Voicemails For The Unknown Receiver

The Saskatchewan Trilogy Part I(en)

Using home movies, vintage memorabilia, and the straight facts about Saskatchewan, the filmmaker creates an eccentric portrait of the first year of his life, and the province that shaped his identity.

Adios My Love(bn)

This film is about a conversation between a woman and an old house.

in this house(en)

A collection of images, existing films, and personal footage. All of these melted together to show the destruction of time, and the decay of beliefs. Ranging from religious fundamentalism, sexual identity, the collapse of Western Society, and humanity’s contribution to art, literature, and mixed-media.

ANA C.(pt)

ANA C. uses videoart and videoperformance to express the relationship between the marginalized poet Ana Cristina Cesar with art itself.

Without You I'm Nothing(en)

Cameron and Sylvia, a young couple in their early 20s, share a touching last evening together before he departs for Paris, where he plans to pursue his dream of becoming a chef. Fast forward four years later, where present-day screens reveal Sylvia and Cameron, still moved by the memory of that unforgettable night. Despite the passage of time and their divergent paths, their connection endures, delving into themes of love, separation, and the everlasting impact of shared experiences.

Violent Incident: Man-Woman, Segment(en)

In this video work Bruce Nauman explores violence, gender and behaviour. Set around a simple middle class dining table, the scene quickly escalates into a slapstick fight between a man and a woman. Their actions become increasingly more erratic and aggressive yet also ridiculous and cartoon-like as the video progresses. Nauman explores the ways in which anger can be provoked by others and questions the way we can react to them. Much like many of his other artworks, he employs the use of humour and exaggeration to explore serious and even dangerous topics - he produced this work as a result of his frustration with futile acts of violence in ordinary life. He explains, “The viewer is presented with a hypnotic repetition of pointlessly cruel and destructive violence which is both seductive and alienating.”

PRESENCE(en)

Presence narrates the journey of Thati, a woman determined to overcome her anxiety attacks through surfing. She finds refuge in the waves, where the surfboard becomes her ally and personal therapy.

Iklonom's Heavy Machinery(en)

Experimental film about a guy that really likes to read books in the forest.

Urute vv(pt)

An intimate glimpse into 3 years of serene moments, compiling video, polaroids and other things that were lying around when editing.

Margaridas(pt)

Videoart inspired by Daisies (1966) by Věra Chytilová. This short film explores teenagehood feelings as a woman by mixing psychedelic elements and instrumental music.

Mathilde(fr)

An old man comes across a fascinating archive, then meets a woman who introduces him to the life of a banker, patron and philanthropist. A moving essay that is part documentary, part film diary.

A Haunting of Past Ink(en)

A person receives old entries from their diary, unsure of who is sending them. They eventually arrive at a moment of transcendence.

Alma(es)

Alma is a young film lover who dreams of one day making a living creating stories. Determined, she decides to go to the city to study film, but finding herself alone and without the care of her mother, she collides with the dangers of the big city, which makes her question whether she is following a good path or has just let herself be carried away by the illusion of a dream.

Everything's Fine(en)

An experimental short film using only free archival footage.

Memoirs of a Strangler of Blondes(pt)

First film by Julio Bressane shot in exile, "Memoirs" is a film about a man who repeatedly kills the same type of woman in same places, the same way. Filmed on the streets of London.

“(ಥ﹏ಥ) ✧_My Parents Are CIA Psy0ps_!!!* ಠ_ಠ"(en)

On a sleepy summer night in 2004, eyes peer into the world-wide-web: traveling between conspiracy sites, malware, porn, and mp3 databases in an attempt to lose (find) themselves. Passing through blog graveyards, broken hyperlinks, and digital spirits, they begin to realize the Internet is so much more. Lost websites, anon forums, and inexplicable pixels singing to a prepubescent soul. An ode to the 2000s webpage and flash game culture.

The Goddess on the Throne(sq)

Hyjnesha në Fron traces an endlessly expanding echo in the present void - a haunting sound of rhythmical distortion, stretching over excavated images. A search but also a starting point: For demanding historical spaces filled with objects and people whose sudden reoccurring make the entanglement of absence and violence hauntingly concrete.

le has echado sal a esto?(es)

Al-Nasr Al Tair(es)

PRÓXIMO!(pt)