The second in Larry Gottheim's ELECTIVE AFFINITIES cycle, MOUCHES VOLANTES is, in the filmmaker's own words, "a celebration of elusive relationships" between sound and image, color and black-and-white, the moon and the waves, the aural testimony of Blind Willie Johnson's widow Angelina and the camera's illumination of a world simultaneously of and beyond the everyday. These lyrical fragments sweep in and out as with the tides; a time-based symmetry slowly emerges as the film reveals itself to be a perfect circle.
1976-04-27
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A proto-music video: three minutes of experimental animation set to the tune of Romeo Nelson's 'Head Rag Hop'.
Several Portuguese creators occupy the director's chair in this collective short film shot during the COVID-19 pandemic shutdown in an unfolding of personal perspectives.
With input from actor and writer Jan Hlobil, director and cinematographer Rene Smaal presents a film in the true surrealist tradition, in the sense that only 'found' elements were used, and that it defies interpretation based on ordinary cause-and-effect time sequence.
A surreal post-apocalyptic drama by Patrick Kennelly inspired by the clipping. album “Splendor & Misery”
Adachi's follow-up to Bowl using the figure of a woman suffering from an unusual sexual aliment has often been taken as a controversial allegory for the political stalemate of the Leftist student movement after their impressive wave of massive fiery protests failed to defeat the neo-imperialist Japan-US Security Treaty. The ritualistic solemnity of the charged sexual scenes contribute to the oneiric qualities of Closed Vagina which Adachi would later insist was an open work, not meant to deliver any kind of deliberate political message. - Harvard Film Archive
A bereaved epileptic ditches her pills and follows a mysterious woman to the outskirts of her town, where she slips back into the fearsome yet ecstatic throes of the seizure.
Lacking a formal narrative, Warhol's mammoth film follows various residents of the Chelsea Hotel in 1966 New York City. The film was intended to be screened via dual projector set-up.
An old man, cut off from his future and his past, brings a young taxi driver into his game. The two meet Karkalou, a crazy prostitute, whom the former once loved madly and the latter will soon love.
The quasi-fictional story of transgender sex workers living in Rio de Janeiro's swampy red light district, who are joined by a group of hippies and a runaway stockbroker, "Mangue-Bangue" is the paradigmatic expression of the post-1968 spirit of desbunde, the Brazilian slang catchword for "sex, drugs, and rock 'n' roll".
Short film produced by the BBC about JG Ballard's Crash. “The film was a product of the most experimental, darkest phase of Ballard’s career. It was an era of psychological blowback from the sudden, shocking death of his wife in 1964, an era that had produced the cut-up ‘condensed novels’ of Atrocity plus a series of strange collages and ‘advertisers’ announcements. After Freud’s exploration within the psyche it is now the outer world of reality which must be quantified and eroticised. Later there were further literary experiments, concrete poems and ‘impressionistic’ film reviews, and an aborted multimedia theatrical play based around car crashes. After that came an actual gallery exhibition of crashed cars, replete with strippers and the drunken destruction of the ‘exhibits’ by an enraged audience.” (from: http://aaaaaaaaaaaaaaaaaaaargh.blogspot.de/2013/01/short-film-adaptation-of-jg-ballards.html)
This is a 1991 documentary film about the legendary artist and filmmaker, Joseph Cornell, who made those magnificent and strange collage boxes. He was also one of our great experimental filmmakers and once apparently made Salvador Dali extremely jealous at a screening of his masterpiece, Rose Hobart. In this film we get to hear people like Susan Sontag, Stan Brakhage, and Tony Curtis talk about their friendships with the artist. It turns out that Curtis was quite a collector and he seemed to have a very deep understanding of what Cornell was doing in his work.
A filmmaker recalls his youth in the town of Onomichi. In the present, he shoots a film in Onomichi alongside his cast, crew and family.
A Japanese salaryman finds his body transforming into a weapon through sheer rage after his son is kidnapped by a gang of violent thugs.
Lines align during acclimated apexes, shadowy vertices, and bright burrows.
A reality show star leaves her family's TV show fame and unknowingly joins a supernatural cult.
The rare short film presents a curious dialogue between filmmaker Julio Bressane and actor Grande Otelo, where, in a mixture of decorated and improvised text, we discover a little manifesto to the Brazilian experimental cinema. Also called "Belair's last film," Chinese Viola reveals the first partnership between photographer Walter Carvalho and Bressane.
CREMASTER 3 (2002) is set in New York City and narrates the construction of the Chrysler Building, which is in itself a character - host to inner, antagonistic forces at play for access to the process of (spiritual) transcendence. These factions find form in the struggle between Hiram Abiff or the Architect ...
Four four-minute image sections and four four-minute sound sections are linked in all combinations of the sound sections with each of the image sections. This established affinities between each of the image sections to the others, and the sound sections to each other. The image sections are: surveyors measuring the land near my house as seen through an old window, a family of Siamang Gibbon apes in the Washington zoo, an industrial site, and a page turned from a book on Cézanne’s composition showing a diagram of his painting Mardi Gras, filmed against bright leaves. The sound sections are: a dramatic scene from Debussy’s opera “Pelléas et Mélisande”, a passage from William Wordworth’s autobiographical poem “The Prelude,” sounds from rowing on a lake at night, and the sounds of the apes vocalizing.
