
Four four-minute image sections and four four-minute sound sections are linked in all combinations of the sound sections with each of the image sections. This established affinities between each of the image sections to the others, and the sound sections to each other. The image sections are: surveyors measuring the land near my house as seen through an old window, a family of Siamang Gibbon apes in the Washington zoo, an industrial site, and a page turned from a book on Cézanne’s composition showing a diagram of his painting Mardi Gras, filmed against bright leaves. The sound sections are: a dramatic scene from Debussy’s opera “Pelléas et Mélisande”, a passage from William Wordworth’s autobiographical poem “The Prelude,” sounds from rowing on a lake at night, and the sounds of the apes vocalizing.
1978-10-03
7
0.0This video art experiment and survey on human's visual and sound perception which have an influence on the way of life, national integration, and people's belief in fact. The video changes the way of human's usual perception by using a Thai ancient tale read by a calm voice, along with the annoying visual and sound.
5.5The film juxtaposes/compares two museums: The Museum of Art, Ein Harod, Israel, which Samuel Bickels (1909-1975) built there in 1948, and The Menil Collection in Houston, Texas, built by Renzo Piano (b. 1937) 1986 . The method of natural lighting in Bickels‘s construction was the direct model for Piano, who adopted for his construction at the request of its patroness Dominique de Menil.
6.8A story of a group of humanoid rabbits and their depressive, daily life. The plot includes Suzie ironing, Jane sitting on a couch, Jack walking in and out of the apartment, and the occasional solo singing number by Suzie or Jane. At one point the rabbits also make contact with their “leader”.
0.0“The Occidental Hotel is a “city” film—I was inspired to emulate the Surrealists’ sense of wandering, of flaneury, of the way a hotel and its rooms is a temporary resting place inhabited by many many people, a shared public/private space. I am interested in a creative geography of the city I've constructed. For instance, the front of the hotel is from Berlin, its interior was photographed in Copenhagen. The film offers the elliptical “scent” of espionage films (largely because of its Berlin locations) and offers that genre’s lubricating sense of voyeurism, danger, and sexuality. My source materials are Mexican comic-book figures, and these urban photos I snapped on my honeymoon with my wife Janie Geiser in the summer of 1996.” —Lewis Klahr
A monkey paces inside a cage: visually, the short film confines itself to this stark simplicity, yet its message resonates deeply. It draws on whispered excerpts from Goffman’s seminal Asylums on total institutions, paired with a poignant citation from Poe. In the spirit of post-'68 thought, closed and segregated spaces take center stage in the social and cultural discourse, and this film embodies that reflection with radical intensity.
10.0Glimpses of lives from a village in Assam reveal the relationship between its history and the present. People’s lives and beliefs are entangled with ecological strings , as nature stands witness to the narratives that unfolded there. A young boy, Rahul, hopes to write a book on his experience of growing up in this village. His mother, being deeply connected with nature can sense messages and signs arising from nature.. Urmila, a pregnant lady, is driven by sensorial experiences. But, In contrast to the serenity and harmonious living; there lurks a violent societal past.These peaceful and quiet lives intersect in a space where traumatic memories of death and loss in Assam’s thirty years of secessionist movement keep resurfacing.
0.0The film appears like a ritual with splendids and crypteds psalms. The Great Master of Order (Marcel Mazé, new fetish actor after Aloual) seduces the young male prey with a running cinema projector which carves Murnau's Nosferatu extracts on their bodies. Metamorphosis, rituals passages, Eros and Thanotos, illusion and reality, film into the film are the themes and images in perpetual osmosis in this Stéphane Marti's opus.
1.0Playtime’s cosmopolitan spectacle, presented in a kaleidoscopic montage across seven large screens, interconnects the lives of its archetypical characters—hedge fund managers and art world players in London; a photographer in Reykjavik; and a Filipina houseworker in Dubai—each of whom is based on a real-life individual directly affected by the market collapse.
5.5Featuring Joan Adler (who also appears in Chinese Checkers), Soliloquy is one of the four early Stephen Dwoskin films that were awarded the Solvey prize at the EXPRMNTL festival in Knokke, Belgium in 1967. “In Soliloquy a girl broods uncertainly over a failed love affair, while the camera roves over her fingers, her cigarette, her knuckles, her lips and the hand mirror in which she peers. In its dark reflection one isolated eye seems a dead thing, twitching; the split between her body and her spoken thoughts becomes a strange bilocation of consciousness; towards the end, an aeroplane drones overhead” (Raymond Durgnat)
6.5Two women in a living room: smoking, playing cards, listening to the radio. As often in Dwoskin’s films, the use of masks, make-up and costumes allows the characters to playfully transform themselves. Shot in colour film, C-film exuberates swinging London energy. In the second part of the film, the women appear to be watching the rushes of the film on an editing table. ”We are making a movie” we hear them say. As Dwoskin points out, “C-film asks how much is acting acted”, an ongoing question in Dwoskin’s cinema. Produced by Alan Power, with Esther Anderson & Sally Geeson.
0.0Someone falls off the scene and a tree is upside down. In the search for the roots, people are torn from their usual order, while in the dark connections are made. A woman tastes of the primordial soup and we end up in a system of people spinning around themselves. Only one person remains alone, but he gets unexpected comfort from somewhere.
2.0This movie consists of 100 frames. The length of 100 frames an analog 35 mm film is 6.25 feet = 1.91 meter. Keep other people at this comfortable distance. COVID-19 is bad! Stay safe!
0.0An experimental re-telling of the last days of the Romanov sisters.
