Successful middle-aged manufacturer Frank Parry takes a business trip to New York, where he becomes infatuated with Eva Boutelle, manager of the Swansea Cotton Mills. For a time, their affair develops, but Eva remains true to her husband ...
1924-04-20
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Marianna advertises for work as a reader and is employed by the reclusive millionaire Dymov. Appreciative of her sensitive, artistic nature, and of her youthful innocence and purity, Dymov is protective of Marianna and shields her from the attentions of his philandering playboy son. Marianna confesses to her fiancé Sergei that, at times, she feels deeply conflicted, drawn by the seductive lure of wealth and luxury. When her protector Dymov dies, his son begins to pursue her. Can Marianna resist her attraction to the opulent lifestyle that Dymov's son offers?
Amalia is a 1914 Argentine silent film directed by Enrique García Velloso and written by Eugenio Py. It was based on the novel by José Mármol. The film starred Dora Huergo and Lola Marcó del Pont. It is the first full length film ever produced in Argentine cinema history.
A classic of the silent age, this film tells the story of the doomed but ultimately canonized 15th-century teenage warrior. On trial for claiming she'd spoken to God, Jeanne d'Arc is subjected to inhumane treatment and scare tactics at the hands of church court officials. Initially bullied into changing her story, Jeanne eventually opts for what she sees as the truth. Her punishment, a famously brutal execution, earns her perpetual martyrdom.
A husband orders his wife to keep their marriage a secret, in order to better continue his affair with a married woman.
In a futuristic city sharply divided between the rich and the poor, the son of the city's mastermind meets a prophet who predicts the coming of a savior to mediate their differences.
A psychological study of the effects of drug addiction on humanity. Helene Ford has been injected with heroin by an unscrupulous physician, causing her to act irrationally. Her husband Stephen, a noted artist, hires a model whom Helene, inflamed by their friend Jack Murray, suspects of having an affair with Stephen. The model is also addicted to drugs and convinces Stephen to try heroin to forget his troubles. Both Stephen and Helene then become addicted to drugs. They abandon their home and then separate, after which Stephen resorts to crime to support his heroin addiction. During an escape from the police after a robbery, Stephen encounters Helene again, this time near death. She sacrifices her own life to shield her husband, but Stephen and his former model plunge to their deaths.
Francis, a young man, recalls in his memory the horrible experiences he and his fiancée Jane recently went through. Francis and his friend Alan visit The Cabinet of Dr. Caligari, an exhibit where the mysterious doctor shows the somnambulist Cesare, and awakens him for some moments from his death-like sleep.
A woman takes the place of a wife who had died seven years earlier.
In "Menschen Untereinander" ("The Folk Upstairs"), director Gerhard Lamprecht sketches a cross-section of Germany's new post-war society, with its winners, social climbers, and losers, represented by the social microcosm of an apartment building. The gossip-mad Frau Mierig (Lydia Potechina) from the rear building gives the newly-arrived Frau Kaminski (Käthe Haack), the janitor's wife, a lively initiation into the tenants and their peculiarities.
Pastor Talnoх furiously urges the flock to fight temptations, but he himself becomes a victim of temptation. In his house appears Satan, pushing the hero to theft and spiritual fall.
Two families, abolitionist Northerners the Stonemans and Southern landowners the Camerons, intertwine. When Confederate colonel Ben Cameron is captured in battle, nurse Elsie Stoneman petitions for his pardon. In Reconstruction-era South Carolina, Cameron founds the Ku Klux Klan, battling Elsie's congressman father and his African-American protégé, Silas Lynch.
A married farmer falls under the spell of a slatternly woman from the city, who tries to convince him to drown his wife.