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Workers Leaving the Lumière Factory(fr)
Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.

Crisis Hotline: Veterans Press 1(en)
According to the U.S. Department of Veterans Affairs, one veteran dies by suicide in America every 80 minutes. While only 1% of Americans has served in the military, former service members account for 20% of all suicides in the U.S. Based in Canandaigua, NY and open 24 hours a day, 365 days a year, the Veterans Crisis Line receives more than 22,000 calls each month from veterans of all conflicts who are struggling or contemplating suicide. This timely documentary spotlights the traumas endured by America’s veterans, as seen through the work of the hotline’s trained responders. CRISIS HOTLINE captures extremely private moments, where the professionals, many of whom are themselves veterans or veterans’ spouses, can often interrupt the thoughts and plans of suicidal callers to steer them out of crisis.

Positively Naked(en)
No clothes. No apologies. This film marks artist Spencer Tunick's third 'Naked' documentary which feature photo shoots that create art from the naked bodies of men and women. In this shoot, 85 HIV-positive men and women gather in a downtown Manhattan bar where they bare it all for Tunick's camera, creating an unsentimental look at life with AIDS in America today.

No Crying at the Dinner Table(en)
Filmmaker Carol Nguyen interviews her own family to craft an emotionally complex and meticulously composed portrait of intergenerational trauma, grief, and secrets in this cathartic documentary about things left unsaid.

Everyday Life(pl)
Dialogue-free short detailing the daily tasks of a man and his wife.

Working Women(pl)
Stylized with dramatic interiors and a distorted frame rate, this early documentary miniature from Szulkin depicts six sequences of solitary, repetitious labor.

A Fan's Guide to Ms. Marvel(en)
A documentary short that gives you an exclusive look behind the groundbreaking original series, "Ms. Marvel", from its comic book origins to its development and production as Marvel Studios’ next hit series on Disney+. It features interviews with its award winning filmmaking team and the show’s captivating star, newcomer Iman Vellani.

We Don't Eat Cats(en)
Rock and roll megastars The Psychadelic Hix are about to embark on their long anticipated world tour. However, the hype is tarnished by rumors of the group’s association with the mysterious Muncie Ball Beer Cult, which indoctrinates young Hix fans into moving to the coast of Maine and marrying lighthouse keepers.

Yellow Fever(en)
What does beauty look like? In this award-winning short, Kenyan filmmaker Ng’endo Mukii combines animation, performance, and experimental techniques to create a visually arresting and psychologically penetrating exploration of the insidious impact of Western beauty standards and media-created ideals on African women’s perceptions of themselves. From hair-straightening to skin-lightening, YELLOW FEVER unpacks the cultural and historical forces that have long made Black women uncomfortable, literally, in their own skin.

Speed(en)
A documentary on the history on mankind's attempts to reach high speeds. Starting with the invention of the bicycle, going on to sports cars, cars with jet engines, rocket-powered cars, attempts to break the sound barrier, and rocket-engine airplanes. Each achievement is documented by title card indicating the speed reached in miles per hour.
El mégano(es)
Documentary that portrays the life of a coal-mining town south of Havana, around 1955, prior to the triumph of the revolution.

The First Photo of Mine Ever Taken(sh)
A one-frame long experimental short film from Yugoslavia.

More Dangerous Than Dynamite(en)
A short film warning the unaware housewife of the dangers of “dry cleaning” with gasoline at home.

The Long Shadow of Dirty Harry(en)
An in-depth look at Dirty Harry (1971), featuring interviews with such film artists as Michael Madsen, 'Hal Holbrook', John Milius, 'Shane Black' and John Badham.

Health for the Americas: Cleanliness Brings Health(en)
The comparison of two rural families to demonstrate the need for proper hygiene and the consequences of its neglect.

6-18-67(en)
6-18-67 is a short quasi-documentary film by George Lucas regarding the making of the Columbia film “Mackenna's Gold”. This non-story, non-character visual tone poem is made up of nature imagery, time-lapse photography, and the subtle sounds of the Arizona desert.

Origins of Life(fr)
A documentary that explores the natural world of the sea, from the single-celled organism to more complex forms of life, OCEAN ORIGINS was originally filmed in the IMAX large format, which adds a crispness and clarity to the images. This documentary film seeks to examine the process of evolution by looking at the many creatures of the sea that can illustrate the way multi-cellular life emerged over the course of four billion years. OCEAN ORIGINS is a creative film that uses fascinating documentary footage to look at scientific theories and principles in an interesting manner

Homo Paradoksum I(ru)
An experimental film about life on earth as a cosmic experiment and the curiosity and naivete of reaching out to alien life.
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The Olsen Gang in a Fix(da)
A good looking female social welfare worker makes Egon Olsen forget about crimes for some time, but when an American gangster breaks into a local bank and the police think its Egon's work, he has to get back to work to prove he's innocent.

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The Cosmos on the Commode(it)
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Another 48 Hrs.(en)
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Darkland: The Return(da)
Seven years ago, Zaid went to war against the Copenhagen underworld to avenge his dead brother. His identity as a respected doctor of cardiology and life as a family man is but a fading dream, and in prison Zaid suffers the loss of his son Noah, whom he barely knows. When a police agent approaches Zaid and offers him a deal to be released in exchange for infiltrating the Copenhagen underworld, he sees his chance to reclaim the remnants of the family life he left behind. But everything has a price, and Zaid realizes that he has now seriously endangered his son's life. After all, once you become part of the underworld, is there any way out?

RocknRolla(en)
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Bullitt(en)
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Precious(en)
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M(de)
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True Crime(en)
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