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Serenity(el)
Originally edited in two versions. Version I, 70 minutes; version II, 90 minutes. (The only known existing version is not Markopoulos’s edit and contains additional titles, music and voice-over added later than 1961. 65 minutes.) Filmed in Mytilene and Annavysos, Greece, 1958. Existing copy on video, J. and M. Paris Films, Athens.
Dyketactics(en)
Born in Los Angeles but a New Yorker by choice, Barbara Hammer is a whole genre unto herself. Her pioneering 1974 short film Dyketactics, a four-minute, hippie wonder consisting of frolicking naked women in the countryside, broke new ground for its exploration of lesbian identity, desire and aesthetic. (from bfi.org.uk)
Karma Is A She-Wolf(en)
Rohan is killed in an accident soon after his first marriage anniversary, leaving his young pregnant wife Nisha devastated. As Nisha tries to cope with the tragedy, the film reconstructs a series of events in backwards to uncover the truth. The ensuing reverse Domino effect narrates a complex story of love, loss, doubt and revenge and investigates criminal perspective of human psyche to unveil a shocking truth.
Equilíbrio e Graça(pt)
A short film about the meeting of a Trappist monk and a Zen Buddhist master.
Closed Vagina(ja)
Adachi's follow-up to Bowl using the figure of a woman suffering from an unusual sexual aliment has often been taken as a controversial allegory for the political stalemate of the Leftist student movement after their impressive wave of massive fiery protests failed to defeat the neo-imperialist Japan-US Security Treaty. The ritualistic solemnity of the charged sexual scenes contribute to the oneiric qualities of Closed Vagina which Adachi would later insist was an open work, not meant to deliver any kind of deliberate political message. - Harvard Film Archive
Cremaster 3(en)
CREMASTER 3 (2002) is set in New York City and narrates the construction of the Chrysler Building, which is in itself a character - host to inner, antagonistic forces at play for access to the process of (spiritual) transcendence. These factions find form in the struggle between Hiram Abiff or the Architect ...
Glen or Glenda(en)
A psychiatrist tells two stories: one of a trans woman, the other of a pseudohermaphrodite.
Runner's High(en)
Grappling with the burden of loss, a drifter becomes engulfed in the reckless lifestyle of a group of bohemians. Through a series of events, he is forced to confront his trauma as his haunted past and unconventional present collide.
Children of Our Time(xx)
Three kids are trying to stand strong. In a world where you don’t know for what you want to stay strong. Full of sexuality and the need to define their identity. “We are the children with no obligations, the most possibilities, with the most liberated freedom. We are children who build words. Children who give birth to children. We are children of our time, free from guilt.”
The Monster(pt)
A man is been filled with responsibilities and problems with his family. With time, he starts to go mad.
Dog Star Man(en)
Experimental film following a cycle of seasons as well as the stretch of a single day as a man and his dog slowly ascend a mountain.
The Lion's Den(en)
A group of Staten Island radicals lead by ex-philosophy student Marie and her boozy filmmaker boyfriend Nick attempt to kidnap the CEO of the Leo Corporation but instead accidentally capture Daniel, a nutty small time accountant. With Daniel in custody at their commune, several of the radicals attempt to 'revolutionize the bedroom', an endeavor further complicated by a surprise visit from Marie's tough boy ex-lover Junior. (from IMDB)
Brincando el Charco: Portrait of a Puerto Rican(en)
Contemplates the notion of "identity" through the experiences of a Puerto Rican woman living in the US. In a wonderful mix of fiction, archival footage, processed interviews and soap opera drama, the film tells the story of Claudia Marin, a middle-class, light-skinned, lesbian Puerto Rican photographer / videographer who is attempting to construct a sense of community in the US. Confronting the simultaneity of both her privilege and her oppression, this experimental narrative becomes a meditation on class, race, and sexuality as shifting differences.
The Death of Abraham Lincoln (In Three Parts)(en)
An ahistorical re-enactment of the strange and curious events that led up to the untimely demise of our nation’s sixteenth president.
Extra Terrestrial(en)
“A deadpan video art reworking of 1982's highest-grossing movie, EXTRA TERRESTRIAL peels away layers of sentimental narrative goo from its source, exposing a hard core of anxiety, loneliness and dread. Shifting the focus from character to interior, Ben Russell and Rhyne Piggott mine the landscape of a beige-carpeted ranch style house for new insights into the architecture of suburban alienation.” - Anne Reecer, Cinematexas
The Twenty-One Lives of Billy The Kid(en)
Shot in the abandoned buildings of Gary, Indiana and the cornfields of Western Illinois, The Twenty-One Lives of Billy the Kid presents a fractured historical narrative without any real protagonist, one in which the titular character goes mostly unseen - Billy the Kid as the always-off-screen assailant, as a ghost’s laugh, as a shadow on the road.
The Illiac Passion(en)
Prometheus, on an Odyssean journey, crosses the Brooklyn Bridge in search of the characters of his imagination. After meeting the Muse, he proceeds to the "forest." There, under an apple tree, he communes with his selves, represented by celebrated personages from the New York "underground scene" who appear as modern correlatives to the figures of Greek mythology. The filmmaker, who narrates the situations with a translation of Aeschylus' Prometheus Bound , finds the personalities of his characters to have a timeless universality.
Me, Myself, and My Third Eye: 4 Enlightened Stories For 1 Imperfect God(en)
Features four distinct, bizarre, existential tales about people whose lives are in transition, who are each asking questions about themselves, their environments, and about God(s).
Amtrak to Baka(en)
An experimental summation of the connective space and sense of re-discovery between two people in a long-distance relationship.