Winter Dream

Prémonition(ka)

Around Snowdonia(en)

A timeless landscape steeped in history that is little changed today, but was surely made to be filmed!

Capel Celyn(en)

“I don’t believe in ghosts but I do believe places can be haunted by meaning. Places change, not always for the better and not always by natural, benevolent or politically sound means. A place can be charged with atmosphere because of what it has been through or what it has been. Phantom Brickworks is a collection of mostly improvised musical pieces, that for some years now, have provided me with a mental portal into places and times - some real, some imaginary, some a combination of both. Human beings are highly sensitive to the atmospheres of places, which can be enhanced or dramatically altered when you learn about the context of their history. Echoes and voices can sometimes be heard, in some way or another. Places sometimes have things to say.” — Bibio

Projection Instructions(en)

Regrettably, the labour of projectionists is usually only considered by the audience when they ‘screw up’. This film offers an alternative opportunity. Preserved by the Academy Film Archive in 2014.

Midwinter Hue(en)

A man steadily bashes through the snow. He disappears and the trees, covered in white, shift and show a beautiful array of hidden colors. A poetic, meditative short film about letting go of the past and embracing the unknown future.

Just Another Notion(en)

As a guitar screeches, the image comes into focus. Experimental short film preserved by the Academy Film Archive in 2012.

The "Woods People" The Beginning(en)

Rick Dakotah investigates the "Woods People" of Vermont. "I have spent many years in some forest or another. I feel the best when I am out and about. Nature to me is "Love". I feel as though life is fair and one can get respect by respecting the other creatures of the forest. I stumbled into this research while filming my adventures. The "Woods People" are what I call them...Bigfoot to White Hairy Beings, UFO's, and more..."

The "Woods People" Video Two(en)

Rick Dakotah continues his investigation of the "Woods People." "The woods people are dragging me further into their world. I spend most days out in the forest and mountains tracking the creatures. This is video two of the story. Do I believe in Sasquatch/Bigfoot? Yes I do but I don't really know what they look like. I have had actual visuals but the mind makes it hard to understand and tries to make something it doesn't understand...understandable."

Outtakes from Jo(en)

Outtakes, commentary from Zefier's third film: Jo; or The Act of Riding a Bike.

Pressure(de)

A young woman is confronted with the conflict of growing up and pushed to her mental limits. Nothing seems to be working or going the way she thought it would. Her inner life is becoming more fragile. How long can she put up with this?

The Kingdom(pt)

Walking through the lost boundaries of the kingdom, our hero finds his greatest enemy.

ECDYSIS(xx)

Dusk or dawn, stuck in subconsciousness until we can’t separate between the true self and appearances. Is it even possible that we will be free from our own sake?

They witness time in longer intervalls(en)

During a 6-hour performance and in a additional Film, REA and Yannick Mosimann dedicate themselves to the stretching of time and space based on observations of different trees. The tree, the mammoth of floral time, seems to be a gnarled, proud and place-bound existence, nevertheless in low-frequency, flowing movement. Breathing is here a symbol of time and rhythm, carrier of tonal frequencies of our vocal cords.

Scenes from an Island(en)

Hand-edited Lomokino 35mm footage captures scenes from an island, blending shifting textures with guitars and watery drones. A visual and sonic meditation on place and transience.

Weird Weird Movie Kids Do Not Watch The Movie(en)

Weird Weird Movie Kids Do Not Watch The Movie is the second collaborative feature film between Rouzbeh Rashidi and Maximilian Le Cain. This hypnotic, visually and sonically immersive exploration of a haunted space unfolds in two parts. In the first, a woman (Eadaoin O’Donoghue) dissolves her identity into the ghostly resonances she finds in the rooms and corridors of a sprawling, atmospheric seaside basement property. In the second, a man (Rashidi), existing in a parallel dimension of the same space, pursues a bizarre and perverse amorous obsession.

Homeland Nature(de)

Home is where we grow up or settle permanently. And this home is always shaped by nature. Today, we human beings change and shape this more than any law of nature. HEIMAT NATUR is a visually stunning journey through the nature of our homeland, from the peaks of the Alps to the coasts and the depths of the North and Baltic Seas. In between is a cinematic foray through steaming forests, shimmering moors, over rose-blossoming heaths and the colorful cultural landscape around our villages and towns. In extraordinary images this nature is shown from its most beautiful side, examining the state of the native habitats. Slow-motion and time-lapse photography as well as intimate shots of familiar and unfamiliar species, some filmed for the first time, making the film a cinematic nature experience for the whole family.

HE(en)

HE, the third work in the ongoing collaboration between Rouzbeh Rashidi and actor James Devereaux, is a troubling and mysterious portrait of a suicidal man. Rashidi juxtaposes the lead character’s apparently revealing monologues with scenes and images that layer the film with ambiguity. Its deliberate, hypnotic pace and boldly experimental structure result in an unusual and challenging view of its unsettling subject.

Self Decapitation(en)

Self Decapitation is a Janus-headed self-portrait by Rouzbeh Rashidi and Maximilian Le Cain in which death and desire each take possession of this film in two parts. The ambiguities of inhabiting a human body are conjured by way of film technology in its faults, faulty memories and false promises. There is no escape from its haunting – except perhaps to haunt it in turn…

The Freshman(en)

After a film student gets his belongings stolen, he meets a mobster bearing a startling resemblance to a certain cinematic godfather. Soon, he finds himself caught up in a caper involving endangered species and fine dining.

Mother Earth’s Inner Organs(en)

The first mountains that the Amsterdam-based Colombian artist and filmmaker Ana Bravo Pérez saw in the Netherlands were black. In this experimental work, she follows the stench of the coal in the port of Amsterdam back to its origin: an open wound in northern Colombia. The mine is located in the territory of the Wayuu and has a huge impact on the indigenous people.