They witness time in longer intervalls

The Spessart Inn(de)

Countess Franziska "is kidnapped" by a band of robbers. However, her father is not willing to pay the ransom so Franziska changes sides.

Cirque du Soleil: Journey of Man(en)

A child is born. We see underwater swimmers representing this. He is young, in a jungle setting, with two fanciful "instincts" guiding him as swooping bird-like acrobats initially menace, then delight. As an adolescent, he enters a desert, where a man spins a large cube of metal tubing. He leaves his instinct-guides behind, and enters a garden where two statues dance in a pond. As he watches their sensual acrobatics of love, he becomes a man. He is offered wealth (represented by a golden hat) by a devil figure. In a richly decorated room, a scruffy troupe of a dozen acrobats and a little girl reawaken the old man's youthful nature and love.

Life Eternal(en)

This experimental animated short shows the life of a forest through storms, seasons, and a variety of art forms.

moony's WARNING HIGH CUBE(en)

moony and Joey Brodnax present WARNING HIGH CUBE - a film accompanying the release of moony’s debut album of the same name. After amassing an impressive collection of genre-spanning EPs scouring depths of emotion, pain, anger, relief, and hope, burgeoning Nashville-based indie alternative rocker Seth Findley (AKA moony) is at full form, ready to deliver his debut LP to the world. WARNING HIGH CUBE is a bold full-throttle whirlwind of a hero’s journey, serving as moony’s definitive allegory of his life so far, exploring swirling ideas of existentialism, nature, animals, spirituality, love, friendship, and the threads that hold humanity together. moony & Joey set out to create a unique audio/visual pairing for the album, unlike anything they’d seen or felt. The result is 50 uncanny, undefinable, and sometimes uncomfortable minutes. A new world ripe for the picking, WARNING HIGH CUBE and its accompanying film are here to save mankind.

Sublapse Video Mag 1(en)

Video Fanzine featuring: Half Japanese, Redd Kross with Sky Saxon as Purple Electricity, R Kern, Sonic Youth, White Flag, Psycho Daisies, Charlie Pickett, Nick Zedd, Morbid Opera More R&R, Film, Prose. Pencil numbering indicates there was a run of 600 tapes.

Colours(xx)

Cores (Colours) is an experimental and independent animation by Clint Bones. Using Stop-Motion Animation, this film is about Palestine and their long combat with Israel. All that following a 60´s Psychedelia inspired visual.

That's Life(fa)

Nima Yooshij (Iranian poet) for his son’s 1st birthday. He says: “my son, by now, you have seen a spring, a summer, an autumn and a winter. From this point on, everything is simply a repetition except kindness.”

Sita Sings the Blues(en)

Utilizing the 1920s jazz vocals of Annette Hanshaw, the epic Indian tale of exiled prince Ramayana and his bride Sita is mirrored by a spurned woman's contemporary personal life, and light-hearted but knowledgeable discussion of historical background by a trio of Indian shadow puppets.

Time Piece(en)

Dislocation in time, time signatures, time as a philosophical concept, and slavery to time are some of the themes touched upon in this 9-minute experimental film, which was written, directed, and produced by Jim Henson. Screened for the first time at the Museum of Modern Art in May of 1965, "Time Piece" enjoyed an eighteen-month run at one Manhattan movie theater and was nominated for an Academy Award for Outstanding Short Subject.

I Am Kevin(en)

A young boy creates a make believe world to escape his truth, a world where, at the water's edge, beneath the shade of an ancient tree, a mother forms a perimeter to protect herself and her child from an unspeakable darkness.

Beauty and the Beast(en)

To save her father, a girl who always puts others before herself promises to live her life in a lavish castle with a strange beast.

FUCK TV(en)

After concluding the now-legendary public access TV series, The Pain Factory, Michael Nine embarked on a new and more subversive public access endeavor: a collaboration with Scott Arford called Fuck TV. Whereas The Pain Factory predominantly revolved around experimental music performances, Fuck TV was a comprehensive and experiential audio-visual presentation. Aired to a passive and unsuspecting audience on San Francisco’s public access channel from 1997 to 1998, each episode of Fuck TV was dedicated to a specific topic, combining video collage and cut-up techniques set to a harsh electronic soundtrack. The resultant overload of processed imagery and visceral sound was unlike anything presented on television before or since. EPISODES: Yule Bible, Cults, Riots, Animals, Executions, Static, Media, Haterella (edited version), Self Annihilation Live, Electricity.

Ain't Got No Fear(en)

The industrial noise of a factory in the Isle of Grain provides a percussive backbeat as a group of local children rap about their lives and play in the woods, sometimes wearing luminous tribal masks.

Britney Spears - Live The Femme Fatale Tour(en)

Sexy. Slammin'. Outrageous. Hurl all the adjectives you want, but one word says it all: Britney. (Ms. Spears if you're nasty.) The Grammy-winning pop diva storms the stage with a fierce mix of fan-favorite hits and hot new tracks from her latest album, Femme Fatale, in this concert special taped before a sold-out crowd in Toronto. Whether you're in the market for bodacious dance moves, killer costume changes or that make-you-melt Louisiana drawl, Britney's bringing 'em all - bigger and better than ever.

Tom Thumb(en)

A boy, no bigger than a thumb, manages to outwit two thieves determined to make a fortune from him.

Saints of the Night(en)

Living in forests untouched by man, these gracious and mysterious fairies use their magical powers to send blessings upon Earth. Do not take their kindness for granted. Especially on the night when the sky opens.

To Die Like a Man(pt)

A transgender woman attempts to rehabilitate her younger, drug-addicted boyfriend while also dealing with her ne’er-do-well son, a solider who’s gone AWOL.

PSICOTRÓPICA(pt)

SIN PIEDAD(es)

The Very Eye of Night(en)

Dancers, shown in photographic negative, perform a series of ballet moves, solos, pas de deux, larger groupings. The dancers glide and rotate untroubled by gravity against a slowly changing starfield background. Their movements are accompanied by music scored for a small ensemble of woodwind and percussion.