Filmmaker Cam Archer examines and explores his ordinary, suburban neighborhood in search of hidden truths, new narratives and a better understanding of his fading, creative self. Combining heavily degraded video with personal photographs and real life neighbors, Archer re-imagines the concept of 'home video'. In an attempt to distance himself from his subjects, actress Jena Malone narrates the piece as Archer in the first person.
Downtown Recife’s classic movie palaces from the 20th century are mostly gone. That city area is now an archaeological site of sorts that reveals aspects of life in society which have been lost. And that’s just part of the story.
The bizarre story of Elliot "White Lightning" Scott, who plans on becoming Canada's first action hero with his low-budget karate epic, Blood Fight. This surreal documentary captures two years in the lives of a passionate amateur filmmaker, his supportive partner Linda Lum, and their cast and crew of outrageous dreamers - all striving to achieve success.
After 40 years, Tom Cruise continues to push the envelope in film. Exposing one's heart to the world through their work is not only risky business, as far as Cruise is concerned, it is the only way to achieve an end that feels complete.
A French documentary or, one might say more accurately, a mockumentary, by director William Karel which originally aired on Arte in 2002 with the title Opération Lune. The basic premise for the film is the theory that the television footage from the Apollo 11 Moon landing was faked and actually recorded in a studio by the CIA with help from director Stanley Kubrick.
For years, together with his partners from the production company O Quadro, he has been betting on cinema as a tool to explore the typical issues of youth. In this film, Evandro Scorsin turns the cameras on himself as he deals with the dilemmas of the passing of time and the imposition of adulthood. In an exercise in autofiction where cinema and life merge, the film is also a cinematic love letter to the beloved masters (especially Nicholas Ray). Coming and going between two countries and times, it records the vertigo of displacement and the reinventions inherent to an immigrant experience.
The personal stories lived by the Uncle, the Father and the Son, respectively, form a tragic experience that is drawn along a line in time. This line is comparable to a crease in the pages of the family album, but also to a crack in the walls of the paternal house. It resembles the open wound created when drilling into a mountain, but also a scar in the collective imaginary of a society, where the idea of salvation finds its tragic destiny in the political struggle. What is at the end of that line? Will old war songs be enough to circumvent that destiny?
Is the Burlington County Prison Museum haunted? Do the spirits of executed prisoners continue to roam its halls? The answer will shock you! A group of paranormal enthusiasts entered the Burlington County Prison, in Mount Holly, New Jersey, to capture photographic, video and audio evidence in hopes of validating eyewitness testimony.
The Forbidden Files, films of Jean-Teddy Filippe, flirt with fantasy featuring pictures and voiceovers to create the illusion of a documentary about the strange events from around the world.
Anything can happen on Russian roads and is precisely shot by the dashboard camera. Super-objective video registration grows into the strong image of Russian national character – with its permanent awaiting for the miracle and habitual approach to real dramas. A forest on fire as a symbol of Russian hell, a military tank at a car wash and car chase in the vicinity of Kremlin shot with a dashboard cam at the same time when Boris Nemtsov, the leader of political opposition, was shot dead near Kremlin. Dashboard cam depicts life in it’s purity as an unbiased observer.
The shooting diary of a film shot in France and in the United States. Using photos of Paris and of New York City, excerpts of his former films, statements by friends of his and shooting sequences of the film itself, tormented filmmaker Marcel Hanoun has made a heterogeneous and unclassifiable film about the difficulty of filming.
In this film from late in his career, Kramer returns to Hanoi after nearly 25 years to re-envision the city’s struggle through an uncertain and daunting past, present, and future. The Vietnamese characters in the film are diverse: Kramer’s former guide from an earlier visit in 1969; a tight-rope walker in the national circus; a man who took photos of B-52s and another who lost his fingers shooting them down.
Personal diary-style documentary of German Gay rights activist Von Praunheim's sojourn in the US.
An experimental short film shot on Soviet Sveta 8mm film stock expired in 1984. It documents the 25th birthday of the filmmaker.
Brief scenes of death related material: mortuaries, accidents and police work are filmed by TV crews and home video cameras. Some of it is most likely fake, some not as much.
The third installment of the infamous "is it real or fake?" mondo series sets its sights primarily on serial killers, with lengthy reenactments of police investigations of bodies being found in dumpsters, and a staged courtroom sequence.
Follows the same pattern of the other Faces of Death movies. In this one we see many staged and not so staged looking deaths ranging from bungee jumping accidents and magic tricks gone bad.
A direct-to-video compilation of the highlights of the earlier films in the Faces of Death series.
A direct-to-video compilation of the highlights of the earlier films in the Faces of Death series.