A man's life is upended by increasingly threatening phone calls demanding he leave a review for a paperweight purchased online.
Chicago literary agent, Anne Harper, vacations to a remote cabin in the Upper Peninsula of Michigan. While there, a disgruntled writer is waiting in the shadows to seek his revenge.
Deep within the hidden chambers of an ancient Egyptian pyramid, a shocking discovery is made: the mummified remains of an alien shark. Guarding this creature is a vengeful mystic who brings the beast back to life, unleashing it upon a group of unsuspecting researchers.
Chunauti is an action-packed romantic comedy that tells a story of love, struggle, and justice. Ajaya and his wife Prabha move to Kathmandu, where Ajaya starts working as a teacher. Later, his sister Gita joins them and enrolls in the same college. There, she meets a kind and charming student, but trouble arises when Madhav, a troublesome student, also starts liking her. One day, a fight breaks out in the college, and when Gita tries to stop it, an inspector arrives and brings the situation under control. Angered by this, Madhav and his group cause harm to Prabha and Gita. They also try to escape punishment through legal means. With no strong evidence, Ajaya takes a stand and challenges the court. In the end, he decides to take justice into his own hands, leading to a tragic ending where the inspector, fulfilling his duty, stops Ajaya. Chunauti is a story of love, courage, and sacrifice in the face of injustice.
Japanese adaptation of LES MISERABLES. The last film of director Itami took inspiration from Les Miserables. Transpiring during the Southwestern War of 1877 in Japan, which was the last civil war in the country, a criminal escapes prison only to be found by a monk. The criminal decides to turn a new leaf based on their conversation and goes on to become a town's mayor. He hears news of a mistaken arrest and identity. The revelation of truth is the start of a series of miseries.
The Pavilion on the Water is a cinematic journey into the world of Venetian architect Carlo Scarpa and his passion for Japanese culture. Japan, to him, was an inspirational universe but also the place where he eventually died in 1978, at the height of his career, while retracing the steps of wandering poet Matsuo Bashō. Through the words of his son, some of his collaborators and a Japanese philosopher, the documentary unfolds and quests after the sense of beauty. A nostalgic feeling permeates the whole film for that rare event which is the birth of an artist. Although he passed away, he left behind a work that, still to this day, delights and amuses.
Through the summer breeze and the isolation. Time is still time, and that can't be changed. sunsets-don-t-l
Al Pereira arrives at the "House of Vice" and receives orders to spy on a crime ring called the Quadriumvirate, who deal in prostitution and drugs.
The movie, and true story, is about how Harold began working for the garbage industry in New Jersey only to find out that it was run by the Mafia. Having been in and out of jail most of his life, Harold feared more jail time and so went to the FBI. Harold went undercover to get as much illegal information that he could. The information he got helped put away dozens of Mafia men. Harold is currently in the witness protection program.
Exmin the Valkyrie has returned from the deep, deep cleavage of the universe with an interplanetary collection of aliens, vampires, monsters, and all manner of screaming and vibrating treasures from Gonzoriffic including "Space Boobs In Space," "Lapdance at the Gates of Hell," "Ghosted," and many more.
As a luxurious ocean liner makes its way across the Atlantic Ocean, the audience is made privy to the travails of several of its passengers. Edmund Lowe heads the cast as Monty Greer, a suave gambler who falls in love with Judy, the daughter of immigrant lens grinder Rudolph Kramer. In trying to recover some valuable securities stolen from banker Henry Graham, Greer finds himself in the middle of a fierce gun battle in the ship's engine room. Meanwhile, Graham, who has been cheating on his wife Kay with sexy dancer Sigrid Carline, is murdered by person or persons unknown.
The first gaze. The italian who invented cinema. The story of the incredible and little-known life of the pioneer of Italian cinema, Filoteo Alberini. The reconstruction of the incredible life of the Italian pioneer, Filoteo Alberini, becomes the occasion for a reflection on the birth of Italian cinema and, more generally, on the Seventh Art and its nature as the "magnificent obsession". A journey in the company of an exceptional storyteller, guardian par excellence of cinema's forgotten ones, Georges Méliès, who conducts an investigation of this figure, practically unknown in our present day.
In a groundbreaking project developed by MISCELLANEOUS Productions, a group of multi-barriered youth collaborated with a team of professional artists on POWER, an evening of solo performance pieces, ensemble drumming and dance numbers, all of which take a raw, honest look at the things that matter to youth in the community: power, racism, immigration, poverty, violence, sexism, addiction and love, presented at Vancouver’s Rhizome Café. This documentary focuses on four young artists -- Roberto, Natasha, Dakota, and Michael -- showing their struggles and their transformation through performance.
Two years after leaving prison, Cadu sets out to fight corruption and pursue a political career, but dangerous ties to the past haunt him.