The Snowball Rolled South

Tales from Arab Detroit(en)

Tales from Arab Detroit is a video documentary offering a fascinating glimpse into the lives and struggles of the Arab American community in the Detroit tri-county area.

Arada(de)

The story of three Turkish men. They all grew up in Switzerland and all got deported after various criminal offenses.

Cuban Rafters(es)

The story of Cuban refugees who risked their lives in homemade rafts to reach the United States, and what life is like for those who succeed.

Tales of the Diaspora(en)

Tales of the Diaspora is the debut film from xxiivanu productions, and was conceived as a love letter to Pasifika youth around the world, as they navigate the sometimes tumultuous waves of finding and retaining cultural identity whilst growing up away from their homelands.

Goodbye My Love, NK(ko)

Where you are born is called “hometown”. What do you call where you are buried? A story about 8 North Koreans who went to Moscow Film School in 1952, and sought political asylum in 1958 after denouncing KIM Ilsung. Their lives as Koreans and as filmmakers are captured through images from Moscow to Kazakhstan.

Our Algeria(ar)

"Djazaïrouna", produced by the cinema service of the Provisional Government of the Algerian Republic (GPRA), is a montage film intended to inform the international community at the UN in 1959 on the objectives pursued by the Algerian resistance during the war of 'Algeria. Independence in Algeria (1954-1962). In 1959, Djamel-Eddine Chanderli and Mohammed Lakdar-Hamina produced Djazaïrouna (Our Algeria) from images taken by René Vautier and Doctor Pierre Chaulet. This film, completed a little later and will result in the film “The Voice of the People”. This documentary on the history of Algeria through a montage of current events, traces the political and military actions of the A.L.N, the demonstrations of December 1960, and the attack on a fortified French base on the border between Algeria and Tunisia.

Landscape of our Body(vi)

As queer trans and gender non-conforming children of the Vietnamese diaspora, we are fragmented at the crossroads of being displaced from not only a sense of belonging to our ancestral land, but also our own bodies which are conditioned by society to stray away from our most authentic existence. Yet these bodies of ours are the vessels we sail to embark on a lifetime voyage of return to our original selves. It is our bodies that navigate the treacherous tides of normative systems that impose themselves on our very being. And it is our bodies that act as community lighthouses for collective liberation. Ultimately, the landscape of our bodies is our blueprint to remembering, to healing, to blooming.

Soon Come Back(en)

Soon Come Back is a poetic documentary about migration’s effect on Nande's relationships to “home” in Jamaica and the US, and her feelings of alienation being a child of the diaspora.

yaya/ayat(en)

yaya/ayat explores identities, being lost in translation and distance. But at its core it's about the filmmaker longing for a relationship with her geographically distant grandma and her journey to Greece to find her. This is an experimental documentary about how being a part of any diaspora shapes a person's identity.

The world like a jewel in the hand: unlearning imperial plunder ii(en)

This film travels over open books, looted objects and postcards to look for the imperial foundations of the world in which we live. Within this wide landscape the film focuses on the destruction of the Jewish Muslim world that existed in North Africa, making it imaginable and inhabitable again. Narrated in the first person, by an Algerian Jew and a Palestinian Jew, the film refuses imperial histories of those places. Objects held captive in museums and archives outside of the places from where they were looted are only the visible tip of the iceberg of the mass colonial plunder of Africa. The film explores the substantial wealth accumulated through the extraction of raw materials, labour, knowledge and skills, including the “visual wealth” attained by putting people in front of the colonisers’ cameras.

American Herro(en)

American Herro is the remarkable story of a young Kurdish girl who comes to America as a refugee from Iraq and lives out the American dream. 30-years later, traveling the globe working for Condoleeza Rice, U.S. Diplomat Herro Mustafa invites her first American friend, filmmaker Kirk Roos, to visit Iraq and retrace her steps to freedom.

Irpinia(en)

Irpinia follows the journey of young West Indian dreamer Dudley as he makes his way to England in the 1960s. At 24 years old, Dudley boarded a ship named Irpinia in search of a better life in England, the so-called motherland. Now 86, Dudley reflects on the exciting journey at sea and the harsh reality that lay ahead of him.

The Lebanese Burger Mafia(en)

The heir to a Burger Baron franchise, the filmmaker chases clues through rural Alberta, capturing the trials and tribulations of Arab immigrants while uncovering the saga of a rogue fast-food chain with mysterious origins and a cult following.

Blood and Water(en)

When the 2004 tsunami hit the coast of Sri Lanka, 65-year-old Anton Ambrose's wife and daughter were killed. "In five minutes," he says, "I lost everything." A year later, Anton returns to Sri Lanka. With him is his nephew, award-winning filmmaker Rohan Fernando. A Tamil, Anton moved to California in the 1970s and became a very successful gynecologist. His daughter, Orlantha, made the opposite journey, returning to Sri Lanka where she ran a non-profit group that gave underprivileged children free violin lessons. Blood and Water is the story of one man's search for meaning in the face of overwhelming loss, but it is also filled with improbable characters, unintentional comedy and situational ironies.

Letter from Romania(ro)

Part of a series of promotional films commissioned by Romania's National Tourism Office in the early 1970s with the aim of reconnecting diasporic communities with the country they left behind. In this case, the film is addressed to Jews who emigrated in the context of the Second World War or were sold by the Romanian state to the State of Israel starting in the 50s and settled in Israel and the USA - therefore, a target group made up of seniors, probably retired , possibly prosperous, eager to revisit the places of youth and willing to forget, temporarily, the traumas associated with them.

Razões Africanas(pt)

Ôrí(pt)

A look at the Brazilian black movement between 1977 and 1988, going by the relationship between Brazil and Africa.

We Never Left(en)

Set during the Lebanese revolution, WE NEVER LEFT portrays a heart-wrenching duality between Beirut and New York, an impassioned testament to the Lebanese diaspora’s unrequited but irrepressible love for their homeland.

Jeronimo(en)

Born to Korean immigrant parents freed from indentured servitude in early twentieth century Mexico, Jerónimo Lim Kim joins the Cuban Revolution with his law school classmate Fidel Castro and becomes an accomplished government official in the Castro regime, until he rediscovers his ethnic roots and dedicates his later life to reconstructing his Korean Cuban identity. After Jerónimo's death, younger Korean Cubans recognize his legacy, but it is not until they are presented with the opportunity to visit South Korea that questions about their mixed identity resurface.

"Some Kind of Funny Porto Rican?": A Cape Verdean American Story(en)

The untold tragedy and scandal of what happened to a vibrant community of immigrants from the Cape Verde Islands in the Fox Point section of Providence, Rhode Island who were forcibly displaced by urban renewal to make way for fancy coffee shops, antique stores and elegantly restored houses. Poignant, heartfelt and warm, in a timeless snapshot SKFPR captures the essence, spirit and heart of a community whose history was erased before it was written.