Part of a series of promotional films commissioned by Romania's National Tourism Office in the early 1970s with the aim of reconnecting diasporic communities with the country they left behind. In this case, the film is addressed to Jews who emigrated in the context of the Second World War or were sold by the Romanian state to the State of Israel starting in the 50s and settled in Israel and the USA - therefore, a target group made up of seniors, probably retired , possibly prosperous, eager to revisit the places of youth and willing to forget, temporarily, the traumas associated with them.
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This real-life thriller tells the story of one of Israel’s prized intelligence sources, recruited to spy on his own people for more than a decade. Focusing on the complex relationship with his handler, The Green Prince is a gripping account of terror, betrayal, and unthinkable choices, along with a friendship that defies all boundaries.
A short documentary about the making of Ari Folman's film Made In Israel. By featuring interviews with the director Ari Folman and the cast, it takes you to a behind-the-scenes journey from pre-production to shooting, editing, and screening.
Many prophets who authored the Tanakh of the Jews prophesied about the fate of the Jewish people and the State of Israel.
Made on the occasion of March 8, it presents a series of brief portraits of women, from various professional fields, of different ages and even of different ethnicities, pointing out the benefits that the communist organization had brought to their daily lives. A special emphasis is placed on their status as mothers and on the role of nurseries and socialist kindergartens not only in making their lives easier, but also in giving them the time they need to build a career. Another concern of the filmmaker, starting from the concrete case of one of the protagonists, is to highlight the differences between the happy present and the not-too-distant past in which someone with her social status should have dedicated herself exclusively to raising children, in hygienic and extremely difficult lives.
In May 1974, the Israeli Air Force carried out an extermination operation against the Palestinian refugee camp Nabatiyeh. With this as a starting point, it is reviewed how the last 50 years of Zionist colonization of Palestine have partly led to the establishment of the state of Israel, partly to the expulsion of a people, the Palestinians, from their land. The film shows scenes of daily life in Palestinian refugee camps. We hear various of the inhabitants talk about their desire to return to their country, and we follow how the resistance movement works to free women from their traditional backward role. At the same time, the emergence of the armed resistance struggle is analysed, and the significance of the latest military technological developments for guerilla wars in the 3rd world is explained.
This fascinating program presents the story of Jerusalem and the Holy Land against the backdrop of history and prophecy. Jerusalem is the city where history began, and where many believe history will end.
Nobody captured the atmosphere of 1990s Berlin better than German photographer Daniel Josefsohn, who died in 2016 at the age of 54, leaving his mark in advertising with his irreverent aesthetic and punk sensibility. It was his spontaneous, imperfect images shot for an MTV campaign in 1994 that first made him famous.
Israel's most celebrated war photographer, Micha Bar-Am, unfolds his extraordinary archive of over half a million negatives. A life devoted to recording a conflict for the prestigious Magnum agency.
The Israeli filmmaker Shai Corneli Polak records the building of the 'security wall' through Palestinian territory at the village of Bil'in. The villagers protest mostly peacefully, while the Israeli army doesn't react peacefully. By now the Israeli High Court has ruled that the building of the wall was illegal.
"This wonderful age in life where every thought strives toward an ideal, toward work, toward the future." Sahia Studios propaganda flick about how adults and their "those darn kids" attitudes affect adolescents.
An English-speaking film produced on behalf of the Israeli Center of the International Theater Institute, providing international audience with an overview of modern Israeli theater, including scenes of renowned Israeli theater productions from the theater season of 1967. The film opens with excerpts from “The Dybbuk” at Habima Theater, and includes scenes from the successful musicals of the Cameri Theater “Utz Li Gutz Li” (Rumpelstiltskin) and “King Solomon and Shalmai The Shoemaker”. Other excerpts include scenes from the plays “The American Princess” by Nissim Aloni at the Seasons Theater, “He Walked Through the Fields” by Moshe Shamir at the Haifa Theater, Ibsen’s “Hedda Gabler”, “Who’s Afraid of Virginia Wolf”, and more.
Its main focus is on the plight of the Palestinians which can be seen as the most enduring residue of the modern encounter between the Arabs and the West. Edward Said traces the course of European involvement with the Near East via the Crusades to Napoleon's campaign in Egypt and the French and English entrepreneurs, adventurers and empire builders who came in his wake.
The river and nature are placed in the forefront of the film, taking on the role of the main character. Through rare archival materials in addition to personal and social stories, we reveal the importance of the connection between society and its land, between nature and man. This is a portrait of one small river that flows in the heart of the Israeli society and reflects the Israeli narrative through an entirely new lens.
In this superbly produced, two-part documentary, you'll trace the holy city's prophetic history and explore what the Bible professes regarding Jerusalem's fate.
A thought-provoking documentary on the current and historical causes of the Israeli-Palestinian conflict and U.S. political involvement.
Gaza Ghetto: Portrait of a Family, 1948 – 1984 is a documentary film about the life of a Palestinian family living in the Jabalia refugee camp. The film, created by Joan Mandell, Pea Holmquist, and Pierre Bjorklund in 1984 is believed to be the first documentary ever made in Gaza. The film features Ariel Sharon, Binyamin Ben-Eliezer and soldiers on patrol "candidly discuss[ing] their responsibilities." The film follows a refugee family from the Gaza Strip who visit the site of their former village, now a Jewish town in Israel. As the grandfather and great-grandfather point out an orchard and sycamore fig that belonged to Muhammed Ayyub and Uncle Khalil, an Israeli resident appears and tells them to leave, claiming they need a permit to be there. The mother tells him that, "We work in Jaffa and Tel Aviv and that's not forbidden," to which he replies, "Here it's forbidden."
When 18 children – nine from Palestine and nine from Israel – come together to form a kids soccer team, they come face-to-face with the other side for the first time in their lives. United by the common goals of teamwork and dedication to a shared purpose, they confront generations of fear head on. Is peace through sports really possible, or is it hopelessly naive to think that a handful of 12-year-old soccer players can begin to change their world?
An Israeli film director interviews fellow veterans of the 1982 invasion of Lebanon to reconstruct his own memories of his term of service in that conflict.
The film's protagonists are the orphaned children taken into custody by the state and institutionalized at Children's House no. 6 from Bucharest. For Mészáros, the concern for the situation of children left orphaned during the Second World War is autobiographical: the director directly experienced the absence of parents in her own childhood.