This is a 1991 documentary film about the legendary artist and filmmaker, Joseph Cornell, who made those magnificent and strange collage boxes. He was also one of our great experimental filmmakers and once apparently made Salvador Dali extremely jealous at a screening of his masterpiece, Rose Hobart. In this film we get to hear people like Susan Sontag, Stan Brakhage, and Tony Curtis talk about their friendships with the artist. It turns out that Curtis was quite a collector and he seemed to have a very deep understanding of what Cornell was doing in his work.
This is a 1991 documentary film about the legendary artist and filmmaker, Joseph Cornell, who made those magnificent and strange collage boxes. He was also one of our great experimental filmmakers and once apparently made Salvador Dali extremely jealous at a screening of his masterpiece, Rose Hobart. In this film we get to hear people like Susan Sontag, Stan Brakhage, and Tony Curtis talk about their friendships with the artist. It turns out that Curtis was quite a collector and he seemed to have a very deep understanding of what Cornell was doing in his work.
1991-11-29
0
A recollection of almost 40 years of career. A giant image-jukebox, from early 70s autoportrait to films for Alain Bashung / Elli Medeiros, private karaokes to “video sculptures” applied to John Travolta or Maria Callas, and much much more…
In the late 1950's, Jasper Johns emerged as force in the American art scene. His richly worked paintings of maps, flags, and targets led the artistic community away from Abstract Expressionism toward a new emphasis on the concrete
The film explores the role of photography, since its rudimentary beginnings in the 1840s, in shaping the identity, aspirations, and social emergence of African Americans from slavery to the present. The dramatic arch is developed as a visual narrative that flows through the past 160 years to reveal black photography as an instrument for social change, an African American point-of-view on American history, and a particularized aesthetic vision.
A silent succession of black-and-white photographs of the city of Montreal.
First look inside the walls of Quebec police’s training grounds and the realities of our next generation of police officers.
Why do we see so many severely mentally ill people on the street off treatment? Delaney has seen her paranoid schizophrenic father in this state and for 10 years hid from him. Unlisted depicts Delaney's journey, now as a doctor, to bring her father back into her life. Can she have a relationship with him that is not solely based on being his care provider, which was her role as a child. After 2 years of reconnecting, things suddenly change when Richard stops his medicine and disappears....and what starts as an emotional tale of reconciliation turns into a frantic race for survival.
Composed entirely of still photographs shot by Marker himself over the course of his restless travel through twenty-six countries, If I Had Four Dromedaries stages a probing, at times agitated, search for the meanings of the photographic image, in the form of an extended voiceover conversation and debate between the "amateur photographer" credited with the images and two of his colleagues. Anticipating later writings by Roland Barthes and Susan Sontag (who professed her admiration for the film) If I Had Four Dromedaries reveals Marker's instinctual understanding of the secret rapport between still and moving image.
Legends of the Knight weaves together the stirring true stories of individuals who have overcome devastating obstacles, unselfishly given to the community, and embraced their inner superhero because of their love of Batman. Through the deeply personal tales of Batman fans, writers, and filmmakers, this feature-length documentary explores the power of heroic stories and encourages viewers to find their own unique path to heroism. Funded by over 1,100 people from around the world, Legends of the Knight is a return to our childhood dreams of being a hero. Put on your cape, and be inspired!
The best known, "Weegee's New York" (1948), presents a surprisingly lyrical view of the city without a hint of crime or murder. Already this film gives evidence, here very restrained, of Weegee's interest in technical tricks: blur, speeded up or slowed-down film, a lens that makes the city's streets curve as if cars are driving over a rainbow. - The New York Times
A documentary that explores the challenges that a life in music can bring.
Five hundred years after his birth, the life and career of the Italian Renaissance's last great painter is explored.
From oratory classes to operating room, Beauty Factory follows five girls for four months as they compete for the coveted Miss Venezuela crown; revealing the process that has won Venezuela more international beauty pageants than any other country.
Time Is Illmatic is a feature length documentary film that delves deep into the making of Nas' 1994 debut album, Illmatic, and the social conditions that influenced its creation.
Experimental film about rhythm as corporal expression of a culture. Presents various choreographies and does not include the participation of men.
Bolero is played every 15 minutes in the world. This film tries to answer how this famous melody inspired and influenced the world pop-culture? It explores the complexity and the richness of a piece so simple in appearance: the emotions it triggers, vertigo it creates, the words it inspires.
Cartoneras is a documentary that grapples with Latin America’s urban realities, and the cardboard publishing movement that has emerged from these in the 21st century. Reflecting on the different contexts that propelled this form of community publishing, like Argentina’s 2001 economic crisis, the independent art scene, and the movements which formed around waste-pickers, the film’s narrative is developed through conversations with important actors from the cartonera world.
The Jesus Christians are unusually committed to their faith. They give up everything they own - including, now, their spare kidneys. For a year, journalist Jon Ronson has exclusively followed the group as they attempt to donate their kidneys to strangers in the UK and the US. But who should they give them to? Where can they advertise? Will the hospitals, the media, and the potential recipients see their gesture as a miracle, or as the self-destructive act of a controversial religious movement? Presented by Jon Ronson.
Through interviews and guerilla footage of graffiti writers in action on five continents, the documentary tells the story of graffiti from its origins in prehistoric cave paintings thru its notorious explosion in New York City during the 70’s and 80’s, then follows the flames as they paint the globe.
Documentary footage of the author and his two daughters at home.