Doris Poole, whose parents were theatrical people, was orphaned as a child, and four members of the troupe adopted and raised her. When grown, she has become the leading lady in a San Francisco stock-company. She meets and falls in love with Ted, the millionaire son of a rich widow, but she thinks he is only a tax-cab driver. His mother objects to the romance and looks into Doris' past. She learns that her father had murdered, in a fit of jealousy, her mother, and tells Doris what she has found out. The four actors who had raised her had never told her how she happened to become an orphan. They persuade Ted's mother to send him on a voyage to the Orient in order to get him away from Doris. But they neglected to tell the mother they had also booked passage for Doris on the same ship.
Doris Poole, whose parents were theatrical people, was orphaned as a child, and four members of the troupe adopted and raised her. When grown, she has become the leading lady in a San Francisco stock-company. She meets and falls in love with Ted, the millionaire son of a rich widow, but she thinks he is only a tax-cab driver. His mother objects to the romance and looks into Doris' past. She learns that her father had murdered, in a fit of jealousy, her mother, and tells Doris what she has found out. The four actors who had raised her had never told her how she happened to become an orphan. They persuade Ted's mother to send him on a voyage to the Orient in order to get him away from Doris. But they neglected to tell the mother they had also booked passage for Doris on the same ship.
1926-10-04
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Owing to his father's illness, Cecil Crenwell is sent to inspect the family rice plantation in Hawaii. While there he falls in love with Hawai'ian girl Uana and wins her away from her native beau Kau.
American shop-girl Julie McFadden, wins a free passage to Paris; en route she meets Robert Van Wye, who has to kiss her when she loses a sack race. In Paris, Julie finds her proposed residence destroyed, and while waiting for Bob her purse is snatched; in the ensuing chase she gets lost and enters a dressmaker shop, where the two owners are in dire need of an English-speaking girl to deliver some gowns. Accidentally she is given free entry to the apartment of Countess Pasada and is shown to her rooms; the count is in his pajamas when she emerges from her bath, and she locks him in the bathroom.
H. Ulysses Watts is a traveling Shakespearean actor whose career is on the decline, as his audiences are more interested in cinema and vaudeville. When the troupe is robbed by Stoner, Watts cares for an injured young trapeze artist.
After her father's death, little Briar Rose is taken in by the men at a lumber camp. The girl shows a definite preference for one of the lumberjacks, "Hell-to-Pay" Austin, so he becomes her new "father." Just as much as Hell-to-Pay takes care of Briar, she watches over him, and it is largely through her influence that he gives up hard drinking and needless fighting. Then, when Briar is old enough, she goes away to school and quickly falls in with the wrong crowd. Hell-to-Pay comes after her and takes her away from Doris Valentine, an adventuress who had been teaching Briar the tricks of the trade. When they are reunited, Hell-to-Pay and Briar realize that they are in love, so they decide to change their relationship from guardian and ward to husband and wife.
"Waffles," the waitress at "Coffee Dan's" hash-house, is selected by Bert Gallagher and Clara Johnstone, a pair of crooks, to be represented as a missing heiress whose story they have read about in the papers. "Waffles" herself believes the story, as she was orphaned early and remembers little of her childhood, and by adroit coaching is able to convince the estate's none too bright lawyers of the validity of her claim. With this unlimited money, poor little "Waffles" nevertheless has only three desires: to buy the little restaurant for her old benefactor, Shorty Olson, to publish the music written by her lover, Carl Miller, a young, eccentric, absent-minded musical genius, and to adopt the baby that a Mrs. O'Shaughnessy is too poor to care for.
Everywoman is a lost 1919 American silent film allegory film directed by George Melford based on a 1911 play Everywoman by Walter Browne.
Adopted by the Kellys from an orphanage, Nancy is reared in dreadful surroundings and mistreated as the household drudge. She accidentally makes the acquaintance of Jack Halliday, son of a wealthy city family who is fishing near her home. When Mrs. Kelly beats Nancy for accepting the attentions of her husband, the girl escapes into the woods and conceals herself in the rear of Jack's car as he drives into the city.
The owner of vast diamond mines, John Quelch is constantly fearful of theft and convinced that any woman will "sell her soul" for diamonds, he deals harshly with any employee caught stealing and has Lady Margot Cork watched while she is visiting Lorraine Temple. John and Margot fall in love, but she cancels their engagement when she learns of the "brutal" punishment of Jim Wingate for swallowing a diamond.
Paolina is the illegitimate daughter of the Duke of Vallenza, and lives as a beggar. She meets with Nunzio, a blind man who plays violin, exploited by his stepfather, and the two fall in love. The old Duke, remorsing, tries to find his daughter but he doesn't manage and leaves everything to his latest concubine, Livia, while Nunzio and Paolina will live in misery. The only copy of this film was destroyed in World War Two
After losing a fistfight to his romantic rival, wastrelly Clinton Philbrook skulks off to the North Woods. Hoping to redeem himself in the eyes of his sweetheart Alicia Van Orden, Clinton signs on as an apprentice to trapper Pierre Bechard.
King Charles flees and hides in a huge oak tree when the troops loyal to Oliver Cromwell close in. The royal entourage is disguised, and the king's sweetheart masquerades as Charles. Only when she is brought before Cromwell is it discovered the switch has been made.
A British beachcomber who lives on a Dutch colonial island in the South Seas. He is banished after missionaries claim he corrupts the native women, but he later tries to save them during a typhoid outbreak.
Secretly engaged to Bernice, Albert becomes infatuated with the gypsy Mina. The rich and jealous Renard is in love with Mina enticing her father to take revenge on Albert. A scuffle ensues during which Renard accidentally stabs Mina's father but allows everyone to believe Albert guilty of the crime. Bernice hears of the events and breaks off her engagement to Albert. He is pursued by the police until a last-minute confession saves him.
While touring Algiers, Mrs. Osborne and her daughter, Winnifred, make the acquaintance of Schuyler Van Norden, a young American banker. At a little booth, Mrs. Osborne purchases "The Moonstone of Fez." On their way to their hotel, Winnifred and her mother are accosted by a beggar, who seizes Mrs. Osborne's hand and insists upon telling her fortune. The following night they retire in adjoining rooms. In the morning, Winnifred is frightened to find her mother has mysteriously disappeared.
The heroine had little time for romancing newspaper reporter Walter Jameson, what with Doctor X, alias Marcus Del Mar, threatening American democracy in general and master detective Craig Kennedy's designs for a new torpedo in particular. Whenever Doctor X has Elaine or Jameson in his grasp, they are inevitably saved in the nick of time by a mystery figure garbed in black.
Romance and Arabella is a 1919 American silent romantic comedy film directed by Walter Edwards and starring Constance Talmadge, Harrison Ford, and Monte Blue.
A young woman is framed and sent to prison for a crime she didn't commit. When she is released, she sets out to take her revenge on those responsible.
An heiress takes a road trip in a green van. Unbeknownst to her, she has four pursuers.
Society miss Sally Raeburn is left penniless and is helped out by an older woman. The woman makes it clear that to repay her, Sally must marry wealth, so when the very well-heeled Lester comes to her village, Sally goes after him. Lester has been traveling incognito in the hopes that no one will discover him, so when Sally wins him she feels guilty and confesses that she knew who he was all along.