O Rizo

Ghost Dance(en)

Through the experiences of two women in Paris and London, Ghost Dance offers an analysis of the complexity of our conceptions of ghosts, memory and the past. The film focuses on the French philosopher Jacques Derrida, who observes, 'I think cinema, when it's not boring, is the art of letting ghosts come back.' He also says that 'memory is the past that has never had the form of the present.'

Las Preguntas que Perdimos(es)

The Hidden Battle(es)

During the Second World War, the Allies threaten to attack Spain, an allegedly neutral country, if the Francoist regime keeps allowing Nazi Germany to extract Galician tungsten, a strategic mineral, paramount to the war effort.

Seafighters(gl)

Living among the percebeiros of the Coast of Death (Galicia), this documentary shows a unique relationship between man and his surroundings, man and the sea. At the end of Europe, years after the Prestige oil spill disaster, these fishermen face an uncertain future.

The Way Without Limits(es)

The Way of Saint James, northern Spain, 2016. Two brothers, Oliver, the eldest, and Juan Luis, the youngest, a disabled person in a wheelchair, face the hardest challenge they have found so far on their long road of dirt, stones, rain and cold. Everyone says they will not make it, but, fortunately, they are not alone.

Praise of the Distance(gl)

Province of Lugo, Galicia, Spain. A year in the life of A Fonsagrada, a rural region whose inhabitants live both near and far from urban civilization; a praise of the distance that crosses the four seasons of the year, whose inevitable passage transforms both the natural environment and the existence of people, a simple, dignified and peaceful existence.

Memory Games(en)

Without memory we are nothing. Memory makes us human. It’s who we are. Memory Games offers a thrilling insight into the lives of four athletes from the United States, Germany, and Mongolia as they compete for the title of World Memory Champion. Their unique approaches to memorizing and recalling mind-boggling amounts of information and their life stories form the basis for a visually stunning and thought-provoking documentary that looks at how memory permeates every aspect of our lives.

All this Roughness(es)

An unnamed passer-by is forced to trace a circular route inside an abandoned tram station, facing loss and time. The broken walls act as a channel, transmitting fragmentary, blurred and analogical memories. 

Coast of Death(gl)

Portrait of Costa da Morte (coast region in Galicia, Spain) from an ethnographic and landscape level, exploring also the collective imagination associated with the area. A region marked by strong oceanic feeling dominated by the historical conception of world's end and with tragic shipwrecks. Fragmentary film that approaches to the anthropological from its protagonists: sailors, shellfish, loggers, farmers ... A selection of characters representative of the traditional work carried out in the countryside in the region, allowing us to reflect on the influence of the environment on people.

Carracedo(gl)

The Mauthausen Resistance(fr)

During World War II, the photographer Francisco Boix and other Spanish Republican prisoners of the Mauthausen concentration camp, where 120,000 people died, managed not only to survive their indescribable experience, but also, after the war, to reveal to the world what really happened in that hell, saving from destruction thousands of official photographs taken by the SS.

Beiras, Vivir2Veces(gl)

Un viaje por Galicia(es)

Vigo 1972(gl)

‘VIGO 1972’ narrates the events which took place in Vigo in September 1972, when the firing of five Citröen auto workers resulted in the largest general strike in the history of Galicia — with over thirty thousand workers — all of this during the Franco dictatorship in Spain.

Vaivéns meteorolóxicos na vila da Guarda(es)

Onde máis doe(gl)

After threatening his ex-partner for years, Marcos M. murders his 11-year-old son with a shovel. A year later a popular jury condemns him for murder, to kill making full use of his faculties, and determines that the crime against the child did not seek anything other than to punish the mother. In the fact on which we base ourselves, violence, harassment, the murder of a child to harm the mother and the death threat that still hangs over the woman concur.

Ojalá pudiera decir la verdad(es)

After collecting multiple records related to a painful family tragedy, Victor dives into the archive in search of answers about what really happened on January 26, 1983

Tattooed on Our Eyes We Carry the Aftertaste(es)

With great expressive freedom, Diana Toucedo transports us to a seaside village in Galicia. We are invited to observe the work of the women who collect shellfish, and hear from their own voices their relationship with their trade, the heritage of matriarchy and their sense of belonging. Sailors at sea complement this genuine and devoted community of workers.

Galicia caníbal(es)

Julia se revela(es)

When Claudia reviews the photographs and objects of Julia Chambi, her great aunt, she begins a journey into the past, reliving the footsteps of who can be considered the first Andean and Peruvian woman photographer. Julia, daughter, sister, woman, artist, photographer, politician and lover of Cusco reveals herself in every story, place or person that remembers her.