Notes on a True Story
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Land Without Bread(es)
An exploration —manipulated and staged— of life in Las Hurdes, in the province of Cáceres, in Extremadura, Spain, as it was in 1932. Insalubrity, misery and lack of opportunities provoke the emigration of young people and the solitude of those who remain in the desolation of one of the poorest and least developed Spanish regions at that time. (Silent short, voiced in 1937 and 1996.)
Windows(en)
A sort of documentary on the people known to have fallen out of windows in a certain time frame in a certain geographical location. One of Greenaway's early short films.
Workers Leaving the Lumière Factory(fr)
Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.
The Boys Who Killed Jamie Bulger(en)
This powerful and disturbing documentary covers the outcry approaching the release of Robert Thompson and Jon Venables, the two 10 year old boys who killed 2 year-old James Bulger in 1993. Re-telling the tragedy, the film presents the protests against their release from an institution, delves into the backgrounds of the killers, their terrible violent act and the impact it caused in UK. It also explores claims that their punishment has been a sham, as reporter Deborah Davies investigates how inmates at secure units are treated and interviews experts to learn whether eight years has been sufficient time to successfully rehabilitate the pair.
The Arrival of a Train at La Ciotat(fr)
Likely in June 1897, a group of people are standing along the platform of a railway station in La Ciotat, waiting for a train. One is seen coming, at some distance, and eventually stops at the platform. Doors of the railway-cars open and attendants help passengers off and on. Popular legend has it that, when this film was shown, the first-night audience fled the café in terror, fearing being run over by the "approaching" train. This legend has since been identified as promotional embellishment, though there is evidence to suggest that people were astounded at the capabilities of the Lumières' cinématographe.
Viva Tar!(id)
From the lens of its alumni, this film chronicles about the history of Marching Band Korps Putri Tarakanita, a marching band extracurricular that continues its legacy to this day.
Bronx, New York, November 2019(en)
Cal State Long Beach, CA, January 2020(en)
A wordless portrait of sculptor Jessica Jackson Hutchins shows us the artist in the process of transforming clay into uncanny forms.
The Heights of Cumanday(es)
Calentoso, is a young boy that must transport mules across the mountains. He will be challenged to discover the deep secrets that the summit entails. This film is based on the legend of the ghost of the Ruiz Snow Mountain in the Region of Cumanday in Colombia.
The Most Holy Brotherhood(es)
The High Holy Brothers is a documentary on a mysterious Messianic cult formed by peasants who fled the violence of the forties/fifties in Colombia and are admitted to live in the mountains of southern Tolima. Its members dress in sacks, they have their own dialect and regard everything as “Blessed”, minus the right side of the body, which castrated covering it with the “holy coat”. This group rejects all elements of the consumer society, established institutions, the state, church and political parties.
Sea Countrymen(it)
Sicily, Granitola, 1955. At the first light of dawn, the fishermen set out in their boats for open water, timing the rhythm of their oars to murmured chants. They set their nets in the sea, regulate the cords, organize the boats in a square. The men’s work becomes increasingly harder as the tuna are hoisted onto the boats, wriggling, beating their tails until death arrives and the water is tinged with blood.
Digital Edition(en)
In the midst of a publishing revolution, The Atlanta Journal-Constitution, one of America's most storied institutions of journalism, is experimenting with new tools to tell stories in preparation for the end of print in the digital era.
The Halt(ru)
Trains travel through the night without stopping. The clatter of the carriages quickly disappears, along with the wail of the locomotive. The people at the station are all asleep. But why are they so exhausted ? And what are they waiting for? Set inside an isolated train depot, The Train Station is one of Sergei Loznitsa's most haunting films. It is also one of his most pointed social critiques. In this film, we are brought to a remote train station deep in the Russian woods. It's nighttime. In the distance, we hear the clatter of locomotives. The station, a small wooden building, sits silently, surrounded only by snow and train tracks.
The Presence(hu)
Two old men enter an abandoned synagogue, look at the decay around them, and pray.
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