Documentary film about the painter and sculptor Jörg Immendorff who ranks among the most important German artists. The filmmakers accompanied Immendorff over a period of two years – until his death in May 2007. The artist had been living for nine years knowing that he was terminally ill with ALS. The film shows how Immendorff continued to work with unabated energy and how he tried not to let himself be restrained by his deteriorating health.
2007-05-31
0
A BAFTA award nominated documentary intended for secondary schools exploring the three distinct geographical regions of Germany from a British perspective.
Shot in Munich just a few weeks after it was taken by the American troops on April 30, 1945.
A film essay investigating the question of what “the West” means beyond the cardinal direction: a model of society inscribed itself in the Federal Republic of Germany’s postwar history and architecture. The narrator shifts among reflections on modern architecture and property relations, detailed scenes from childhood, and a passed-down memory of a “hemmed-in West Germany,” recalling the years of her parents’ membership in a 1970s communist splinter group.
A documentary of the German national soccer team’s 2006 World Cup experience that changed the face of modern Germany.
″Haymatloz″ tells the stories of five German Jewish academics who emigrated to Turkey in the 1930s, to be welcomed with open arms. After 1933 a considerable number of German intellectuals emigrated to Turkey at the invitation of Atatürk and went on to definitively shape teaching and instruction in Turkish universities. Turkish-born filmmaker Önsöz accompanies the descendants of these German exiles and sheds light on a memorable piece of history whose meaning is still felt to this day, as these renowned Germans played a substantial role in the Europeanization of Turkey.
In September of 2017 German writer and director Daniel Raboldt accompanied a group of German and Polish scientists and students into the woods of Masuria, Poland. The expedition aimed to find traces of the so-called "lost villages", left by the Masurians around 1945 by the end of the Second World War. Today only some of the old graveyards can be found deep in the woods of the beautiful Masurian landscape. The documentary "In the back of history - The lost villages of Masuria" shows the students at their work in the historic archives and in the woods. How conclusive can this kind of historic research be? How much can we really learn by looking through old files or other sources? And what can we learn from the vanishing of the Masurians? Do we face similar problems today? The film dives deep into themes like the rise of nationalism and identity and uncovers the tragic end of a population that was asked one simple question in the early 20th century: Stay or Leave?
Filmmaker Alain Resnais documents the atrocities behind the walls of Hitler's concentration camps.
The youngest protagonist of the documentary is Wartburg, an automobile over 50 years of age. The car is still on the road, driven by Bogdan, a 70-year-old who is taking his mother to visit the German factory where she was forced to work during WWII. In this road movie which takes place between Majdanpek and Germany, the trip becomes a journey into the past, retracing memories from the war and revealing a unique relationship between an old son and his elderly mother.
One journalist described it as a chance "to see justice catch up with evil." On November 20, 1945, the twenty-two surviving representatives of the Nazi elite stood before an international military tribunal at the Palace of Justice in Nuremberg, Germany; they were charged with the systematic murder of millions of people. The ensuing trial pitted U.S. chief prosecutor and Supreme Court judge Robert Jackson against Hermann Göring, the former head of the Nazi air force, whom Adolf Hitler had once named to be his successor. Jackson hoped that the trial would make a statement that crimes against humanity would never again go unpunished. Proving the guilt of the defendants, however, was more difficult than Jackson anticipated. This American Experience production draws upon rare archival material and eyewitness accounts to recreate the dramatic tribunal that defines trial procedure for state criminals to this day.
Cinema and painting establish a fluid dialogue and begins with introspection in the themes and forms of the plastic work of a woman tormented by the elongated specters, originating from her obsessions and nightmares.
Janina Ramirez explores the BBC archives to create a TV history of Leonardo Da Vinci, discovering what lies beneath the Mona Lisa and even how he acquired his anatomical knowledge.
A journey into the hearts, minds and eyes of Georgia O’Keeffe, Emily Carr and Frida Kahlo - three of the 20th century’s most remarkable artists.
A cinematic approach to the reclusive painter Joe Hackbarth, who became known as a jazz musician in the 1950s.
In World War II. African-American GIs liberate Germany from Nazi rule while racism prevailed in their own army and home country. Returning home they continue fighting for their own rights in the civil rights movement.
Moona Moon is a poet and kanaktivist. She appears on stage with her texts at Spoken Word Performances. Her topics include racism, sexism and life/survival in a white German society.
Thanks to his experiments with brushstrokes and impasto, Camille Pissaro came to be known as one of the fathers of Impressionism.
I had heard of a Chilean painter, author of a thousand paintings, who had disappeared long ago. I had been given an address on the banks of the Loire, at number 640 of a road that no longer existed. No one had been here for decades. Everything had remained there, as if someone had fled.
Helke Sander interviews multiple German women who were raped in Berlin by Soviet soldiers in May 1945. Most women never spoke of their experience to anyone, due largely to the shame attached to rape in German culture at that time.