Irpinia follows the journey of young West Indian dreamer Dudley as he makes his way to England in the 1960s. At 24 years old, Dudley boarded a ship named Irpinia in search of a better life in England, the so-called motherland. Now 86, Dudley reflects on the exciting journey at sea and the harsh reality that lay ahead of him.
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Irpinia follows the journey of young West Indian dreamer Dudley as he makes his way to England in the 1960s. At 24 years old, Dudley boarded a ship named Irpinia in search of a better life in England, the so-called motherland. Now 86, Dudley reflects on the exciting journey at sea and the harsh reality that lay ahead of him.
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Crossing waters, from the Caribbean to the Motherland
An unusual friendship in an agitated political context.
On the Guajira peninsula in northern Columbia the old traditions of the indigenous Wayuu still hold sway. As soon as they begin menstruating, young women have to go and spend a year in a simple hut where only a few women are allowed to visit them. Contact with men is taboo. The grandmother is chiefly responsible for preparing the girl for her role as a woman during this period of seclusion. Pili is 12 years old when, for her grandmother's sake, she decides to follow this custom. But does she really know what she is taking on?
As her adolescence gives way to the obligations of motherhood, troubled Gemma matures in Motherwell, her Scottish hometown, heavily dependent on the steel industry. Unfortunately for her, her hedonistic way of understanding the world does not fit in with the philosophy of the rest of the villagers, so trouble soon follows.
In the Faroe Islands, hundreds of pilot whales are slaughtered each year in a hunt known as the “Grind.” This gruesome tradition has drawn outrage from activists, most notably the international conservation group Sea Shepherd, who routinely sail to the islands to try to block whaling boats. Yet the Faroese are equally determined to maintain their tradition, defending the practice as more sustainable and less cruel than getting meat from slaughterhouses. Director Vincent Kelner spends time with both Faroese hunters and Sea Shepherd crusaders, building to a nuanced look at a disturbing event with much larger implications for the way humans relate to other creatures.
Early spring, 2022. Seventeen (or more) friends live through what they don't know will be a quick last few months of school, facing their final exams, closing activities, but more importantly the idea that they may never see each other again. Chapters I and II see the craziness mixed with the sense of possible loss of a friendship that surfaced quickly and may be fading all too soon.
Documentary that shows the changing attitude towards immigrant labor in The Netherlands. The documentary follows three immigrants that arrived in Holland 30 years ago to work in a bakery.
Twenty-five films from twenty-five European countries by twenty-five European directors.
In 1892, Ellis Island, in New York Bay, became the main gateway to the United States for immigrants arriving increasingly from Europe. The story of immigration to the United States from 1892 to 1954, an enthralling polyphonic narrative that embraces both small and great history.
In Greensboro, NC, a small church community offers sanctuary to Juana Ortega, a Guatemalan grandmother threatened with deportation after 25 years of living and working in the United States.
At the turn of the century, Sephardic Jews fled the turmoil of their homeland to start a new life in America. Filled with interviews, archival photos and dozens of Ladino phrases, this slice of Northwest history captures their story as they arrived in Seattle and found work at the Pike Place Market.
A 16 year old girl recalls the last moments of her summer vacation, spent with friends in the Laurentians north of Montreal. She reminisces about their talks on life, death, love, and God. Shot in direct cinema style, working from a script that left room for the teenagers to improvise and express their own thoughts, the film sought to capture the immediacy of the youths presence their bodies, their language, their environment.
A formally free poetic documentary filmed through a summer depression in northern Portugal.
A short film documenting the immigrant experience. Open-borders? Policing? Naturalizing? Etc.
Four precocious preteens perfect their lip-synching and runway walks in anticipation of the biggest drag performance of their lives at Montreal Pride, in this fierce and joyous celebration of acceptance and self-discovery.
Soon Come Back is a poetic documentary about migration’s effect on Nande's relationships to “home” in Jamaica and the US, and her feelings of alienation being a child of the diaspora.
Rosa is a Mexican woman who, at the age of 17, migrated illegally to Austin, Texas. Some years later, she was jailed under suspicion of murder and then taken to trial. This film demonstrates how the judicial process, the verdict, the separation from her family, and the helplessness of being imprisoned in a foreign country make Rosa’s story an example of the hard life of Mexican migrants in the United States.
As queer trans and gender non-conforming children of the Vietnamese diaspora, we are fragmented at the crossroads of being displaced from not only a sense of belonging to our ancestral land, but also our own bodies which are conditioned by society to stray away from our most authentic existence. Yet these bodies of ours are the vessels we sail to embark on a lifetime voyage of return to our original selves. It is our bodies that navigate the treacherous tides of normative systems that impose themselves on our very being. And it is our bodies that act as community lighthouses for collective liberation. Ultimately, the landscape of our bodies is our blueprint to remembering, to healing, to blooming.
Because of the poor employment situation in Finland, many families and single people decided to move to Sweden to seek employment in the 1960s and 70s. The move was considered temporary and it affected people’s ways of making themselves at home in the new country; they did not even try to adapt or learn the language of the country. At that time, the nicknames “Finnjävel” and “Hurri” were well-known to Swedish-Finnish youngsters: In Sweden, they were regarded as Finns; and the other way around. As neither nation’s citizens approved them as their own, the Sweden Finns had to create their own identity. But what kind of lives do these immigrants’ children and grandchildren live today? Jonas Karén was born in a Finnish family in Husby’s suburb 1980.
Six girls coming of age, ready to become something extraordinary.