Weird Weird Movie Kids Do Not Watch The Movie(2013)

Begotten(en)

Begotten is the creation myth brought to life, the story of no less than the violent death of God and the (re)birth of nature on a barren earth.

Proyecciones del Limbo(es)

Wide Open(xx)

After awakening in her basement, the protagonist finds herself cursed by an object, rendering her unable to blink. Haunted by a sinister silhouette creature that appears from various locations, she realizes her only chance of defeating it lies in mastering the ability to confront the creature without averting her gaze.

Phantasia(xx)

X-ray images were invented in 1895, the same year in which the Lumière brothers presented their respective invention in what today is considered to be the first cinema screening. Thus, both cinema and radiography fall within the scopic regime inaugurated by modernity. The use of X-rays on two sculptures from the Bilbao Fine Arts Museum generates images that reveal certain elements of them that would otherwise be invisible to our eyes. These images, despite being generally created for technical or scientific purposes, seem to produce a certain form of 'photogénie': they lend the radiographed objects a new appearance that lies somewhere between the material and the ethereal, endowing them with a vaporous and spectral quality. It is not by chance that physics and phantasmagoria share the term 'spectrum' in their vocabulary.

Corpus Peccati(en)

Corpus Peccati is an unconventional and experimental film with a 1 hour and 14 minutes duration, created by filmmaker, photographer and artist Aaron Klusmann. This avant-garde film is a controversial view of sex and liberty, in a deeper understanding of the viewer, the film explores different exposures, between black and white and a red color with vertical rotations during the entire film.

Midríase(pt)

Is the eye the window of the soul? - Mydriasis is a movie that reflects about the early discoveries of queerness and its impact on the self perception of a person.

Tunnel To The Inferno(en)

An experimental film about a group of teens who set up a Christmas party for a close friend. Suddenly things take a violent turn when one of the teens conspires against the group with the help of an ancient dark evil.

Witch's Cradle(en)

The surrealist film shows repetitive imagery involving a string fashioned in a bizarre, almost spiderweb-like pattern over the hands of several individuals, most notably an unnamed young woman and an elderly gentleman. The film also shows a shadowy darkness and people filmed at odd angles, an exposed human heart, and other occult symbols and ritualistic imagery which evokes an unsettling and dream-like aura. Considered an unfinished film.

Rampo Noir(ja)

An anthology film consisting of four segments based on literary works by Edogawa Ranpo.

The Timekeepers of Eternity(en)

In this mesmerizing experimental film, a Stephen King television movie is compressed and transformed through hypnotic black and white collage animation that meticulously reconstructs and reshapes its supernatural drama to an eerie and profound effect.

4.48 Psychosis(pt)

An adaptation of the play "4.48 Psychosis" written by Sarah Kane. The movie consists of scenes that work as a fragmenteded voyage through the mind of a person on a deeply depressive state. Everything is shown in a raw and experimental manner to bring the feelings and emotions in the most pure form to screen.

A Catalyst(en)

A teenage boy is forced into making a decision within 60 seconds between a possible death, or being pulled into an unknown reality.

Fine(es)

After a period of time where her hearing begins to overtake her sight, Casandra searches for the cause of her problem, isolating herself from society. She starts having visions that remind her of the past and promise an apocalyptic future.

Shock! Shock! Shock!(en)

A patient escapes from a lunatic asylum and encounters a woman being pursued by a seemingly indestructible maniacal goon employed by a mysterious mobster. He decides to help her, but nothing is what it seems. Not even the past.

The Empty Mirror(en)

Adolf Hitler faces himself and must come to terms with his infamous career in an imaginary post-war subterranean bunker where he reviews historical films, dictates his memoirs and encounters Eva Braun, Josef Goebbels, Hermann Göring and Sigmund Freud.

Gadis Cantik di Bangku Taman(id)

Vishnu met Mawar in a park while looking for inspiration for his writing material. Mawar turned out to be a next-door neighbor of Vishnu's boarding house. Vishnu soon found out that Mawar was physically abused by her boyfriend Rocky. Vishnu was very angry with himself for not being able to protect Mawar. Until one day Vishnu was desperate to protect Mawar from Rocky's cruelty.

Sea Roar(ja)

In a certain fishing village, a memorial service is held to burn abandoned boats, and old fishing boats that have finished their duty have a dream on the verge of death. Deep-sea fish galloping through the alleys, fishermen pulling long ropes, ghosts of screaming girls...

The Hunched Donkey(es)

After his mother's death, a young man edits the family's home videos to bring back her image. As he delves into the occult he begins to reveal the paradoxical magic of memories and cinema.

Eros and Thanatos(en)

Amid the chaos of existence, where warmth entwines with cold, passion ignites a fire that both liberates and consumes. Lust whispers sweet nothings, yet beneath the surface lies a scream—ecstasy laced with the taste of demise. Every touch is both a caress and a curse. We fuck to feel alive, yet each kiss inches us closer to the void. Love and loss converge, and the pulse of life beats strongest in the shadows of death.

Normal Porn for Normal People(en)

"Normal Porn for Normal People" is an appropriated media piece that explores our societal need to consume violence for entertainment. The film offers a satirical commentary on the romanticizing and normalization of violent imagery, while observing the link to commercial consumerism that exploits human sexuality, while simultaneously demonizing it. Interview segments echo our endless need to devour salacious content by venerating both real and fictional violence. Sexuality and sexual images remain a convenient scapegoat that facilitate a continued avoidance regarding the impact that the glorification of violence has within American culture.