
Lucian Freud: A Self Portrait
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Himself
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The Greatest Painters of the World: Paul Cézanne(fr)
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Leonardo: The Works(en)
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The Genius of Leonardo Da Vinci(en)
Janina Ramirez explores the BBC archives to create a TV history of Leonardo Da Vinci, discovering what lies beneath the Mona Lisa and even how he acquired his anatomical knowledge.

Kehinde Wiley: An Economy of Grace(en)
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Jean-Michel Basquiat: The Radiant Child(en)
A thoughtful portrait of a renowned artist, this documentary shines the spotlight on New York City painter Jean-Michel Basquiat. Featuring extensive interviews conducted by Basquiat's friend, filmmaker Tamra Davis, the production reveals how he dealt with being a black artist in a predominantly white field. The film also explores Basquiat's rise in the art world, which led to a close relationship with Andy Warhol, and looks at how the young painter coped with acclaim, scrutiny and fame.

Cézanne: Portraits of a Life(en)
Dedicated to the portrait work of Paul Cézanne, the exhibition opens in Paris before traveling to London and Washington. One cannot appreciate 20th century art without understanding the significance and genius of Paul Cézanne. Filmed at the National Portrait Gallery in London, with additional interviews from experts and curators from MoMA in New York, National Gallery of Art in Washington DC, and Musée d’Orsay in Paris, and correspondence from the artist himself, the film takes audiences to the places Cézanne lived and worked and sheds light on an artist who is perhaps one of the least known and yet most important of all the Impressionists.
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Welcome in Vienna(de)
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Film(en)
"This piece, with the generic title Film, is a series of short videos built around one protocol: a snippet of news from a newspaper of the day, is rolled up and then placed on a black-inked surface. On making contact with the liquid, the roll opens and of Its own accord frees itself of the gesture that fashioned it. As it comes alive in this way, the sliver of paper reveals Its hitherto unexposed content; this unpredictable kinematics is evidence of the constant impermanence of news. As well as exploring a certain archaeology of cinema, the mechanism references the passage of time: the ink, whether it is poured or printed, is the ink of ongoing human history." –Ismaïl Bahri