power might vault his team into the playoffs.

Jesus Christ Saviour(de)

Klaus Kinski has perhaps the most ferocious reputation of all screen actors: his volatility was documented to electrifying effect in Werner Herzog’s 1999 portrait My Best Fiend. This documentary provides further fascinating insight into the talent and the tantrums of the great man. Beset by hecklers, Kinski tries to deliver an epic monologue about the life of Christ (with whom he perhaps identifies a little too closely). The performance becomes a stand-off, as Kinski fights for control of the crowd and alters the words to bait his tormentors. Indispensable for Kinski fans, and a riveting introduction for newcomers, this is a unique document, which Variety called ‘a time capsule of societal ideals and personal demons.’