Wakers

Springtime in the Netherlands(en)

This Traveltalk short concentrates on Holland's historical relationship with its main industry: growing tulips. The country's windmills are also highlighted.

foreplay(nl)

we see Dutch high school kids receiving their most memorable lesson yet: sexual education. Their faces are flushed with embarrassment and curiosity, but what’s going on in their minds?

Cornelis - dokumentären(sv)

A portrait of Swedish troubadour Cornelis Vreeswijk.

2Doc: What Are We Doing?(nl)

In 2022, 92% of those affected encountered aggression or violence. Frans Bromet portrays six influences who encounter violence while carrying out their work. The violence with which the actual consequences are, leaves personal physical, especially mental, traces.

Aan ons den arbeid(en)

Documentary that shows the changing attitude towards immigrant labor in The Netherlands. The documentary follows three immigrants that arrived in Holland 30 years ago to work in a bakery.

El mambo de las luciérnagas(es)

A nostalgic-night trip through Mexico City. Through the heels of Gloria and Eden we will wander through those places that come to life when the sun goes down, where gender is blurred, colors vibrate, and souls shine under neon lights.

Samuel in the Clouds(en)

In Bolivia, the glaciers are melting. Samuel, an old ski lift operator, is looking out of a window on the rooftop of the world. Through generations his family lived and worked in the snowy mountains, but now snow fails. While scientists are discussing and measuring ominous changes Samuel honors the ancient mountain spirits. Clouds continue to drift by.

Colorful Holland(en)

This Traveltalk series short visits four villages in the Netherlands.

Land of the Zuider Zee(en)

This Traveltalks visit to Holland spotlights The Hague and two smaller tourist destinations. We learn that the economy of Holland, which for many centuries has been based on fishing and the growing of tulips, is slowly changing to an agricultural base.

New York Portrait, Chapter I(en)

Hutton's most impressive work ... the filmmaker's style takes on an assertive edge that marks his maturity. The landscape has a majesty that serves to reflect the meditative interiority of the artist independent of any human presence. ... New York is framed in the dark nights of a lonely winter. The pulse of street life finds no role in NEW YORK PORTRAIT; the dense metropolitan population and imposing urban locale disappear before Hutton's concern for the primal force of a universal presence. With an eye for the ordinary, Hutton can point his camera toward the clouds finding flocks of birds, or turn back to the simple objects around his apartment struggling to elicit a personal intuition from their presence. ... Hutton finds a harmonious, if at times melancholy, rapport with the natural elements that retain their grace in spite of the city's artificial environment. The city becomes a ghost town that the filmmaker transforms into a vehicle reflecting his personal mood.

Sylvia Kristel – Paris(en)

Sylvia Kristel – Paris is a portrait of Sylvia Kristel , best known for her role in the 1970’s erotic cult classic Emmanuelle, as well as a film about the impossibility of memory in relation to biography. Between November 2000 and June 2002 Manon de Boer recorded the stories and memories of Kristel. At each recording session she asked her to speak about a city where Kristel has lived: Paris, Los Angeles, Brussels or Amsterdam; over the two years she spoke on several occasions about the same city. At first glance the collection of stories appears to make up a sort of biography, but over time it shows the impossibility of biography: the impossibility of ‘plotting’ somebody’s life as a coherent narrative.

Invisible(nl)

From schools and offices to hospitals and streets, cleaners are working everywhere, tirelessly and modestly. They work hard and keep society running. Invisible confronts viewers with their own involvement and reveals the price paid for the appearances we cherish.

Piet is Gone(nl)

Piet is gone tells the story of Piet Beentjes, who went missing on the isle of Texel in 1987. For 30 years, Toos Beentjes has desperately tried to uncover the truth behind the mysterious disappearance of her homosexual brother. In vain. The police saw no reason to investigate the case: 'Eventually, he’ll wash up. And if not, the tourists will find him.' The film is not a quest for Piet Beentjes, but tells the story of what happened before and after the disappearance. About the Kafkaesque world Toos entered after her brother disappeared. A world of routine, lackadaisical interest and a lame police investigation.

fuckmybeatz - Nightlife in Frankfurt(de)

Será tu tierra(es)

The UFO's of Soesterberg(en)

In the early morning of February 3, 1979, a giant black triangular object flew over Soesterberg Air Base. At least twelve soldiers witnessed this bizarre spectacle.

Levende Rivier(en)

A man canoes through the the Rhine

New York Portrait, Chapter III(en)

"[Hutton’s] latest urban film, New York Portrait, Chapter III, takes on a unique tone in relation to Hutton’s ongoing exploration of rural landscape. The very fact that Hutton is dealing with older footage, with archives of memory more than immediacy, gives it a different texture than his earlier New York films. Hutton always found the presence of nature in the city, not only in his many shots of sky and vegetation, but also in the geometry and texture of the city itself, which seemed to project an independence from the human." (Tom Gunning)

New York Portrait, Chapter II(en)

Chapter Two represents a continuation of daily observations from the environment of Manhattan compiled over a period from 1980-1981. This is the second part of an extended life's portrait of New York.

China Dolls(en)

Aussie boys of Asian descent candidly discuss their status as a "minority within a minority".