Old Man Hathaway was a trapper and lived with his only daughter in the mountains. Pretty Claudine often went forth to visit the traps with him and one day, when no bound, they saw a youth kiss a maiden affectionately. Seeing a chance for an object lesson, the old trapper sagely shook his head, saying, "My child, such kisses are poison. Guard against them."
1913-05-13
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Franti, an organ grinder of the poor districts of New York, has a daughter, Isola, who sings to his street piano's accompaniment.
Miriam Monroe and John Conrad are two young scientific workers who, independently of each other, have discovered a chemical called exonite. Miriam discovered it while searching for a cure for cancer, while Conrad used it as a basis for a powerful explosive.
Overcome with guilt after having an affair with her best friends husband, Clorinda hopes to escape her past by moving to Europe, where she meets Malcolm, a decent man who falls in love with her.
Wealthy American widow Elizabeth Carter plans to marry the Earl of Dettminster when lawyer Augustus Tucker informs her of a codicil in her late husband's will. The Carter fortune will go to nephew Pitney Carter, who is in love with Elizabeth, if her second husband is not an American. Elizabeth therefore pays penniless playwright Jasper Mallory $50,000 to marry her and schemes with actress Mme. Albani to provide grounds for divorce so that she may then make the earl her third husband.
Based on the 1907 play 'Lady Frederick' by W. Somerset Maugham, this tells the story of Betsy O'Hara in her pursuit of romance and love.
Young Martha Redmond, a poor girl from a small town, leaves to find a singing career in New York City. She doesn't find success as a singer, but finds a job as a model for a prominent artist, and soon becomes his mistress. When her lover throws her over to marry the daughter of a wealthy man, she becomes a "fallen women", a plaything for wealthy playboys. She meets Barrett, a millionaire's son, and begins to wonder if she might have a future with him, but it seems like he'll turn out to be just like "all the others".
Bella Donna ( Pauline Frederick ) a seductive woman snares Nigel Armine ( Thomas Holding ) into marriage and he takes her to Egypt to live. Tired of her simple husband, Bella becomes involved with brutish Baroudi. To get rid of Nigel, she begins slowly poisoning him. However, Nigel's friend Dr. Isaacson arrives in time to save him. Now Baroudi wants nothing to do with Bella, and neither does her husband. Totally alone now, the distraught Bella wanders off into the desert.
Joe and Eve are engaged, but Joe cannot help contrasting the drabness of her attire with the dressy clothes of their friends. Eve overhears him talking of this and breaks with him. Then, with the help of her friend, Mazie, she metamorphoses into a ravishing beauty. Joe is remorseful, but the situation is made more complex when he suspects Eve of questionable relations with her boss.
An expose of the methods used by a police-department to extract a confession from a suspect, regardless of innocence or guilt, and the effect and consequences on a family when an innocent member breaks under the interrogation methods and confesses to a crime he did not commit.
Young Edmond Durand (Conrad Nagel) has been reared under the autocratic influence of his aunt (Marcia Manon), who directs a large silk mill in southern France. He revolts against a stifling career planned for him and leaves home with Marcelle, a Gypsy girl (Renée Adorée). They roam the countryside with a Gypsy caravan in romantic bliss; they are inadvertently separated but at the outbreak of war are reunited. When peace is restored, the lovers find happiness together.
Vere Herbert lives with her wicked mother, Lady Dolly (Marie Curtis), who is living in sin with Lord Jura (Glen White). Although Vere is in love with an opera singer, Lucien Correze (Harry Hilliard), Lady Dolly convinces her that marrying the dissolute Prince Zouroff (Walter Law) will save her father's honor. But the Prince makes her miserable and insists on having his mistress, Jeanne deSonnaz (Caille Torrez), live with them.
Desperate to change her vixenish image, Theda Bara was called upon to play a sweet young thing (she was nearly 30) who sacrifices herself for the happiness of her sister (Claire Whitney).
Camille is a courtesan in Paris. She falls deeply in love with a young man of promise, Armand Duval. When Armand's father begs her not to ruin his hopes of a career and position by marrying Armand, she acquiesces and leaves her lover. However, when poverty and terminal illness overwhelm her, Camille discovers that Armand has not lost his love for her.
Mary Lynde (Theda Bara) is an innocent girl who has grown up in New York's Greenwich Village. One of the artists there, Felix Benavente (Sidney Mason), uses her as model when he paints a portrait of the Madonna for a church. His friend Robert Sinclair (Hugh Thompson) corrupts Mary so that her father (Walter Law) casts her from his home. She goes to live with Sinclair in his mountain lodge, but after the birth of a child, he callously casts her aside. Subsequently, her baby dies and she sinks to the depths of despair.
Theda Bara does her usual vamp turn in this picture, but this time she's a vamp who turns out to have a heart of gold. Her character, Blanchette DuMonde, is known as "the wickedest woman in Paris," and because of this sordid reputation, she is not allowed to serve as a nurse during World War I. So she becomes an Apache dancer instead.
Theda Bara plays the social-climbing Olga Dolan, who becomes the Duchess of Rutledge by means of deception and sheer ruthlessness. Sadly, Bara, who had more or less single-handedly begun the "vamp" craze with the prototype of the genre, A Fool There Was, went out with little more than a whisper. She left films after the ironically titled The Lure of Ambition, and was lured back only twice, in: The Unchastened Woman (1925), a poverty row concoction which had few takers, and Madame Mystery (1926)
Ralph Brooks, although engaged to Julia Dean, meets and becomes infatuated with Rita Reynolds. She gains his sympathy by telling untrue stories of her husband's brutality. They plan to run away together but while Rita is taking a large sum of money from her husband's safe, he returns early from a business trip and a fight ensues which results in her husband's death.
Sequel to von Stroheim's The Wedding March released only in Europe. The only known copy was destroyed in a fire at the Cinémathèque Française in 1959.