CHSLD

Mary Bauermeister - Eins plus eins ist drei(de)

Mary Bauermeister is considered the mother of the Fluxus movement. In an attic on Cologne's Lintgasse, she made art history in the early 1960s alongside personalities such as Karlheinz Stockhausen and Nam June Paik. Today, at the age of 85, she has no intention of stopping. From morning till night, this extraordinary artist works in her studio near Cologne: a magical place.

The Tortoise and the Hare(et)

A story of a mother and her son and a race against a tortoise where you always lose.

Methadonia(en)

Shot over the course of 18 months in New York City's Lower East Side, METHADONIA sheds light on the inherent flaws of legal methadone treatments for heroin addiction by profiling eight addicts, in various stages of recovery and relapse, who attend the New York Center for Addiction Treatment Services (NYCATS).

Sieben Mulden und eine Leiche(de)

Thomas Haemmerli is about to celebrate his fortieth birthday when he learns of his mother's death. A further shock follows when he and his brother Erik discover her apartment, which is filthy and full to bursting with junk. It takes the brothers an entire month to clean out the place. Among the chaos, they find films going back to the 1930s, photos and other memorabilia.

Carnations(en)

Seven strangers are interviewed to talk about the relationship they have with their mother.

Fernando(pt)

Fernando is an actor and theater teacher who, at the age of 74, is impelled to be the protagonist of himself in an experience that blurs the boundaries between the documentary and the fictional. Faced with a delicate problem in his heart, he follows a life full of love for art, where education emerges as a powerful transforming element of reality.

Manlife(en)

For over 80 years, Merle Hayden has crusaded to recruit members to the utopian movement Lawsonomy. Founded by aircraft pioneer Alfred Lawson, Lawsonomy advocates for economic reform and clean, communal living that transforms followers into a "New Species" that will benefit the human race either in this life or the next. Merle joined Lawson as a teenager and never looked back. His high school sweetheart Betty Kasch, however, is tired of Lawson coming between them. Reunited after over 60 years apart, non-believer Betty wants Merle to join her in Florida. Merle's commitment to preserving Lawson's legacy, artifacts currently rotting in a barn alongside a Wisconsin highway, has Betty worried Merle may leave her for Lawson once again.

Immortal? A Horizon Guide to Ageing(en)

Is there any way to slow or even prevent the ravages of time? Veteran presenter Johnny Ball looks back over the 45 years that Horizon, and he, have been on air to find out what science has learned about how and why we grow old. Charting developments from macabre early claims of rejuvenation to the latest cutting-edge breakthroughs, Johnny discovers the sense of a personal mission that drives many scientists and asks whether we are really any closer to achieving the dream of immortality.

Asilo (Prototipo)(es)

The Leading Role(uk)

The film is about the director’s mother, the movie actress Nina Antonova. Now she is 80. She has had hundreds of roles – big and small. It is a personal story about an honest and sad life, about self-sacrifice and freedom. Real fame as an actress came to her only once in her life. It was the leading role in the first Soviet colour TV series Varka’s Land. That was 45 years ago…

Each Day in a Moment: A Full Year(en)

Every single day of 2022 represented by one single uncut, unedited shot. The result: the year in moments.

American Thrift: An Expansive Tribute to the "Woman American"(en)

Chevrolet presents this tribute to the American woman and her thrifty ways with money. The film also salutes the individuality of the Amerian citizen and the variety of choices we have in the marketplace.

Terwijl het liefde was(nl)

Artistic director of the National Theater Eric de Vroedt writes and directs a performance about his own mother Winnie, who passed away in 2020. This piece, titled The Century of My Mother, is a family story about the migration from the Dutch East Indies to the Netherlands. It is De Vroedt's way of examining the relationship with his mother and not having to say goodbye to her yet: 'I can let her live on stage, but when the curtain falls, when the play is completely finished, then she is really dead'.

Once My Mother(en)

Australian filmmaker Sophia Turkiewicz investigates why her Polish mother abandoned her and uncovers the truth behind her mother's wartime escape from a Siberian gulag, leaving Sophia to confront her own capacity for forgiveness.

Horny Kid - A film essay(en)

The filmmaker's mother describes stories of his lustful youth over the phone, causing them to reflect on his current love life at the age of 30.

The Whisper of the Leaves(es)

A poetic and contemplative journey of harmony between different forms of life that coexist on the earth. This film is a meditation on the effect of time, movement of the human spirit, and passage to new forms of life, through the eyes, ears, and bodies of three elderly land workers living in a small community in the outskirts of Bauta, Cuba.

Tatjana in Motherland(sl)

Tatjana in Motherland is a partly animated documentary essay about Slovenia and its men. It is a “documentary-tale” of how Slovenian society has been disintegrating in an invisible way. The story will unveil a Slovenian Oedipus archetype of the possessive martyr mother type and her relationship with her son, in which she through emotional manipulation, by constantly creating feelings of guilt, burdens her son to such a degree, that he remains dependent on her for the rest of his life. In order to put this relationship to its best use, all Slovenian governing structures have elevated mother figure on the level of a saint and have assigned to it the cultish role. The result of the Slovenian maternal cult is a typical Slovene male, who is pathologically obsessed with his mother.

Pivetta(en)

After You(sv)

"My mother is spending all her time with her dying father. I’m spending all my time filming her. As the end is getting closer, my mother and I start doing the filming more and more together. It becomes our way of dealing with the time we have left." —Marius Dybwad Brandrud

Moeder & Grunberg(nl)