0.0The story is the closure, the film is how pain and anxiety are carried by the wind. There is no use trying to exert control, it only causes the pain/anxiety to linger. It must run its natural course. The Mistral can be beautiful and terrible, if it catches onto you/your soul becomes wrapped in its temper. It dances over the water changing its course to make your light unpredictable, terrible but beautiful ... solo or in tandem. The story is the jazz by which these events take place. To exert any force over the film would not be the story. I am consumed by the flame.
4.2Andy Warhol directs a single 35-minute shot of a man's face to capture his facial expressions as he receives the sexual act depicted in the title.
Playful and rythmic self-portrait shot on Super 8mm and 16mm. Colored directly on the super 8mm.
0.0This experimental "film" consists of an empty room with a bare lightbulb, and windows covered with a translucent material, for a duration of 24 hours. It is not necessary for visitors to stay for the entire duration - they can come and go as they please. Created by Anthony McCall, it is based on the architectural framing of time and light. It came at the end of a series of works in which McCall was stripping back cinema to its absolute minimum - light, time, and human experience/perception.
7.3Christened for the Greek mythological personification of human memory, MNEMOSYNE, MOTHER OF MUSES is Larry Gottheim's facsimile edition of how one reflects on life and experiences (namely, in flashes and excerpts of sound and imagery). Typically known for his avant-garde, single-shot meditations on nature, Gottheim here provides a palindromic quotation of his own memories, including street corners, movie quotes, family members and Johnny Hartman tunes.
6.1Fantozzi is now retired but continues to go to the office where it is held up as a fine example of employees intending to do career.
6.3As novice detectives, Bud and Lou come face to face with the Invisible Man.
4.9A successful Texas gynecologist finds himself amid a bevy of women and their problems – his wife’s breakdown, his daughter's fake marriage, his other daughter’s conspiracy theories, and his secretary’s crush. Craving time for himself, he finds solace in a kind outsider.
6.0Ruth Butler, a clerk in an emporium, marries Jimmy Rutledge and thereby greatly displeases his mother, the owner of the emporium, because of Ruth's lowly origins. Renaud Graham, one of Mrs. Rutledge's friends, becomes interested in Ruth, forces his way into her apartment, and attempts to make violent love to her. Jimmy walks in on their embrace and, suspecting the worst, leaves Ruth. In the family way, Ruth finds refuge in a boardinghouse where she meets Al Bryant, an aspiring writer. Ruth tells Al her life story, and he makes it into a bestselling novel and then into a play. Jimmy sees the play and comes to his senses, winning Ruth's forgiveness.
7.7This is the very first silent slapstick comedy short about adventures of Worldly, Coward, and Fool. What's more fun: fishing with worms, or dynamite? Three friends decided to have a blast! Unfortunately their dog Barbos just loves playing fetch. And this time that stick was used for blast fishing. Barbos saw people throwing a smoking stick in a water, and fetched it right back to his owners. The "unusual cross" part begins when owners try to outrun the dog with dynamite.
7.5The frustrating adventures of a humble employee who all the time has to fullfill the wishes and desires of his bosses.
6.7Live stage recording of the stand-up comedy show, with sketches and videos of old skits from 'Mai dire Gol'.
6.3Balto and his daughter Aleu embark on a journey of adventure and self discovery.
6.5A pulsing, kaleidoscope of images set to an energetic soundtrack. This is a world in motion, dominated by mechanical and repetitive images, with a few moments of solitude in a garden.
6.7Riggs and Murtaugh pursue a former officer who uses his knowledge of police procedure and policies to steal and sell confiscated guns and ammunition to local street gangs.
5.8One by one, with a sweet but inexorable rate, Ugo's colleagues, go to a better life. When Ugo is attending at one of the innumerable funerals, he and the priest remain involved in an accident. The doctor says that Ugo as only one week left to live
6.3Middle schooler Ben spends his free time watching sci-fi films, playing video games and reading comic books. Surprisingly, his affinity for all things fantastical yields a real result – when he has a vivid dream about technology, his prodigy best friend Wolfgang manages to create a working spacecraft. Joined by their buddy Darren, the boys take off into outer space and encounter some very odd extraterrestrial life.
6.6Hanafi al'abiha steals a jewelry shop with his partners and hides the bag with his brother Ahmad before they were arrested. His three accomplices escape and kidnap Ahmed's wife Duaa until they recover the bag. Hanafi is temporarily released to lead the Police to the place of his colleagues, and the events follow.
7.3In this prequel to the original, a bloody power struggle among the Triads coincides with the 1997 handover of Hong Kong, setting up the events of the first film.
5.2Haeil, wounded by his wife's words of 'premature ejaculation', goes to a urology department. But because the doctor is a woman, she is so surprised and embarrassed that she tries to go out. Then, a word from a woman doctor catches him. "How long will you live with premature ejaculation?". After that, after receiving special treatment, the beautiful female doctor Jeongyeon and glamor nurse Mijoo, Haeil gradually became a man loved by his wife.
6.5Johan is a two-fisted Gothenburg cop who finds himself in a shoot-out with jewel robbers. After the smoke has cleared, one robber, shot by his accomplice, and an innocent bystander, are dead. Three witnesses, including Helen, identify thug extraordinaire Leo Gaut as being the dead crook's trigger-happy colleague. Gaut soon threatens the three witnesses, and only Johan, the badge-wearing hero, can save them.
6.2Sam Witwicky leaves the Autobots behind for a normal life. But when his mind is filled with cryptic symbols, the Decepticons target him and he is dragged back into the Transformers' war.