Maybe That's Enough
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Monday or Tuesday(sh)
A divorced journalist Marko Požgaj starts his working day by taking his son to the school. During the day many thoughts and images pass through his mind - the memories of childhood, ex-wife, current girlfriend, but mostly his father who died in a war.
Hideo, It's Me, Mama(en)
HIDEO, It's Me, Mama is a psychological melodrama that introduces narrative and structural devices that are integral to Idemitsu's work. Exploring the flawed universe of the contemporary Japanese family, she focuses on a woman's identity as mother through mother-child and husband-wife relationships. Hideo, a young man living away from his parents, is kept under constant surveillance by his doting mother via an omnipresent television monitor. In a cogent metaphor for familial relations in the media-saturated culture of contemporary Japan, Mama can only communicate with her beloved, absent son through the video screen. Idemitsu's poignant irony is embodied in the scene in which Mama, blind to her husband's needs, caresses Hideo's video image. (Electronic Arts Intermix)
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Shirking; Shrieking Specter(en)
Still it's really tall. Still it's really floundering/falling/fading.
Questioning, Requesting(en)
Strings together what's strung together (please use yr tether).
Revisited Remunerations Rapturously Collapse When Recompensed(en)
Your raging romp results only in rescinded regret @ the hands of radder cadets.
Lulu(en)
This highly stylized, critically acclaimed film from the 70's mixes silent film cards, a soundscape, color, opera music and atmosphere to explore the Freudian truths about men's fear of women that Wedekind powerfully exposed. A kinetic melodrama of the rise of a femme-fatale and her fate at the hands of Jack-the-Ripper. Rethinking Pabst's silent film and Alban Berg's opera.
Kinda Cool to Expend This Much Drool(en)
Don't ask me why, but I feel we're about to cry trying.
Ruminative Meditations(en)
Say Om as you reach home only to realize you never really left/stopped saying Om.
Leafing You Behind(en)
Abandoning the Abaddon-loathed abandoner opens plenty of reclaimed... everything(s).
Above the Lake(xx)
Avant-garde homage to pre-revolution Russian silent movies, and to the poet Aleksandr Blok.
Chelsea Girls(en)
Lacking a formal narrative, Warhol's mammoth film follows various residents of the Chelsea Hotel in 1966 New York City. The film was intended to be screened via dual projector set-up.
PLEH(nl)
An experimental journey through a year in the life of the director, using his always playing playlist to cross the boundaries of fiction and documentary. Through scenes of both comedy and tragedy, realistic documentary footage and experimental sequences of the director's environment and daily life we get a sometimes estranging image of a young man and also an intriguing insight in his mindset and how this translates to the imagery on screen.
Islands(fr)
A sexual reverie unfolds over the course of one ethereal night. Characters wander through an erotic maze of love and lust, blurring the lines between wet dream and lucid nightmare as a macabre, erotic stage performance sends a ripple of lustful desires through its audience and performers.
Bear(xx)
Bear (10 minutes, 35 seconds) was Steve McQueen's first major film. Although not an overtly political work, for many viewers it raises sensitive issues about race, homoeroticism and violence. It depicts two naked men – one of whom is the artist – tussling and teasing one another in an encounter which shifts between tenderness and aggression. The film is silent but a series of stares, glances and winks between the protagonists creates an optical language of flirtation and threat.
What Was It Supposed to Be Like?(en)
Rather pointless, rather stilted, fetid; not what we want us going after.
Hiding Under a Copy of the Strokes' Single 'Under Cover of Darkness'(en)
Hiding inside&out, writhing about, taken out&in.
No Impersonator , Perpetrator(en)
Pounding backbeats beaten by [(Don't Get)] warm[welcomes]th.
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