Cheers,(2024)

O Novo Corpo(pt)

On an isolated farm, a woman finds an injured and frightened woman in her old chicken coop. Moved by an inexplicable instinct, she decides to help her, without imagining that this silent encounter will awaken buried secrets. When tension finally gives way to trust, something dark approaches, bringing a truth that no one could have foreseen.

Broken(es)

Bunraku(en)

In a world with no guns, a mysterious drifter, a bartender and a young samurai plot revenge against a ruthless leader and his army of thugs, headed by nine diverse and deadly assassins.

Resonances(en)

"Resonances" is an abstract journey that invites diverse interpretations. For some, it’s the tale of an ant that delved too deep, for others, a puppet seeking freedom. The narrative evolves with the viewer, offering no single path but rather a multitude of meanings. Free and autonomous, "Resonances" challenges you to explore with your mind and question with your soul. Only through personal reflection will the answers reveal themselves, making the experience uniquely yours.

I’d like that corner seat over there(ko)

An omnibus film based on Kim Oki's album Hip Hop Retreat. Twenty characters share the same table at different times, in different emotional states, each with their own story. Shot in one day, edited in one day.

Morning(pt)

A young man with psychological problems who finds it difficult to separate what is real and what is imaginary.

Blues Harp(ja)

Ambitious yakuza Kenji befriends harmonica-playing bartender Chuji, who moonlights as a part-time drug-dealer for the opposing gang. Their friendship is threatened by Kenji's plans for advancement, as well as by his bodyguards growing jealousy of Chuji.

Intimacy(en)

Failed musician Jay abandoned his family and now earns a living as head bartender in a trendy London pub. Every Wednesday afternoon, a woman comes to his house for graphic, almost wordless, sex. One day, Jay follows her and learns about her. This eventually disrupts their relationship.

ghost town.(en)

A young man has an anxiety attack and in an attempt to feel something, he skips through Kanye West's 2018 release, ye, until he lands on Ghost Town.

The Funeral(en)

After the funeral of one of their own, a criminal family decides to embark on an emotionally unnerving journey in an attempt to exact bloody revenge.

hands(en)

A personal reflection on hands, the word "tear," and caring for oneself that experiments with sound, silence, and definitions.

Purgatorium(en)

After his death, a young man stuck in purgatory attempts to cope with the afterlife.

Bring Me the Head of Alfredo Garcia(en)

An American bartender and his prostitute girlfriend go on a road trip through the Mexican underworld to collect a $1 million bounty on the head of a dead gigolo.

Blonde Starlet Acid Trip(en)

A famous Blonde Starlet drops acid and turns into midnight.

She's in Portland(en)

Two college friends, now in their thirties, admire each others' lives and feel trapped in their own. Wes, tied to a demanding career and responsibilities to family, extends a work trip to drag his dispirited artist friend Luke to find Luke's "one that got away."

PREP(en)

A bodybuilding fever dream fueled by childhood trauma, food porn and acid techno music.

Me + Her(en)

Creating a universe between two small pieces of Cardboard. When Jack and Jill of Cardboard City are separated by Jill's torrid illness, Jack must think outside the box to assure they will be together again.

Speaking in Tongues: Take One(en)

A 16mm experimental film that analogizes the discourse of racialized criminality and the carceral apparatus, which surveils and delimits the movements of Black people’s bodies, with the conventions and mechanics of the cinematic apparatus which regulates and standardizes the movement of the filmstrip through the motion picture camera and projector. Equal parts essay and visual art, Speaking in Tongues embodies the cinematic Black ecstatic that simultaneously re-envisions resistance defiance in the face of anti-Black state violence and subverts the conventions of cinematic realism through a manually and optically altered collage of original documentary and archival film sourced from Hollywood movies, television commercials, educational films, cartoons, European art cinema and miscellaneous ephemera.

Phantasia(xx)

X-ray images were invented in 1895, the same year in which the Lumière brothers presented their respective invention in what today is considered to be the first cinema screening. Thus, both cinema and radiography fall within the scopic regime inaugurated by modernity. The use of X-rays on two sculptures from the Bilbao Fine Arts Museum generates images that reveal certain elements of them that would otherwise be invisible to our eyes. These images, despite being generally created for technical or scientific purposes, seem to produce a certain form of 'photogénie': they lend the radiographed objects a new appearance that lies somewhere between the material and the ethereal, endowing them with a vaporous and spectral quality. It is not by chance that physics and phantasmagoria share the term 'spectrum' in their vocabulary.